Club de lectura y grupo de debate afroamericano
Qué está incluido
1 reunión en vivo
40 minutos horas de clase por semanaExperiencia de clase
Nivel de inglés: desconocido
Grado de EE. UU. 6 - 9
African American Book Club & Discussion Group Do you want to expand your child’s curriculum by including African American literature? Do you want your child to discuss African American literature from an insightful perspective? Come join our monthly book discussion. No written papers or long literary precis, instead students will engage in critical thinking and intelligent discourse. Book discussions will center on the overall themes of the books, character motivations and the prevailing ideas given the historic backdrop of the literature. There will be lively discussion and students will learn how to share their ideas and give and receive constructive feedback. Each month we will choose a manageable portion of literature or book for students to read; readings should take no more than about 1-2 hours a week and will be posted in the Outschool classroom. Our discussions will be sparked weekly by a thoughtful writing prompt related to the month’s reading. Students may join the class at any time because the instructor will review the previous week’s reading and discussion points from the previous week. The discussion and teaching will spiral concepts, ideas and content each week.. Students will leave the class with an appreciation for Black literature. Participants will also be able to identify ways African Americans have made grave contributions to the American literature landscape in a meaningful way. For instance, by reading and discussing the Narrative of Frederick Douglass, students will learn the strengths of narrative writing. It is hoped students will actively seek out other narratives. The class format will be as following: Class Format: • Instructor will review the content of the monthly reading and identify key themes for the week. Small segments of passages, poems, books, etc. will be explained and insight on literary material will be given. • At times students will be introduced to a poem, and students will respond to a writing prompt related to the month’s reading. Each week a different prompt will be responded to in a creative manner: the prompts will help students think deeply about the poems, prose, essays and literature. The prompts will be extracted from the instructor’s prompt book. • Students will engage in conversation using simple questions and their writing prompt responses to discuss the literature. Socratic questioning will be used. *****Students will grow to appreciate the beauty and significance of African American literature. As an African-American mother, college professor, and avid reader, my heart is to help others love and appreciate some of the most beautiful literature in the world. I also hope to inspire students to read beyond the books chosen for the book discussion club. ***** Proposed books/ materials include: For the September 2022-June 2023, the class will be using the book; Crossing the Danger Water: Three Hundred Years of African-American Writing 1st Edition by Deirdre Mullane (Editor) This inexpensive, yet extensive, anthology chronicles important and memorable African American writers. The anthology lists individual books so learners can start (or stop) classes at any time during the school year. Reading for the class is minimal. The use of the anthology makes it easy for learners to join at any time. Some learners may opt to do different weeks. Proposed reading schedule: to be posted _ Table of Contents From the book: Introduction _ THE FIRST AFRICANS IN NORTH AMERICA_ ____________from They Came Before Columbus _ OLAUDAH EQUIANO_ _____________from The Interesting Narrative of the Life of Olaudah_ _________________Equiano_or Gustavus Vassa, the African (1789) _ EARLY SLAVE REVOLTS ___________ Report of Governor Hunter on the New York Slave_Conspiracy_ _______________(1712) _ LUCY TERRY_ _______________Bars Fight (1761) _ JUPITER HAMMON ___________ An Evening Thought: Salvation by Christ with Penitential_ _______________Cries (1761) _ AFRICAN-AMERICANS IN THE AMERICAN REVOLUTION ___________ Petition of the Africans, Living in Boston (1773) ___________ The Declaration of Independence (1776) ___________ Emancipation of Slaves for Military Service During the American_ _______________Revolution (1783) _ PHILLIS WHEATLEY ___________ On Being Brought from AFRICA to AMERICA (1773) ___________ On Imagination (1773) ___________ To the Right Honourable WILLIAM, Earl of DARTMOUTH, His_ _______________Majesty's Principal Secretary of State for North America (1773) ___________ Letter to Samson Occom (1774) _ BENJAMIN BANNEKER ___________ Letter to Thomas Jefferson (1791) _ SLAVE REVOLTS ___________ Testimony on Gabriel's Revolt (1800) ___________ Testimony on the Vesey Conspiracy (1822) ___________ Letter from a Slave Rebel (1793) ___________ Letter from a Slave Rebel in Georgia (1810) _ THE FOUNDING OF THE AFRICAN-AMERICAN PRESS ___________ Editorial from the First Edition of Freedom's Journal (1827) _ THE COLONIZATION DEBATE ___________ The Argument For (1829) ___________ The Argument Against (1827) _ DAVID WALKER ___________ from Walker's Appeal in Four Articles . . . (1829) _ NAT TURNER ___________ from The Confessions of Nat Turner (1831) _ GEORGE MOSES HORTON ___________ _The Slave's Complaint (1829) _ THE AMISTAD CASE (1839) ___________ United States Appellants v. the Libellants and Claimants of the_ _______________Schooner Amistad (1841) _ THE CONVENTION MOVEMENT, 1830-1864 ___________ An Address to the Colored People of the United States, from_the ________________Colored National Convention of 1848 _ HENRY HIGHLAND GARNET ___________ An Address to the Slaves of the United States of America (1843) _ MARTIN DELANY ___________ from The Condition, Elevation, and Destiny of the Colored_ _______________People of_the United States, Politically Considered (1852)_ ____________Declaration of_the Principles of the National Emigration_ _______________Convention (1854) _ THE CASE OF DRED SCOTT ___________ Dred Scott's Petition for Freedom (1847) ___________ Reaction of the Dred Scott Decision (1857) _ FREDERICK DOUGLASS ___________ from Narrative of the Life of Frederick Douglass (1845) ___________ Letter to Thomas Auld (1848) ___________ What to the Slave Is the Fourth of July? (1852) _ HARRIET JACOBS ___________ The Jealous Mistress_ ____________from Incidents in the Life of a Slave Girl (1861) _ WILLIAM WELLS BROWN ___________ From Clotel: or, The President's Daughter: A Narrative of_ _______________Slave Life_in the United States (1853) _ HARRIET E. WILSON ___________ from Our Nig (1859) _ SOJOURNER TRUTH ___________ Address to the Ohio Women's Rights Convention (1851) ___________ Address to the First Annual Meeting of the American Equal Rights_ _______________Association (1867) _ HARRIET TUBMAN ___________ from Harriet Tubman: The Moses of Her People (1886) _ FRANCES ELLEN WATKINS HARPER ___________ Bury Me in a Free Land (1854) ___________ The Slave Mother (1854) ___________ A Double Standard _ JOHN BROWN'S RAID AT HARPERS FERRY ___________ Letter from John A. Copeland (1859) ___________ Letter to John Brown for Frances Harper (1860) ___________ On John Brown's Raid (1859) _ EMANCIPATION PROCLAMATION _ THE NEW YORK DRAFT RIOTS ___________ An Eyewitness Account (1863) _ HENRY HIGHLAND GARNET ___________ A Memorial Discourage Delivered in the Hall of the House of_ _______________Representatives (1865) _ AFRICAN-AMERICANS IN THE CIVIL WAR ___________ Men of Color, to the Arms! (1863) ___________ Camp Diary (1863) ___________ The Struggle for Pay (1864) ___________ Farewell Address to the Troops (1866) _ FOLK CULTURE AND LITERATURE ___________ Slave Song ___________ Promises of Freedom_ ____________Slave Marriage Ceremony Supplement_ ____________Plantation Proverbs_ ____________Aphorisms_ ____________All God's Chillen Had Wings_ ____________John Henry_ ____________The Signifying Monkey_ ____________Stackalace_ ____________Shine and the Titanic_ ____________Easy Rider_ ____________Joe Turner_ ____________St. Louis Blues_ ____________Joe Turner Blues_ ____________Beale Street Blues _ SPIRITUALS ___________ Go Down, Moses ___________ Who'll Be a Witness for My Lord? ___________ Joshua Fit de Battle ob Jerico ___________ I Got a Home in Dat Rock ___________ Roll Jordan, Roll ___________ My Way's Cloudy ___________ Steal Away to Jesus ___________ I Know Moon-Rise ___________ Deep River ___________ Down in the Valley ___________ Swing Low Sweet Chariot ___________ Ride In, Kind Savior ___________ My Army Cross Over ___________ Many Thousand Gone ___________ We'll Soon Be Free ___________ I Thank God I'm Free at Las' _ THE CIVIL WAR AMENDMENTS ___________ The Thirteenth Amendment (1865) ___________ The Fourteenth Amendment (1868) ___________ The Fifteenth Amendment (1870) _ RECONSTRUCTION ___________ Freedmen's Bureau (1865) ___________ South Carolina Black Code (1864-1865) ___________ Frederick Douglass' Speech to the Thirty-second Annual_ _______________Convention_of the American Anti-Slavery Society (1865) ___________ Blanche K. Bruce's Speech to the United States Senate (1876) ___________ Henry M. Turner's Speech to the Georgia Legislature (1868) ___________ Petition from Kentucky Citizens of Ku Klux Klan (1871) _ THE EXODUSTERS ___________ News Accounts from the Black Press (1879-1886) _ CHARLES W. CHESNUTT ___________ Po' Sandy ______ ___________ The Wife of His Youth _ PAUL LAURANCE DUNBAR ___________ We Wear the Mask ___________ Sympathy ___________ A Negro Love Song ___________ The Poet _ BOOKER T. WASHINGTON ___________ from Up from Slavery (1901) ___________ The Atlanta Exposition Address (1895) _ W. E. B. Du BOIS ___________ from The Souls of Black Folk (1903)_ ___________ The Talented Tenth (1903) _ IDA WELLS-BARNETT ___________ from A Red Record (1895) _ MARY CHURCH TERRELL ___________ What Role Is the Educated Negro Women to Play in the Uplifting ________________of_Her Race? (1902) _ ANNA JULIA COOPER ___________ _from A Voice in the South (1892) _ PLESSY V. FERGUSON (1896) _ THE NIAGARA MOVEMENT (1905) _ THE FOUNDING OF THE NAACP ___________ Principles of the NAACP (1911) ___________ The Crisis (1910) ___________ Agitation (1910) _ JACK JOHNSON ___ ___________ The Prize Fighter (1941) _ JAMES WELDOM JOHNSON ___________ Lift Ev'ry Voice and Sing (1900) ___________ from The Autobiography of an Ex-Coloured Man (1912) ___________ O Black and Unknown Bards (1917) _ THE GREAT MIGRATION, 1910-1920 ___________ Letters and Articles from The Chicago Defender _ RED SUMMER OF 1919 ___________ A Directive of French Troops (1918) ___________ Returning Soldiers (1919) ___________ Three Hundred Years (1919) ___________ Claude McKay, If We Must Die! (1919) _ MARCUS GARVEY ___________ Declaration of the Rights of the Negro Peoples of the World_ _______________(1920) _ ALAIN LOCKE ___________ The New Negro (1925) _ CLAUDE MCKAY ___________ The Harlem Dancer ___________ Spring in New Hampshire ___________ The Lynching ___________ Tiger ___________ The White City ___________ The Tropics in New York _ LANGSTON HUGHES ___________ I, Too (1925) ___________ The Negro Speaks of Rivers (1926) ___________ The Negro Artists and the Racial Mountain (1926) ___________ Harlem (1951) _ JEAN TOOMER ___________ from Cane _ COUNTEE CULLEN ___________ Yet Do I Marvel (1925) ___________ Heritage ( 1925) ___________ From the Dark Tower (1925) _ ZORA NEALE HUSTON ___________ Sweat (1926) _ THE SCOTTSBORO CASES ___________ Appeal of the Scottsboro Boys (1932) _ JOE LOUIS ___________ Joe Louis Uncovers Dynamite (1935) _ STERLING BROWN ___________ Strong Men (1932) _ ROBERT HAYDEN ___________ Frederick Douglass ___________ Middle Passage _ RICHARD WRIGHT ___________ The Ethics of Living Jim Crow: An Autobiographical Sketch_ _______________(1937) _ PHILLIP RANDOLPH AND THE MARCH ON WASHINGTON MOVEMENT ___________ Program of the March on Washington Movement (1942) ___________ Executive Order 8802 (1941) _ TRUMAN INTEGRATES THE MILITARY ___________ Executive Order 9981 (1948) _ PAUL ROBESON ___________ Statement to the House Un-American Activities Committee (1956) _ GWENDOLYN BROOKS ___________ The Mother ___________ We Real Cool ___________ The Chicago Defender Sends a Man to Little Rock _ RALPH ELLISON ___________ from Invisible Man (1952) _ JAMES BALDWIN ___________ Notes of a Native Son (1955) _ BROWN V. BOARD OF EDUCATION OF TOPEKA ___________ NAACP Brief (1953) ___________ Brown v. Board of Education of Topeka (1954) _ MARTIN LUTHER KING JR. ___________ Letter from Birmingham City Jail (1963) ___________ I Have a Dream (1963) ___________ SONGS OF THE CIVIL RIGHTS MOVEMENT ___________ We Shall Overcome ___________ O Freedom ___________ Keep Your Eyes on the Prize ___________ Ain't Gonna let Nobody Turn Me 'Round _ KWANZAA ___________ MALCOLM X ___________ from The Autobiography of Malcolm X (1965) _ ELDRIDGE CLEAVER ___________ from Soul on Ice _ THE BLACK PANTHER PARTY ___________ Black Panther Party Platform (1966) _ AMIRI BARAKA ___________ Preface to a Twenty Volume Suicide Note ___________ State/ment ___________ Ka 'Ba _ THE KERNER COMMISSION ___________ from The Kerner Commission Report (1968) _ AFRICAN AMERICANS IN THE VIETNAM WAR ___________ Selections from Bloods _ MAYA ANGELOU ___________ from I Know Why the Caged Bird Sings (1970) _ ALICE WALKER ___________ from In Search of Our Mothers' Gardens: Womanist Prose_ _______________(1974) _ JESSE JACKSON ___________ Address to the Democratic National Convention (1984) _ RAP MUSIC _ THE CLARENCE THOMAS CONFIRMATION HEARING ___________ Clarence Thomas' Second Statement to the_Senate Judiciary_ _______________Committee (1991) _ THE L.A RIOTS ___________ Congresswoman Maxine Waters' Testimony Before the Senate_ _______________Banking Committee (1992) _
Metas de aprendizaje
Students will grow to appreciate the beauty and significance of African American literature.
Otros detalles
Orientación para padres
These pieces were chosen after reviewing middle school and high school multicultural anthologies. Historic videos for children will be suggested for hard to understand ideas. The instructor has served on two racial reconciliation committees for nonprofit groups, and has written extensively on black literature. Below is one of her blog posts on how to use black literature in your homeschool .
Here is one of her posts: https://hslda.org/post/why-celebrating-black-history-month-is-so-important
Recursos externos
Los estudiantes no necesitarán utilizar ninguna aplicación o sitio web más allá de las herramientas estándar de Outschool.
Experiencia y certificaciones del docente
As an African-American mother teacher and avid reader with a heart to help others love and appreciate some of the most beautiful literature in the world. Carter shares with heart and scholastic grit some of the finer points of great literature. She has also served on a racial reconciliation committee and an anti-racist committee at two nonprofits.
My professional bio:
Carter is a busy homeschooling mother (of five), author, speaker and a college professor with a passion to help others. Besides teaching, she has written broadly on spiritual growth, education, and special needs She is the author of several books including Organize Your Life, Essential Writing Skills for the College Bound Student, Inspire the Writer in Your Child and Organize Your AD/HD Child. In addition to writing fiction and poetry in her spare time, she blogs regularly on issues of clarity in written communication, college admissions and the Christian family. She has a BA in English, a MFA in Writing and has done graduate study in Special Education and College Admission. Active in her local homeschool group, she has taught college-prep coop classes for several years. She has also written numerous literary guides and won academic awards for her writing. Her books have been translated into Japanese, Hebrew, German, Czech and Polish. Carter's curriculum and writing classes focus on equipping students with the vital skills for lifetime communication success. Her curriculum and classes are marked by a sense of depth, yet simplicity that nurture a love of writing in students.
Reseñas
Clase grupal
21 US$
semanalmente1x por semana
40 min
Completado por 67 alumnos
Videoconferencias en vivo
Edades: 11-16
4-8 alumnos por clase