含まれるもの
1 ライブミーティング
週あたりの授業時間数 45 分宿題:
週1時間. I will assign a few exercises in composition and/or analysis each week. In general these should fit on one double-sided page and take between a half hour and an hour per week.テスト
I will give feedback and corrections on homework, dictations, and sight singing. We will not use letter grades.評価
含まれるこの文章は自動翻訳されています
このクラスで学べること
This class will start with the fundamentals of western music and build from there, preparing students to succeed on the AP music theory exam! The course schedule is below: Day 1--Introduction and Fundamentals of Music Notation: Pitch and rhythm notation on a staff, notes and rests, clefs Day 2--Scales and Modes: Major scales and key signatures, modes of the major scale Day 3--Fundamentals of Music and Expressive Notation: Tempo markings and BPM, polyrhythm and syncopation dynamics, minor scales, minor key signatures Day 4--Introduction to Harmony and Melody: Pitch intervals, melodic contour (steps vs. leaps), key relationships, harmonic textures (monophony, homophony, heterophony, etc.). Melodic dictation practice Day 5--Triadic Chords: Qualities of diatonic chords in major and minor keys, inversions of triadic chords. Sight singing practice Day 6--Seventh Chords: Qualities of seventh chords, labeling seventh chord inversions. Sight singing practice for second half of class if needed Day 7--Intro to Counterpoint: Conventions of voice leading, two-part counterpoint Day 8--Functional Harmony I: Standard chord progressions in tonal music, cadences and types of cadence Day 9--Functional Harmony II: Four-part voice leading in chorale and keyboard style. Harmonic dictation practice Day 10--Predominant Chords: Use of predominant chords in musical phrases, types of diatonic and chromatic predominant chords Day 11--Compositional Devices: Melodic and harmonic sequences, motives and motivic transformation Day 12--Embellishing Tones: Definition and types of embellishing tone, use of embellishing tones. Melodic dictation practice Day 13--Chromaticism I: Secondary dominant chords and secondary leading tone chords. Harmonic dictation practice Day 14--Chromaticism II: Tonicization in theory and practice Day 15--Musical Structure I: Musical sentences and types of musical period. Sight singing practice Day 16--Musical Structure II: Larger structural elements in various styles. Sight singing practice for second half of class if needed The class is designed to be taken in its entirety to introduce all the elements needed to successfully take the AP music theory exam. However, students with prior musical experience may already have mastery of some topics covered in the course, particularly those offered in the first several weeks. Prior knowledge from one week to the next is helpful, but not necessary. If one specific week interests you but not others, please feel free to come and go for that time. For that reason, I am offering the class as an ongoing course rather than a multi-day class; this will allow students to leave and rejoin without having to commit to the entire class.
学習到達目標
Students will learn the fundamentals of western music theory and how to apply them in analysis, composition, listening, and performance. By the end of the class, learners will be prepared to successfully take the AP Music Theory exam!
その他の情報
保護者へのお知らせ
N/A
受講に必要なもの
I will provide all informational resources and exercises, so no textbook is required. In order to complete and submit homework and listening exersises, you will need either a printer and scanner/scanning application, or a device that allows you to annotate on .pdfs.
外部リソース
学習者は、Outschoolが提供する基本ツール以外のアプリやウェブサイトを使用する必要はありません。
教師の専門知識と資格
I have a Master of Music degree from Northwestern University and a Bachelor of Music degree from Juilliard. In addition to the fundamental music theory and aural skills curriculum required of every Juilliard music major, I have taken advanced coursework in analysis, counterpoint, and music cognition.
レビュー
ライブグループクラス
$50
毎週週に1回
45 分
2 人がクラスを受けました
オンラインライブ授業
年齢: 14-18
クラス人数: 6 人-12 人