$37
for 3 classesBeginning Adventures in Charcoal Series : Making a Mess to Get to Mastery
Completed by 7 learners
Ages 10-12
Live Group Class
Live video meetings
1x per week, 3 weeks
3-7 learners per class
90 min
What's included
3 live meetings
4 hrs 30 mins in-class hoursClass Experience
The Overview: If you have either never tried or, have had disastrously messy results with charcoal then this is the class for you. In this three part series, we will learn all about charcoal, explore how it works, figure out simple tips and techniques to improve our control of the medium examine the work of professional artists, and try our hand at a simple challenge. The Nitty Gritty: At the start of the series I like for us to take a little time to get to know each other a bit and establish our boundaries and culture as a group. From there we can move forward with our explorations knowing that everyone is on the same page. The classes follow a short lecture format with breaks for student exploration. Students will be asked to observe, analyse, explore, problem-solve, share ideas, and copy. During the class we will also touch on a little art history by considering charcoal drawings from a few professional artists. In the end students will test their newly acquired skills with a simple challenge. The week between each class offers students more time to explore, practise and reach out with questions. Support materials have been created and made available for download to support student's continued growth outside of class. It is important for students to check class posts and messages to make sure that they have the materials needed for each session. N.B. Please note that this is not a product based class. This class is designed to provide students with the foundation skills to properly use the medium so that they can continue to practise on their own with confidence. It is helpful, but not necessary, if your student already has some instruction and skill drawing with pencil. Breakdown of Class Sessions- Session 1- Getting Acquainted- 90 mins Introductions and warm-up activities- This is an opportunity for students to get to know each other a little better and for the new group to define the culture of our learning environment. Introduction to medium- Students are provided with a brief history and background to help them better understand and appreciate the medium. Introduction to analysing and talking about art- Students are introduced to works by professional artist and practise making observations, thinking about what they see and asking questions. Introduction to marking making- Students are provided with prompts and invited to explore mark making and mark removal with their charcoal. Introduction to reflection and goal setting- Students are prompted to think about their explorations, share their experiences and set a goal for themselves for our next session. Session 2- Establishing Values (lights and darks)- 90 mins Review and sharing- Together we recap our guidelines for our learning environment, any insights discovered and check in about our goals. Defining values- Using visual references and observations we work to observe and define values. Creating values- Students build on previous explorations with mark making and work to create values. Using the value scale- Students are introduced to the uses and benefits of the value scale. Simple shapes and values- Students work on on applying values to simple shapes and then on their freehand contour drawing. Reflection and goal setting- Students are prompted to think about their explorations, share their experiences and set a goal for themselves for our next session. Session 3- Applying our Values- 90 mins Review and sharing- Together we recap our guidelines for our learning environment, any insights discovered and check in about our goals. Simple shapes and Values- Students continue to explore applying values and using different kinds of mark-making to simple shapes. Further Observation- students share and discuss their work and experiences and questions. Further Observation part 2- students work to hone their observational skills and try their hand at a more complex object. Reflection and goal setting- Students are prompted to think about their explorations, share their experiences and set a goal for themselves as they continue to practise and explore on their own.
Learning Goals
Students will improve their understanding of how to choose the appropriate paper for a charcoal drawing, how to use the various types of charcoal to achieve their desired outcome, how to create a range of values and apply them to a simple shape to create the illusion of form and how to minimise mess and frustration when working with the medium. Students will also explore mark-making with charcoal and will be introduced to and discuss the work of an artist (or two) who has a significant work/works in charcoal.
Other Details
Supply List
Materials Needed: (Estimated prices when listed have been sourced from Dick Blick however, if you have a local art supply store you might consider supporting them) For any of the materials listed below it may be useful to share with another family if possible or purchase items individually from your local store until you know that your learner enjoys the medium and plans to continue. Items marked with a * are essential for the class. (I have also created a supply list here, to help simplify this process if needed. https://www.artmaterialsonline.com/drawing-illustration/mess-to-mastery-charcoal-drawing-class-supplies/ ) 1. Paper - A couple sheets of standard smooth paper (copy paper or the pages of your sketchbook) and - *Charcoal paper or any sturdy paper that has tooth or texture. Any Strathmore 300 series charcoal pad will do. You may choose a size depending on your students preference but I recommend the smaller 9x12 for beginners. $7.75 ,or individual sheets from your local art store. 2. Charcoal *Vine or Willow charcoal *Compressed charcoal *A set of charcoal pencils- medium (2B), soft (4B), extra- soft (6B) and white (white is optional but fun to use) You can often find student kits with a small number of each of these items. "General's Charcoal Drawing Assortment" Beginner kit offers the above pencils minus the white plus a kneaded eraser (see below) for around $12.57 3. Blending Tools Tortillion/blending stump (good to have for exploration but fingers work also work well) cotton buds/*tissue/soft paint brush (any of these items can be used for blending and will provide your learner with more options) 4. Erasers *A good quality plastic eraser (that you are willing to cut up) * Kneaded eraser Mechanical eraser (that way you don't need to cut up your regular plastic eraser [see above] please note that you will need plastic eraser [above] whether or not you purchase a mechanical eraser) Small leather chamois (this is a good tool to have for those serious about working with charcoal) 5. It is also useful to have a small square of sandpaper handy to sharpen your charcoal. 6. Each class students will be provided with materials for review, these can be printed out prior to class or accessed on-line during class. Please do not read through or watch materials until prompted.
External Resources
In addition to the Outschool classroom, this class uses:
Sources
I have developed a few downloads for these classes which I will post a day or two before and/or right after each session. You may need to download or print some of these resources before class so that you have access to them during class. Please check our class posts and messages often to make sure you have everything you need.
Meet the teacher
Teacher expertise and credentials
Dear Families,
Thank-you for taking the time to visit my page.
My Background…
I am an International Baccalaureate (IB) certified teacher with three years of experience teaching Visual Arts in an international IB school. Prior to that I taught for roughly two years in the United Sates in charter schools and also spent seven years homeschooling following an eclectic model which pulled largely from Life Learning and the literary and nature-based aspects of the Charlotte Mason model. Over the years, I have engaged in countless professional development opportunities ranging from Harvard University’s Project Zero series - “ Creating Cultures of Thinking” to Art of Education University’s graduate class , “ Choice-Based Art Education”.
Additionally, I have worked as a professional artist in media arts (film and video) and in the textile arts (primarily with silk).
My Offerings…
I believe that every artist should feel confident in their foundation skills so that they can communicate their ideas and emotions freely. As such I will frequently offer classes to help your aspiring artist to develop and expand their observational and drawing skills. These offerings range from still life drawing to media specific bootcamps and will expose students to essential techniques, tips and tricks, a little bit of art history, as well as information about how to read and use the elements of art and principles of design.
Beyond this, I enjoy exposing my students to a wide range of media and supporting/guiding them through the ideation process. I love working with clays, printmaking, multimedia etc. and will also, periodically offer student led project-based classes in a range of disciplines and media.
My Philosophy…
It is clear to me that everything is connected. I have witnessed first hand how an act of kindness in the classroom can set off a chain reaction of positivity and vice versa. Now more than ever our connectedness from a global stand point is blatantly evident. Because of the ways in which we are connected our ability to think creatively and critically, problem solve, and have empathy are more important than ever. I do my best to provide my students with as much space as possible to develop these essential 21st century skills. This tends to play out to a greater extent with the project -based offerings where students often need to problem solve, brain storm and consider things from multiple perspectives. In the skill-building classes students are given as much space as possible to investigate and discover but much of their time will be used to develop and practise their fundamental skills. Often, I combine the two to ensure that students have the skills needed to work confidently on their projects.
More about me…
Currently, I live in the south eastern united states with my family but I’ve lived in three countries and visited sixteen! Everywhere I go I am struck by how much we are all alike and how delightful and magnificent our differences makes us!
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