US$16
per class包含什麼
1 現場會議
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課堂經歷
This class will introduce the concept of motivic manipulation - taking a short melody and transforming it using sequence, rhythmic augmentation/diminution, inversion, and retrograde. Following an introductory segment, learners will analyse short fragments relating to an initial melody, to match the type of manipulation used each time. This will be done firstly by having a go independently, then by sharing answers as a group to check answers. Following this, the remaining time will be devoted to learners having a go at manipulating melodies using either examples from the class or something self-created. Teaching will largely take place via the whiteboard and shared screen within zoom. There will be some quiet time during this session for learners to try the analysis and motivic manipulation independently, but they are welcome to ask questions during this time. Prior knowledge: Learners will need to be able to read notes in at least one clef (treble, alto or bass) in order to complete the activities, and they should be familiar with major and minor scales.
學習目標
Learners will be able to identify what type of manipulation has been used on a melody.
Learners will be able to use manipulations to transform melodies and create their own music.
其他詳情
先決條件
Learners should be confident in reading notes in at least one clef.
It would be useful for learners to already know how to compose a short (~ 4 bar/measure) melody before taking this class, however, examples will be provided to work with.
供應清單
Writing materials (including staff paper) or music notation software to keep note of your ideas and complete the exercises.
外部資源
學習者無需使用標準 Outschool 工具以外的任何應用程式或網站。
認識老師
教師專業知識和證書
2 個學位
博士學位 在 心理學 從 Sheffield Hallam University
學士學位 在 心理學 從 University of Birmingham, UK
I am a violinist and play in Sheffield Philharmonic Orchestra (UK). I have completed ABRSM Grade 8 Music Theory and AMusTCL diploma with Distinction grades.
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