Bad Art Club: disfruta de la exploración creativa sin la presión de "hacerlo bien"
Qué está incluido
6 reuniones en vivo
5 horas 30 minutos horas presencialesTareas
1-2 horas por semana. Assignments are fun "quests", "invitations" and "experiments" that are optional, but encouraged. There will include: - making more art using the prompts of the previous class or the assignment prompt - looking around for things they think are ugly, pointless, broken etc, as inspirations for the next class - journaling their thoughts on their creative process, what makes art "good" or "bad" - finding art they made when they were younger and thinking about what they like or don't like about it, and how it feels to judge our younger self harshly or kindly - looking out for times other people are judgy, or situations where people worry about being judged, and thinking about what that means - finding artists whose work they like and don't like, making notes on bothCertificado de finalización
A Bad Art Club Member Certificate is given after attending 3 sessions, and the Bad Art Club Certificate of Completion is given at the end of the 6 weeks, after the student completes a "reflection" on their experiences and learnings in the club. Full attendance is enouraged but isn't required to gain the certificate, especially if there are special circumstances, neurodiversity or medical issues etc. If a child is unable or unwilling to complete a "reflection", their parent can complete one for them and send it to me, the child will then get their Certificate if they want one.Experiencia de clase
Nivel de inglés - A0
Grado de EE. UU. 6 - 8
Nivel Beginner - Advanced
Hi, I'm Pascale, and the picture in the listing is from one of my "bad art" books. I love making art when I don't know what it's going to be. I find it incredibly freeing. For any child or teenager who used to enjoy drawing or making art, but then felt really self conscious of other people judging their work, this club is for them. Or for any child who was never interested in art but recently has expressed an interest, but they're feeling self-conscious that what they draw or paint "isn't very good" - this club is for them. Some of the topics we'll explore (1-2 different "invitations" or "experiments" each session): 1. "Taking a line for a walk" just letting the pen, pencil or crayon do the doodling. 2. Using ordinary "found" paper and pens - the back of an envelope, drawing on an old magazine, post-it notes, whatever is in the kitchen drawer. 3. The joy of scribbles... dots... lots of small circles... wiggles and squiggles... 4. Whatever you think will make it "better", don't do that! Do something different. Make it intentionally ugly. 5. Mixing colours that don't make sense. Yellow with purple? Pink and red with a bit of brown and lime green? Why not? Sludgey watercolours mixed with dirty paint water - why not? Layer all the crayons on top of each other until they merge into grey-brown. Forget everything you know about the color wheel, instead try to make it an ugly colour combination. 6. Rip it! "Ruin" your art by ripping, folding, squeezing, smudgeing or drawing right through the paper by pressing down with a ball point pen. (Remember to protect the surface behind. We're making bad art, not ruining the table.) 7. Embrace the cringe. Make word art from all the ideas you can think of that are "cringe". Think of 3 people you'd definitely NOT want to show your bad art to, becausee they might find it cringe. 8. Student-led ideas. I invite students to suggest more "bad art" ideas. They come up with all sorts of silly, fun things. I'll also share some of the drawings I've made which are very messy and ugly. I'm an architect, and I went to art school, so I've worked a lot with drawing, professionally. But I really love to make cringe-bad art, and I even share it online which always gets a lot of comments. In each session of Bad Art Club I guide the students with "invitations" and "experiments" which open up their imagination for new possibilities. I'll offer a step-by-step for those who want more structure, until they feel confident to go "freestyle" following their own ideas. I will give suggestions and help club members to get started throwing shapes on the paper. It they get "stuck", I'll give them a few ideas to get unstuck, get their creativity flowing again. Students can show their work, or they can not show their work, as they like. The point is to enjoy exploring and to get past the feeling that other people are going to judge what we're doing. Even we don't have to judge what we're doing. We can mess it up, it's all fine. Bad Art Club will be a lot of fun for an hour, convivial and friendly, and also reconnect them to their love of making and being creative.
Metas de aprendizaje
Creative confidence, free expression, wild and authentic exploration.
Break out of perfectionism, performance anxiety, and the pressure to "get it right".
Otros detalles
Necesidades de aprendizaje
Class in inclusive and accessible for neurodiverse students. Students do not need to show their work or engage verbally. Students are encouraged to "do their own thing", or to follow the guidelines. Whatever helps them enjoy taking part.
Requisitos previos
No prerequisites, just an interest to make images without judging whether our images are "good enough".
Lista de útiles escolares
- Any type or quality of paper, and any type or quality of drawing implement (pen, pencil, crayon, chalk, charcoal) or paints/inks. Preferably bring 5+ pieces of paper per class, so they can try lots of things. Just the back of an old envelope and a basic pen or pencil is fine to start with! - Students can work on a tablet with a drawing software like MS Paint, Canva or Procreate. I encourage working on paper as it's more spontaneous and you can wet/rip/crumple up the paper, but students who prefer digital are welcome to do so. Bear in mind that they should be able to watch the zoom class and take part there, at the same time as using their drawing software, so they may need two devices. - Students can bring collage materials, magazines, stickers, glitter, bits of string, leaves, interesting textures etc... don't forget glue or a gluestick! ... but they absolutely DON'T have to. This is Bad Art Club so using whatever is to hand is very appropriate.
Experiencia y certificaciones del docente
I'm a qualified architect, with Art Foundation, Master of Arts in Architecture from the University of Cambridge, and a Master of Science in Architecture, winning several awards.
I have sold artwork and made commissioned pieces.
I have led in-person design workshops with 6 to 600 people, aged 8 to 80, and taught on Outschool since 2020.
I have designed many schools in and around London, specialising in "SEBD" alternative provision, for children with "Social, Emotional and Behavioural Difficulties" (now called SEMH, Social Emotional and Mental Health support.)
My Early Years - or, How I Lost my Love of Making Art... at Art School!
I was a prolific creator as a small child, I loved to make, and this continued into my teen years where I built up an amazing portfolio of work and even sold some of my pieces. I longed to go to art school.
However, once I was there, I was completely confused by the teaching and my work was judged to be "wrong". This knocked my confidence hugely. Then again at Architecture school, I felt crushed by the negative judgments of the tutors, with stand-up presentations every 1-2 weeks for 5 years. Despite gaining a good degree and winning awards at postgraduate level, I still had a big dent in my creative confidence.
The problem, I realised many years later, was that I had constantly felt judged as a person, by well-meaning adults who critiqued my artwork. Even when they said it was "good", that created internal pressure to "keep making good art". I carried this desire to impress other people - and internalised fear of letting people down, not fulfilling my potential, or being laughed at or judged harshly - until I was in my 40's. I still had to draw, design and create for work in my architecture business, and I loved collaborating with artists, but I felt very self-conscious. It didn't help that I was hanging out with top-level artists and designers, who I judged to be "much better than me".
I would often start my own art projects, but give up as my self-confidence withered and I didn't want to show anyone my artwork.
It was having my own children that made me come back to art as a free, exploratory activity. They had fun with it! I encouraged that in them and to not let other people's reactions to their drawings influence them too much - even the praise. As Carol Black says in her brilliant essay "Children, Learning, and the 'Evaluative Gaze' of School", "a watched pot loses the desire to boil". A child praised for their artwork can become very self-conscious and afraid to make "mistakes".
I've worked a lot with drawing, professionally. But the pressure of people judging my art work was so strong that I lost the desire to make art and to be creative.
Now I make ugly art on purpose (as well as some beautiful things) because it helps me to be more creative. It helps me to be free to explore things that I don't have to worry about what it's going to look like. Sometimes it does end up looking really nice, or it gives me an idea for a new texture or combining different art materials. Mostly I just enjoy the freedom to "make a mess", ruin the paper, let a line take itself for a walk across multiple pages...
My daughters and their teen friends enjoy the freedom they feel to explore with art, music, film, creative writing etc. Often they think what they've made "isn't very good" or "isn't how I hoped it would turn out" - but when they go back to it later, they see it with fresh eyes.
I'm delighted to be able to share the love of creativity with children and teens in a friendly, encouraging, fun, non-evaluative learning experience.
Reseñas
Clase grupal
84 US$
por 6 clases1 x por semana, 6 semanas
55 min
Videoconferencias en vivo
Edades: 11-14
1-18 alumnos por clase
Asistencia financiera
Tutoría
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