含まれるもの
9 ライブミーティング
8 時間 15 分 授業時間宿題:
Students will be asked to study a monologue from a Shakespeare play as much as possible. Ideally, they would read the whole play, watch as many performances of the monologue as possible, and memorize it before the final class. However, as long as the students pay attention in class, take good notes, and work hard, this level of commitment is not essential. The annotations are designed to help the students in future auditions.テスト
Students will be assessed by how well they apply the techniques discussed in each class- articulation, close reading, characterization, and use of verse and rhetoric. My assessment will consist of a frank, constructive critique of what is working with their monologue, and how they can improve upon it in the future.この文章は自動翻訳されています
このクラスで学べること
This class will outline the tools and techniques of Shakespearean acting such as projection, articulation, and imagination. Each class will start with the students practicing vocal warmups with the teacher, and continue with a close reading/ slides presentation of a Shakespearean text. The course will culminate with the teacher assigning each student a monologue that they will deliver in class and can use in future auditions or drama classes. Previous knowledge of Shakespeare is helpful, but not required. Class Outline: Class #1: What does it take to Act Shakespeare? This class will outline the tools and techniques of Shakespearean acting such as projection, articulation, and imagination. We’ll also go over Shakespeare’s own advice on acting in his play “Hamlet: Prince of Denmark.” Class 2: Audition Advice: We’ll cover practical tricks and tips to bring to your next Shakespeare audition. Class 3: Acting in Shakespeare's Day We’ll travel back in time with a multimedia presentation of Shakespeare's London, and see and hear the differences between Elizabethan theater and ours. Class 4: Shakespeare’s Peculiar Language Verse and Rhetoric Shakespeare's language often intimidates young actors, but with a quick crash course, you'll learn how to use Shakespeare's verse to understand your character. You'll also use rhetoric, (the art of public speaking) to convey ideas powerfully and clearly. Class 5: Shakespeare’s Clowns- Put on your red nose and get out your joke book. We'll read speeches from Shakespeare's merry menagerie of clowns like Feste, Falstaff, and the celebrated Fool in "King Lear". Class 6: Shakespeare’s Villains- From Richard III to Macbeth, Shakespeare has written some of the most deliciously diabolical villains in the history of Western theater. By analyzing their speeches, students will learn how these villains plot and brood and make the audience complicit in their schemes. Class 7: How to deliver a Shakespearean Monologue Students will get to choose a Shakespeare monologue to work on in class, whether comic or tragic. We will go through the character's motivation, given circumstances, and the hidden clues Shakespeare puts in his verse as to the character's emotional journey. Class 8: Scene work We will briefly shift from monologues to scenes from Shakespearean plays, (whether one on one or three-person scenes). The teacher will help the students make the scene dynamic and get the characters to fight for their objectives. Class 9: Final Project/ critique Students will deliver their chosen monologue which the teacher will annotate with notes on character, motivation, verse, and rhetoric. They can then use these monologues for auditions, drama classes, or high school Shakespeare competitions. The teacher will also provide each student with a list of resources on Shakespearean acting and wish them luck in their future endeavors.
学習到達目標
Students will learn practical methods for learning and delivering Shakespearean monologues and scenes. We will cover articulation, projection, and resonance to make the students' voices heard clearly. We will then cover the techniques of close reading- delving into the text and uncovering the details of character motivation through the study of verse and rhetoric. Further topics will include persuasive speech, poetic imagery, and using Shakespeare's verse to understand his characters.
その他の情報
保護者へのお知らせ
The students will have the opportunity to rehearse and perform whichever Shakespearean monologue they wish. If they have no preference, I will present them with a possible suggestion from the list below, I have carefully selected monologues and scenes that do not portray violence or abuse, yet in the interest of transparency, I have included the list below to allow parents to decide whether or not they want their children to select them, with a link that allows you to read them yourself. Since performing is a personal and sometimes emotional activity, students will be given clear information about the content of each scene, and ample time afterward to discuss any issues or concerns they might have.
The list of monologues and scenes is as follows:
1. Henry VI, Part III, Act II, Scene v, King Henry: “This battle fares like to the morning's war”
https://www.opensourceshakespeare.org/views/plays/play_view.php?WorkID=henry6p3&Act=2&Scene=5&Scope=scene&LineHighlight=1103#1103
2. A Midsummer Night's Dream, Act V, Scene I, Snout the Tinker: “In this fair interlude...” https://www.opensourceshakespeare.org/views/plays/play_view.php?WorkID=midsummer&Act=5&Scene=1&Scope=scene&LineHighlight=1998#1998
3. Hamlet, Act III, Scene I, Hamlet: "To be or not to be..." https://www.opensourceshakespeare.org/views/plays/play_view.php?WorkID=hamlet&Act=3&Scene=1&Scope=scene
4. Macbeth, Act V, Scene v, Macbeth: "Tomorrow, and Tomorrow, and Tomorrow..." https://www.opensourceshakespeare.org/views/plays/play_view.php?WorkID=macbeth&Act=5&Scene=5&Scope=scene
5. Romeo and Juliet, Act IV, Scene iii, Juliet: “My dismal scene, I needs must act alone.” https://www.opensourceshakespeare.org/views/plays/play_view.php?WorkID=romeojuliet&Act=4&Scene=3&Scope=scene
6. Helena (MND) “Through Athens I am thought…” https://www.opensourceshakespeare.org/views/plays/play_view.php?WorkID=midsummer&Act=1&Scene=1&Scope=scene&LineHighlight=237#237
Scenes:
A. Henry IV Part ii, Act IV, Scene v: Henry IV and Hal: https://www.opensourceshakespeare.org/views/plays/play_view.php?WorkID=henry4p2&Act=4&Scene=5&Scope=scene&LineHighlight=2988#2988
B. As You Like It, Act III, Scene v: Silvius and Phoebe: https://www.opensourceshakespeare.org/views/plays/play_view.php?WorkID=asyoulikeit&Act=3&Scene=5&Scope=scene&LineHighlight=1659#1659
C. A Midsummer Night's Dream, Act III, Scene ii: Helena and Hermia- https://www.opensourceshakespeare.org/views/plays/play_view.php?WorkID=midsummer&Act=3&Scene=2&Scope=scene&LineHighlight=1260#1260
D. Henry V, Act V, Scene ii- King Henry and Princess Katherine: https://www.opensourceshakespeare.org/views/plays/play_view.php?WorkID=henry5&Act=5&Scene=2&Scope=scene
受講に必要なもの
A handout of Shakespeare resources will be provided, as will an annotation-ready version of a Shakespeare monologue for each class member.
クラス登録時に 1 の学習素材が提供されます
指導言語
英語
教師の専門知識と資格
2 学位
修士号 Mary Baldwin Collegeから 音楽、演劇、芸術 へ
学士号 Ashland Universityから 音楽、演劇、芸術 へ
I have a master's degree in acting from Mary Baldwin College and another in Shakespearean dramaturgy. I have worked professionally with such Shakespearean companies as the American Shakespeare Center, The Richmond Shakespeare Festival, Tailgate Shakespeare, and Open Air Shakespeare NRV. Some of my favorite roles include Macbeth in "Macbeth", Feste in "Twelfth Night," Moth/Lysander/Snout in "A Midsummer Night's Dream," and Prince Escalus in "Romeo and Juliet."
レビュー
ライブグループクラス
$25
9 クラス分週に1回、 9 週間
55 分
3 人がクラスを受けました
オンラインライブ授業
年齢: 13-18
クラス人数: 4 人-6 人