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即興時間機器!穿越戲劇藝術的戲劇史進行表演

沉浸在數千年的戲劇中,成為角鬥士、卡塔卡利舞者、即興喜劇演員、啞劇演員等等…
Gordon Woolvett, ACTRA / UBCP / WGC
平均評分:
5.0
評論數量:
(310)
熱門課程
新星
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玩

包含什麼

12 現場會議
11 上課時間
評估
At the beginning of each lesson, the class is given an oral test of the previous week and marked as a group.
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課堂經歷

英語程度 - 未知
Beginner - Advanced 等級
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Happy September! I'm feeling excited to start another school year which means you get a limited time offer to try one free class; but this month only! Just use code WOOLVBKTOSCHOOL25 when you enrol in any of my classes (except 1-Day) during September.
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Have you ever wondered why mimes even exist? Did you know that for hundreds of years during the middle ages, throughout Europe (when theatre was actually outlawed) mime was one of the only kinds of theatre that existed! ... But do you know why?  There is a really clever reason mime rose to such popularity for so long. Jump into our time machine and travel through the evolution of theatre with us to find out! 

Our journey begins with an introduction to the world of drama through acting and improv exercises to get the class acquainted right away. I use improv games in every class to keep them engaged and interacting. We will use those exercises to build our time machine (every class must build their own time machine) and then we set out for the Renaissance in Europe when, and where, we commence with, of course, Shakespeare! From there we travel backward through time to different nations and periods to learn the evolution of theatre and discover the differences (and striking similarities!) from myriad cultural perspectives. 

At every stop along the way we literally immerse in - using zoom's immersive view - and learn about the importance and style of the prominent performance of that time and place, its particular characteristics and its role in society. Then we spend the second half of each class trying out that style of theatre; with scripts & scene guides or improv, getting a taste for  Greek tragedy, Japanese dance drama, silent acting, breaking the fourth wall, acting with their noses and hands as in Sanskrit in India, improvising with stock characters and slapstick comedy, speaking gibberish, melodrama and much more.  etc. 

By the 10th class we will have worked our way back to today. We put away the time machine and spend the last two classes using what we have learned to create our  modern storyboard for their final improvised performance in the last class.  

***For classes that really want to turn this final improvised story into an actual script, we can add a couple of free makeup meetings as a bonus, if it works for everyone's back to school schedules.  ***

What your learner will learn in this class: 

- Why does drama as an art exist? Who started it?
-Introduction to story structure, scene structure, script formats, stage, film, plot, conflict, settings, characterization, comparing and learning the difference between stage, film, TV and social media around the world.
-How modern scenes are broken down for subtext and learning to deeply understand what is going on behind the words.
-Learners will tryout many different acting techniques from historical to modern (sensory recall, method acting, Sanford Meisner, Lee Strasberg, melodramatic, pantomime etc.)
-Improvisation: using archetype characters, stock characters, creating their own character, story conflicts, stakes and resolutions 
-(Improv exercises are great for building confidence and developing better communication skills)
-When time allows students will also take turns directing each other
-How to create rehearse, and mount a short production from storyboard to the final curtain call 
-For the final script they will have their choice of genres and storyboard guides to choose from, with room to adapt it to their own choices. They will create the story and improvise the scenes and dialogue. Then I will commit what they create to the page between classes so they have a final polished script to use for their project.  
-This final project serves as their "final test." I will gently guide and assist, but the choices will be up to them.

My goals for this class are:

1) To take them on a fun, interesting and immersive journey through time. 
2) To provide lots of opportunity to get out of their seat and try different styles of performance.
2) To foster a deeper respect and admiration for other cultures.
3) To educate learners on  "foreign" elements of artistic performance by demystifying theatre traditions around the world and answering questions like: Why is that mask so creepy and scary looking? Why don't they speak when they dance?  How do they make their eyeballs so red?? Why do they move their hands like that?
4) To teach them the importance of theatre & movies and their deep connection to society.

I love teaching theatre, movies, acting, writing & improv on Outschool. I have been doing so here for over two years now. A few parents asked me to offer a more comprehensive drama program for their learner's education... and so here it is!  

I hope to introduce your learner to the thrilling world of drama history!
學習目標
1) For new performers, the basics of improv: collaboration, association, acceptance and exploring details
2) For experienced improvisers: scene elements, story & plot
For all: 
3) A deeper understanding of the complex relationship between society and theatre and the effects they have on each other
4) The importance of theatre within any given society.
5) General knowledge and understanding of the various cultural and traditional styles of theatre we will visit.

But mostly:
I aim to spark within your learner both a desire to learn more about theatre arts and a respect for the way different cultures use theatre for different purposes.
學習目標

教學大綱

12 課程
超過 12 週
課 1:
Building the Time Machine
 Intro to improv for new learners, refresh for advanced and returning learners. We will use improv throughout the course. 
55 分鐘線上直播課
課 2:
The Renaissance 1400-1600 CE
 Commedia Del Arté, Shakespeare 
55 分鐘線上直播課
課 3:
The Middle Ages 400-1400 CE
 the 3 M's of the Middle Ages: Morality, Mystery & Miracles (plus a secret 4th M!) 
55 分鐘線上直播課
課 4:
Ancient Asia 1 BCE
 Sanskrit (and later Khathakali) 
55 分鐘線上直播課

其他詳情

父母的引導和規範
It must be said that a discussion of historical theatre cannot be had without touching on religion and politics. Religion and the state had a heavy hand in both the creation and suppression of theatre across many cultures. I try to keep this to a minimum while maintaining historical accuracy and I make every effort to provide a balanced perspective in a positive manner that above all else is inclusive of everyone's ideas and beliefs. Also, as we explore the world, learners may be presented with the task of acting as characters who have different beliefs and ideals other than their own. I strive to ensure all learners are comfortable and they will be more than welcome to decline these moments if they arise. When this happens I keep it light by giving them an active spectator or director role instead, calling for lots of applause, laughter or hearty enthusiasm appropriate to the crowd of that era.
外部資源
學習者無需使用標準 Outschool 工具以外的任何應用程式或網站。
來源
Drama Teacher Academy - PD certificate - Approaching Drama Class with an Indigenous Perspective Drama Teacher Academy - PD certificate - Teaching Theatre with Divergent Students and Class Sizes in Mind Drama Teacher Academy - East Meets West Theatre Traditions (Noh, Kabuki, Sanskrit) Britannica.com - general fact checking Drama Notebook.com - Native American Integrated Arts; Pantomime; Asian Theatre History; African American History Month Drama Activities; The Royal National Theatre of London - Commedia Del'Arte
已加入 April, 2020
5.0
310評論
熱門課程
新星
教師檔案
教師專業知識和證書
I want to acknowledge that as Canadian of Scottish descent, I have no right to speak on behalf of other cultures around the world nor claim to speak from experience of diversity. I am sensitive to this.  My lifelong experience and training is in theatre arts and performance, and it is from that place I find my voice and focus. I aim only to share the respect and awe I have come to know from learning about theatre around the world throughout history.

I first enrolled in theatre school when I was 8. I then began a professional film and television career when I was 12. That was over 35 years ago. 

I continued to train for eight years in acting, improv, musical theatre, scene study and performance. And then my career took off and I could only keep up with training periodically. I was a lead actor in 5 different TV series and did too many movies to list. I always continued to return to training along the way, with various teachers and coaches, expanding to include techniques and styles of Chekov, Meisner, Strasberg, Method acting, and yet more improv. I still train now, with peers, when time allows.

I was fortunate enough to achieve minor celebrity status for a time (people often recognize me from the Bride of Chucky or Gene Roddenberry's Andromeda). I have been lucky to work alongside many bigger names and some great actors; Jennifer Tilly, John Ritter, Kevin Sorbo, Louis Gossett Jr, Katheryn Heigl, James Woods, Rhea Perlman, Michael Moore, Michael Ironside, Alan Arkin, David Carradine and Eugene Levy, just to name a few.  For the Canadian Geminis (what used to be Canada's answer to the Oscars or Emmies and are now called the Canadian screen Awards), I was nominated twice and won once (2002). 

I love teaching about theatre, movies, acting, writing & improv on Outschool. I have been doing so here for over two years now. A few parents asked me to offer a more comprehensive drama program for their learner's education... and so here it is!  

I hope to introduce your learner to the thrilling world of drama!

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現場團體課程
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US$21

每週或US$245 用於 12 課程
每週1次,共 12 週
55 分鐘

有19 位學習者完成此課程
即時視訊會議
年齡: 10-15
3-6 每班學員人數

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