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Loveable Logic: Introduction to Classical Logic—Flex Class (Ages 13-18)

Completed by 4 learners
Ages 13-18
Self-Paced Class
This definitely NOT BORING 8-week flex course covers the essentials of classical logic & includes fun exercises to develop logical thinking skills using an innovative modern approach which makes logical thinking easy and intuitive.
Average rating:
4.9
Number of reviews:
(230 reviews)

1 pre-recorded lesson
8 weeks of teacher support
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1 year of access to the content

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What’s included

0 pre-recorded lessons
8 weeks
of teacher support
1 year access
to the content

Class Experience

This class is a 'Flex' version of my popular and successful live Outschool course in classical logic. 
While my companion class is taught live, this Flex course allows you to follow the course by watching pre-recorded videos, engaging in interactive Nearpod sessions, interacting in the Outschool classroom and on Padlet.
The idea is that you will share ideas, design challenges for each other, and be interacting with me in the Outschool classroom to discuss ways of solving logical problems, formulating logical arguments, and resolving syllogisms. I'll also be asking you to find examples of logical arguments that work or don't work that you come across in your everyday lives and bring them to the classroom for discussion. 

So what is Logic?
Logic is a tool we can use to help us checking that (a) we've thought things through as well as possible and (b) that other people's arguments are convincing and worth taking on board.

There are many approaches to mapping logical relationships - including Euler's Circles, Venn Diagrams, and Carroll Diagrams. This course is different. It introduces a modern way of mapping logical relationships based on a simple 'mark of distribution'.
The simplicity of the approach makes working with classical logic much much easier, faster, and more visually intuitive than any other system out there. 

Moreover, if you're good at words and weak on maths, this will definitely improve your maths skills.

If you're weak at words and good at maths, you'll be able to apply your strengths to this area and reap the benefits.

The methods we're using show how we use exactly the same type of thinking across both subject areas. If you can do one well, you can do the other just as well - you just need to appreciate the common links!

The course is taught by Leon Conrad, who is a world-class specialist in the system.

The course focuses on classical syllogistic or propositional logic - and finding out exactly why one (and only one) of the arguments below works and why the other doesn't - here goes:
Shawn Mendes can tweet. I can tweet. Therefore, I am Shawn Mendes.
Shawn Mendes can tweet. I can't tweet. Therefore, I am not Shawn Mendes.

The aims of this course in classical logic are:

* To give you an introduction to the principles of classical logic
* To introduce you to and familiarise you with key elements (terms, propositions, syllogisms, moods, figures, validity, soundness, truth, etc)
* To familiarise you with the 'mark of distribution' system.
* To give you an opportunity to use it to learn about, practise, and develop the ability to use logical reasoning to solve problems independently

The course involves interactive Nearpod sessions, group collaborative work via Padlet and, as a participant, you are strongly encouraged to engage in classroom discussion with other members of the group and with me between classes. The flex format allows you to fit tasks around your learning schedule and needs, while still being able to take active part in class discussions. Your contribution in terms of shaping the social space that will benefit everyone in the class will make it a meaningful experience not just for you, but for everyone involved. I'd expect you to check in to the classroom at least a couple of times a week, maybe more.

The course structure is as follows:

Week 1
Engage with an Introduction and Overview to the course.
Test out how 'tuned in' your 'logical antennae' are? How good are your 'logical instincts'? 
Key elements you'll learn about include: Terms, Propositions, Universal, Particular, Positive, Negative.
You'll form propositions, looking at Truth value, Soundness and Validity. (Interactive Nearpod session).
Create propositions based on things around you and prove their truth value
Share your favourites with others on the class Padlet page prior to Session 2 and engage in critical evaluation.

Week 2
Learn about Perfect Propositions
Explore categorical thinking - linking logic and maths (Trivium and Quadrivium)
Get to grips with logical shorthand - shorthand for terms, shorthand for propositions
Find out about Moods (not the gloomy ones you get into when you 'have the hump', but logical moods - universal/particular - positive/negative). 
Test yourself by correctly identifying the moods of given propositions, writing propositions in given moods, correctly identifying common groups, and translating terms to shorthand. (Interactive Nearpod session).

Week 3
Recap on Mood - Learn about the relationship between Mood and Distribution.
Learn about Propositional Pairs.
Convert propositions into shorthand form.
Learn the rules for pairing propositions.
Learn about Figures.
Work in an individualised Google spreadsheet. Check your work against the model answer, provided to individual students once their work is complete.

Week  4
Work on deriving conclusions from propositional pairs.
Join a Game-Based Test to consolidate knowledge (Interactive Nearpod session).
Learn some new key elements: Syllogisms, Rules for deriving valid conclusions
Complete a worksheet based on topics covered over the course to date.
Check your work against the model answer, provided to individual students once their work is complete.

Week 5
Once you've derived conclusions, you get to validate them.
Testing Validity using the 'mark of distribution'
Learn to use the Aristotelian Square of Opposition
Learn about conversion and obversion.
Key elements you'll learn about include: Validation strategies, Universal to Particular modifications, Conversion
Conversion exercises and recap (Interactive Nearpod session)
Complete a worksheet based on topics covered over the course to date.
Check your work against the model answer, provided to individual students once their work is complete.

Week 6
Lean about Logical Fallacies and how to avoid them.
Blasting through fallacies using Validity Tests, Counter Arguments
Key elements you'll be asked to get to grips with: Key fallacies, Stratagems to counteract them
Gather some fallacies - spot them - deal with them.
Share your favourites with others on the class Padlet page prior to Session 7 and engage in critical evaluation.

Week 7
Test yourself on your ability to spot logical fallacies and refute them using Validity Tests and Counter-Arguments
Use your knowledge of conversion and obversion to solve tricky logical arguments. (Interactive Nearpod session).
Learn about the secret code embedded in a Medieval rhyme and how classical logicians used logic to seek perfection.
Find further Real-Life Examples of fallacies.
Share your favourites with others on the class Padlet page prior to Session 8 and engage in critical evaluation.

Week 8
Apply the secret code and make your arguments more perfect.
Apply your knowledge to solving logical problems by Lewis Carroll and others
(Interactive Nearpod session, classroom discussion, Padlet page contributions and engagement).

Note on the approach used on this course:
This course is based on an adaptation of the application of the 'Calculus of Indications' to the practice of mapping logical relationships outlined in George Spencer-Brown's book, 'Laws of Form'. I have published and lectured on the approach. Full details of my talks and papers on this and other topics can be found on my academic research profile on the academia.edu website at https://independent.academia.edu/LeonConrad

Learning Goals

As a result of attending this course, students will be able to identify flaws in logical arguments more clearly, develop their critical thinking, become more critical and engaged consumers and citizens, and build neural pathways that connect verbal and numerical/algebraic thinking. By using these pathways in a more connected way, they will find working with words and with numbers much easier as a result of the work they engage in on this course.

(Photo by Kevin on Unsplash)

Other Details

Supply List
Students will need a standard stationery kit (writing implements, ruler, paper, eraser), access to a scanner or digital camera if submitting handwritten / illustrated work.

An over-ear gaming-type set of headphones with a built-in microphone and a noise-cancelling feature is recommended for best audio quality for communication in classes.

Students will also benefit from having a course-specific ring-file binder (UK A4 or US Letter) with lined and square-grid paper or a large (UK A4 or US Letter) lined notebook and a square-grid one to use as they go through this course.
External Resources
In addition to the Outschool classroom, this class uses:

Meet the teacher

Joined May, 2020
4.9
230reviews
Profile
Teacher expertise and credentials
Hello, and welcome! Please call me Leon. I'm an award-winning tutor and multi-award winning author based in London, UK. I tutor in the best tradition of the British education system, drawing on a long-standing tradition of integrated and integrating liberal arts education.

As an author, I have  a successful track record of traditional and self-published works. My latest book, 'Story and Structure: A complete guide' has won 10 literary awards. Most notably, it was a finalist in The People's Book Prize 2022 and won the 2022 IPNE Nonfiction Book of the Year Award. My other books include Master the Art and Craft of Writing: 150+ fun games to liberate creativity (Aladdin's Cave Publishing, 20240, Odyssey: Dynamic Learning Journey (with David Pinto), History Riddles (Liberalis Books, 2013), and Aesop The Storyteller (Aladdin's Cave Publishing, 2007).

For me, teaching is a vocation, not a side job. Your child's success and holistic development are my priorities. I have considerable experience and a positive track record of helping students prepare for entrance exams to top fee-paying schools in the UK, ace their GCSEs, IB exams and A-Levels, as well as coaching students for SATs (Scholastic Aptitude Tests) ISEEs and CATs (Cognitive Ability Tests) (UK/USA) in English, Maths, Logical, Verbal, and Non-Verbal Reasoning. 

I also have an impressive track record of original research work published as an independent researcher. I have a performing arts background and have produced short films, performed as a storyteller, worked as a poet, including two appearances as poet-in-residence at the First Edinburgh Food Festival and at the Pleasance Theatre during the Edinburgh Fringe. 

You can view a video of me in action giving a TEDx talk entitled 'The Magic of Words' on YouTube (HYit3MYAoqM). My approach is inspired by the classical Liberal Arts - particularly the Trivium of Grammar, Logic, and Rhetoric, and the even older traditions of oral storytelling which I believe were behind the formation of the Progymnasmata syllabus (or classical 'middle school' for orators). 

I'm have studied intensively with Shonaleigh Cumbers, who is, as far as we know, the last Drut'syla, an oral storyteller in an unbroken family tradition going back hundreds of years.

SCHEDULE: 
In addition to advertised classes, I also accept schedule requests, so please put in a request if you don't see a class at a time you like. Please bear in mind that I balance Outschool teaching with ongoing private 1:1 tutoring commitments and that a reasonable amount of flexibility is both offered and requested.

CLASS STYLE: 
My class sizes vary according to content. I combine whole-class teaching with small-group and/or individual work and a group plenary. I recognise that every student is different and vary and adapt my teaching methods in live classes to suit different learners' interests and abilities. As long as they're engaged and learning, participants can participate verbally as much or as little as they want. 

My teaching style is more on the formal side, but I incorporate thought-provoking activities and prompts to encourage students to reflect more deeply, think more critically and clearly, and defend value-based judgements according to their merits in relation to universal values. I use a variety of stimuli and interactive techniques in many of my classes to keep students engaged and involved. I also draw on Oxbridge tutorial style open-ended yet focused conversation, Socratic dialogue, and dialogic or maieutic conversation approaches.

I'm happy for participants to follow one-time classes by accessing video recordings and handouts by prior arrangement.

Several of my longer courses on Outschool are taught using the Odyssey Grid™ approach— outlined in my book, 'Odyssey: Dynamic Learning Journeys' (Liberalis Books, 2013)—a unique approach that makes learning fun, engaging and because Odyssey Grid™ journeys are non-linear, no two Odyssey Grid™ journeys are ever alike!

MY STANCE:
My teaching is secular humanist, and is based on universal values of the True, the Good, the Harmonious coming together to support the Unity of Being.

CLASS POLICIES:

1) TIMINGS:
I aim to start and end classes for the time specified, however, classes with lower enrollments may run a few minutes under and classes with especially talkative participants may run a few minutes over. 

2) CLASS KICK-OFF
Whether or not all learners are in the classroom, classes will begin at the scheduled time. The exception to this is if there is a clear technical issue that gets in the way. In order not to disadvantage those who have logged in on time, I will not contact would-be participants during the session, but rather will focus on the participants who are present. However, I will contact anyone who did not manage to log in after the class to transfer them to another section or give them the option to access the recording and handouts as appropriate.

3) MINIMUM NUMBERS:
I aim to run most if not all of my classes at minimum enrollment levels or higher. Please book with this in mind, and allow flexibility in scheduling - I say this up front to try to avoid disappointment your end.
Where the minimum numbers for a class have not been met, I aim to contact parents a week or so before the start of the class and offer to transfer to a later section at a similar time, to allow time for more people to join, or refund. 

4) NO SHOWS:
If no participants have logged in, I will wait 10 minutes before exiting the classroom. If technical problems have got in the way your end, please contact me to let me know - I would be happy to transfer your learner(s) to a different section.

5) PARENTAL SUPERVISION:
Parents, guardians, or carers are very welcome to sit in for the sole purposes of supporting students they have responsibility for, where there is a clear need to do so. Please contact me first if you know this will be necessary.

6) SIBLING DISCOUNT:
I offer a sibling discount of 10% (issued as a refund on booking - parents please notify me this is applicable if this hasn't been actioned) but I recommend participants join on separate devices where possible. I have a zero tolerance policy to parents allowing participants to participate for free alongside paid participants' places without permission. Outschool works on a fee-per- participant basis, not a fee-per-device basis. Any violation of this rule will result in both participants (paid and unpaid) being removed from class, and a 50% refund issued for fee paid. I will be happy to welcome participants back to another class on payment of full fee and will be happy to extend the sibling discount of 10% to siblings joining on a separate device where possible.

7) INDIVIDUALISATION:
I enjoy finding links between students' interests and the subject matter of the class they've enrolled in. As I state in my introductory video, if they or a parent contacts me with some background information in advance, I will do my best to personalise course content to match students' interests, wherever possible.

8) VIDEO POLICY:
Please note that unless students have a very good reason not to have their video on during class, I expect students to be visible and participate actively in classes I teach. The digital classroom is a social space shaped by our intentions and our activity - and I encourage participants to actively build the kind of space they feel comfortable in, and to actively work on creating a space in which others can also feel comfortable being and acting in. 

Outschool does provide a 'verification' system for those who have good reasons not to participate visually, and I will respect and support that fully. Please consult https://support.outschool.com/en/articles/4063624-learner-verification for further information and contact 'verification@outschool.com' at least a week before the start of your first class to allow time for the verification process to be completed. Thank you for your understanding and cooperation in this matter.

EXPERIENCE: 
I have over 10 years' full-time experience of teaching in classrooms from preschool to higher and adult education as well as of devising and delivering whole-school and year-group opera workshops for students in primary and secondary schools in the UK, of running year-group related workshops in primary and secondary schools in the UK as an author and storyteller and of going into companies to run workshops and training courses in presentation skills and voice production for adults. 

I have considerable experience as a storyteller/creative writing teacher who is vetted to go into primary and secondary schools to inspire students with a love of language. I have tried and tested strategies to keep students focused and on task. 

QUALIFICATIONS: 
I hold a City and Guilds 7307 Adult and Further Education Teaching Certificate (1996), and two music-related teaching qualifications - Licentiateship Certificates from both the Royal Academy of Music (1986) and from Trinity College of Music, London, UK (1987). I have a Master's Degree in the History of Design and Material Culture (V&A/RCA) (2005). I also teach 1:1 specialising in working with gifted and talented students via The Traditional Tutor (traditionaltutor.co.uk). I have a clear Enhanced Disclosure & Barring Service Certificate (UK) (which, for what it's worth, means that Her Majesty's Police Force can confirm I have no police records and have been declared 'safe' to teach) - my last certificate was issued on 1 June 2021 (Ref: 001737216815) and these are usually rechecked every year at least. I have held a continuous clear record since they brought the scheme in around 2012.

SEN EXPERIENCE: 
I have a MENSA-level IQ rating and was a member of MENSA for a year, running a special interest group for a while but left as – apart from the SIG – I found the experience boring.
I was diagnosed as mildly dyspraxic while studying for my MA in 2003.
I am the parent of a Praxic, Dyscalculic child.

I received training in SEN strategies while working at the International Language Institute Kindergarten and via teacher training courses at TCM, London.
I have received training in Speech and Language Therapy diagnosis and intervention as part of my training as a voice teacher through the British Voice Association. This includes a course in VPA profiling with Christina Shewell, and training in the Accent Method of holistic breath management, used in therapy with stammerers but with applications to other situations as well.

I delivered mixed ability training for inclusional groups such as Education Otherwise in the mid-90s.

CPD Courses attended through Harrison Allen Tutoring Agency/Tutorcruncher:

Dyscalculia Assessment – April 2015
Strategies for Teaching ADHD Students – November 2015
Assisting Children with Sensory Processing Issues – June 2016

My background is informed by an integrated approach to the classical Liberal Arts. My approach to teaching both intellectually challenged and gifted and talented students draws on this but is also inspired by the work of Reuven Feuerstein, who devised the Instrumental Enrichment programme, and George Spencer-Brown, author of Laws of Form, a key work in the development of cybernetics. I also draw on techniques used by traditional storytellers, which typically encourage a holistic use of the brain, and involve integrating image-making, word-creation and movement as part of a unified act of communication, based on innate understanding of story structures.

ASSESSMENT: 
Not all of the classes I teach involve formal assessment. Where participants are requested to turn in homework and the marking time is included as part of the course cost, I will mark work to clear objective guidelines/mark schemes. Where homework is optional, I usually provide a mark scheme and some sample pieces of work at each grade level for self-assessment purposes.

AGE RANGE:
In line with Outschool expectations for classes to fall within an age range of five years, my class offerings generally fall into two groups: 9-13 year-olds and 14-18 year-olds, with a few story-based classes aimed at a younger age group. 

CANCELLATIONS AND REFUNDS:
Technical issues can happen, however much we wish they didn't. If there are serious technical problems my end, I'll reschedule the class at the earliest available date and time within a similar time slot as the original class at no extra cost to participants. For one-time classes, parents may opt for a refund rather than transfer, but will not have access to the recorded class.

In the event the technical issues impede a participant who is registered and on line but unable to participate fully due to technical issues, I'll offer them a place in the next available section at no extra cost - please contact me to suggest a section that will fit your schedule.

If a class starts late due to technical reasons my end, I will endeavour to teach for the full duration with participants' agreement. 

Find out more at www.leonconrad.com.

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