含まれるもの
1 ライブミーティング
30 分 授業時間テスト
I do not use tests or other standardised approaches to assessing children's progress. In this age group, testing it is not developmentally appropriate and in some cases may be psychologically and academically harmful. However, as a teacher, I do believe it is important for me to be accountable to both children and parents. I aim to deliver classes that are not just "busy work" or entertainment, but which actively contribute to each child's learning in meaningful and sustainable ways. To do this, I use continuous observation of children's activity and conversation. When I make these observations, I am specifically considering the child's development in relation to the learning outcomes of the class (see above). I then routinely provide feedback to children. This may consist of: ~ positive affirmation (e.g. "I really liked the way you communicated your idea with that painting"); ~ positive reflection (e.g. "I wonder how you came up with that idea?"); and/ or ~ positive stretching (e.g. "I wonder if you could show that idea in other ways?). This is a wholistic approach to assessment. The child's response to my feedback helps me understand of "how far" they have traveled in their learning, and then "what comes next" in their learning. I welcome questions and inquiries from parents about their child's learning progress.この文章は自動翻訳されています
このクラスで学べること
𝗪𝗲𝗹𝗰𝗼𝗺𝗲 𝘁𝗼 𝘁𝗵𝗶𝘀 𝗰𝗹𝗮𝘀𝘀 𝗳𝗼𝗿 𝗚𝗻𝗼𝗺𝗲𝗼𝗹𝗼𝗴𝗶𝘀𝘁𝘀, 𝘄𝗶𝘁𝗵 𝗔𝗹𝗶𝗰𝗲 𝗖𝗮𝗺𝗽𝗯𝗲𝗹𝗹, 𝗳𝗿𝗼𝗺 '𝗜𝗻 𝗧𝗵𝗲 𝗥𝗲𝗮𝗹 𝗪𝗼𝗻𝗱𝗲𝗿𝗹𝗮𝗻𝗱'! From May 2023, group classes from 'In The Real Wonderland' will only be offered on Outschool on a limited/ occasional basis. One-on-one, individually tailored play-based learning sessions will continue to be available on Outschool for the remainder of 2023. ___________________________________ This class offers an introduction to painting to music. A more in-depth version of this class (5 weeks) is also available at: https://outschool.com/classes/art-craft-club-painting-to-music-odgeuSL5#us4V3ufrxg ___________________________________ Class Description This class will introduce children to the experience of of "painting to music". This is an activity where children represent their own responses to the rhythm, tempo, melody, form and feeling of music, using art. In this introductory class, we will specifically focus on using painting (either with acrylics or watercolours). Our painting creations will be open-ended: this means there is no "right" or "wrong" approach or technique: each child's creation will be a totally unique, free-form and personal response to the music. Painting to music is not only joyful, but it uses and develops many social and foundation academic skills. As well as musical appreciation, these skills include: ~ listening and sound discrimination (essential for learning phonics); ~ attention and executive function; ~ flexible thinking, risk-taking and strategies for overcoming "perfectionism"; ~ sensory processing and integration (being able to attend to multiple senses at once); ~ hand-eye coordination (essential for writing); and ~ the ability to recognise and express different feelings. Perhaps most impressive, is the way that painting to music helps children practice and develop high level skills in symbolic thinking: the ability to understand that marks on paper have a specific meaning that relate to sound...this is the basic foundation needed for reading and writing. 𝗖𝗹𝗮𝘀𝘀 𝗖𝗼𝗻𝘁𝗲𝗻𝘁 This one-time, introductory class starts with a short warm up activity to "tune in" to our senses for appreciating music. This will also help children begin feel confident about beginning to respond to music through their painting. Then, we will begin exploring the The Carnival of the Animals ( Camille Saint-Saëns). As we listen, we will use paint to create lines, shapes, colour and texture to respond to the elements of the music (melody, harmony, rhythm, texture, structure/form, dynamics, tempo, articulation, tone, timbre, pitch). We will pair the movement of the suite with a matching animal sound from nature, or other musical excerpts to help bring the music into a visual form. We will also pause periodically to share our paintings (for those who want to), and to share our ideas, thoughts and opinions about the music. Saint-Saëns' Carnival of The Animals is music that is in public domain. In addition, I hold a current commercial licence to use this music in a commercial teaching context through APRA-AMCOS. This class can be taken a one-time experience. You can also use this this class as a trial to determine if your learner will enjoy my five-week Paint To Music class, where we explore both art and music more deeply. ______________________________ Inclusive Play & Learning Experiences...For All Learners All children have preferred ways of engaging with learning content. Typically, children learn best when they can engage with content in a way that reflects their own unique preferences. I endeavor to ensure that this class is inclusive of all learners (including E and 2E learners). I do this by structuring classes, activities and conversations so each child can choose to engage in the whole class, using whatever way is most appropriate, meaningful and rewarding for them. In this class, I use an approach called 𝗣𝗥𝗢𝗖𝗘𝗦𝗦 𝗔𝗥𝗧. Process art means that children are in charge of their own creations. They choose what they create and their own materials and colours. Process art focuses on discovery, creation, confidence, exploration, experimentation and critical thinking...rather than producing a particular product that looks just like the teacher's. My approach to process art is to cater both for children who are confident to create and make art freely, as well as children who feel more confident with some structure and support. This means that each week children can choose what and how they create and, at the same time, I also provide open-ended demonstrations of different techniques or approaches that children may choose to experiment with. Process offers a high-quality context for all children to engage in meaningful and purposeful learning. This is because process art allows for almost all forms of play including: ~ sensory experience ~ exploring and discovering the properties of materials ~ manipulative and fine motor activity ~ sorting/ aligning/ categorising/ patterning activity ~ exploring cause and effect ~ problem-solving ~ construction ~ imitation and role play ~ fantasy/ imaginative play and creativity ~ and artistic play itself Because I maintain very small group sizes, I am able to ensure that each child is able to participate in whatever way is most meaningful for them. This means that each child is able to enjoy the benefits of a group class, while at the same time being supported with an individualised and personalised learning experience.
学習到達目標
The intended learning outcomes for this class are aligned with the Australian and UK early years curricula. They are also consistent with the preschool/ early years curricula for NZ, China, Korea and most European countries. This class utilises the Michigan Essential Literacy Practices Framework, and the Mathematics Learning Trajectories.
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Intended Learning Outcomes
1. I can listen and respond to sounds in speech and music, and actively engage with and share the enjoyment of music through art and play.
2. I can express my ideas and feelings, and show an increasing capacity to understand my emotions, using creative arts.
3. I can listen to others' ideas and respect different ways of expressing those ideas.
4. I can respond through movement and art to music.
5. I can make connections between experiences, concepts, processes, ideas and feelings.
6. I can explore ideas and concepts using imagination, creativity and play.
7. I can draw on my experiences in constructing meaning, using symbols, materials, and language.
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Critical Thinking Question(s)
1. Can you 'see' music?
2. Does music have a colour?
3. What should music make you feel?
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Science Content and Concepts
Unlike most of my other classes, we will not be exploring any science concepts directly in this group. However, given the nature of music and the ideas that it gives rise to, I expect that children will introduce science themes into our discussion from time-to-time, particularly with relation to themes of nature, plants and animals.
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Mathematics Content and Concepts
~ Counting.
~ Comparing number.
~ Composing numbers.
~ Patterns, structure and algebraic thinking.
~ 2D shapes.
~ Composing 2D shapes.
~ 3D shapes.
~ Composing 3D shapes.
~ Spatial visualisation and imagery.
~ Spatial orientation.
~ Measurement (length).
~ Measurement (area).
~ Measurement (angle and turn).
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Vocabulary and Speech
Throughout this class we will explore vocabulary and many parts of speech relating to the content, concepts, and activities we are exploring. These words will include nouns, verbs, adjectives, adverbs, prepositions, conjunctions and interjections.
Vocabulary (or knowledge of words) includes understanding their structure (morphology), use (grammar) and meanings (semantics). It also includes understanding how one word links to other words (word/semantic relationships). Oral and aural vocabulary skills (or, for non-speaking children, visual vocabulary skills) are absolutely crucial to later development of literacy decoding and reading comprehension and fluency.
Because this is such an important skill gained in early childhood, I use a strong evidence-based and developmentally appropriate approach to vocabulary and speech development. This includes:
𝗘𝘅𝗽𝗹𝗶𝗰𝗶𝘁 𝗩𝗼𝗰𝗮𝗯𝘂𝗹𝗮𝗿𝘆 𝗗𝗶𝘀𝗰𝘂𝘀𝘀𝗶𝗼𝗻
Explicit vocabulary discussion means that, in this class we not only use words, but we also sometimes talk about them. We might discuss, for example:
~ what does this word mean?
~ what words would communicate what we want?
~ what other words can we use for this?
While these discussions are explicit, they are not a discrete part of our classes or delivered as a "lesson". Instead, we weave these into our organic discussions while we play, create and tell stories. I do not choose or have a "list" of specific words that children "must" learn. My approach is to respond to children's interests by offering explicit vocabulary discussion that is purposeful, and which helps each child engage with their goals, interests and motivations. This means that children are developing their vocabulary (and self-awareness of it) in a meaningful, relevant and active way.
𝗘𝘅𝘁𝗲𝗻𝘀𝗶𝘃𝗲 𝗖𝗼𝗻𝘃𝗲𝗿𝘀𝗮𝘁𝗶𝗼𝗻
While it may seem "efficient" to get children to memorise, or rote learn, words - this approach has been shown to have no real value in speech/ language development generally, including vocabulary development. Rather, evidence confirms that the critical requirement for strong vocabulary and speech development is for children to have many meaningful, two-way conversations that are interesting to them.
To provide this for your child, I maintain very small class sizes and a child-led approach to learning. This ensures that each child has many opportunities to "chat" and "talk" with me and other learners throughout each session about the things that have captured their interest and which they are discovering. I focus on finding opportunities within these conversations to not only introduce new vocabulary, but to also extend and stretch each child's confidence in using and understanding vocabulary in speech.
その他の情報
受講に必要なもの
~ Paper for artwork (I recommend 5 sheets). ~ Something to paint with (your child's choice of acrylic paints, watercolours or other paints). ~ A selection of brushes. ~ A cup or two of water - for rinsing/ cleaning paint brushes. Please note: ~ Paints work better than pencils/ crayons for this class. This is because paint is more responsive to the child's expression - for example, young children find it easier to vary the way paint is applied to create thickness, size, movement, shape, etc. in "real time". ~ If you use watercolour paints, watercolour paper is preferable. However, depending on where you live, this can be expensive, so you do not need to feel pressured to purchase for this class. ~ If you have headphones, you may like to experiment to see if using them improves your child's enjoyment of the music in this class.
外部リソース
学習者は、Outschoolが提供する基本ツール以外のアプリやウェブサイトを使用する必要はありません。
使用する教材
MUSIC SOURCES AND LICENCING
~ The musical score used in this class is Camille Saint-Saëns' ‘Carnival of the Animals’, composed in 1886 and which is in the public domain.
~ In this class I also use a range of recorded nature sounds and other musical pieces, which are either in the public domain, or covered under licencing arrangements. Specifically, I hold two current APRA-AMCOS licences which authorise my use of music in commercial education settings, and which cover the use of all music in this class not in the public domain.
TEACHING APPROACH
This class is informed by the following approaches to music-based education in early childhood:
~ Play-based learning, with a focus on Play Profiles (Sara-Lea Chazan).
~ Imaginative Pedagogy (Kieran Egan)
Although this class does not teach instrumental music, it draws from the Early Childhood music education approaches of:
~ Kodály Method of Music Education (particularly the principles of movement and repertoire in music education, and the use of rhythm syllables).
~ The Dalcroze Method of Music Education (particularly the principles of developing cognitive and body-based responses and reactions to music, with a focus on the child's reactions in time, space, and force)
教師の専門知識と資格
I am both a trained nurse and Masters-qualified teacher, specialising in Therapeutic Play. I have over 30 years experience in working with young children, specialising in designing programs to improve children's developmental, educational/ learning and mental health/ well-being outcomes in both "typical" and complex circumstances. I have received numerous government and industry awards for my work in both teaching and therapeutic practice.
My Master's degrees have included extensive training in teaching through arts and play-based experienced. My Masters in Teaching also included early childhood musicianship, singing and music appreciation education (0-8 years). I have also completed a range of professional development qualifications and trainings, particularly in rhythm, percussion and movement-to-music education for young children. I am a licenced practitioner in the Safe & Sound Music Intervention protocol.
From 2009, for almost a decade, I was also lucky enough to work on many projects with Dr Jolanta Kalandyk-Gallagher, an internationally accomplished scholar and Head of the Early Childhood Department at the Australian School of Music (Australian National University). Dr Kalandyk-Gallagher was a groundbreaking researcher and educator, who specialised in Early Childhood Music Education/Pedagogy, Music Therapy, Music Psychology, Creative Arts Education, Health Sciences, Early Intervention, and Music Methodology and Curriculum Development. Her knowledge and practice skills in Early Childhood Music Education have deeply informed my work with young children since this time.
My background includes working in universal/ public early childhood education settings, as well as in specialist areas including child protection, disability, mental health, family violence, trauma, and disaster/ conflict zones. I have postgraduate qualifications and training in a range of other educational and therapeutic interventions including trauma-informed practices, art therapy, and Circle of Security. Although this class is not a therapy intervention, I bring my extensive understanding of child well-being to ensure my classroom practices are sensitive, inclusive and responsive to the needs of children.
レビュー
ライブワンタイムクラス
$16
クラス毎一度のみの受講
30 分
2 人がクラスを受けました
オンラインライブ授業
年齢: 4-8
クラス人数: 4 人-6 人