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美國未經審查:高中美國文學(第二部分,共 2 部分)

在第二部分中,學生將閱讀從重建至今的美國文學,同時透過非殖民、反種族主義、女性主義、酷兒和歷史視角分析信件、歌詞、散文、小說、詩歌等。
Beth Foster | Humanities Educator
平均評分:
4.9
評論數量:
(355)
明星教育家
熱門課程
班級

包含什麼

32 現場會議
24 上課時間
作業
每週 2-4 小時. Each class meeting will end with a reading and journal assignment to be completed before the next class. At the end of each week, students will have a one-page essay to complete offering an analysis of the past week's topic based on a prompt. An estimated three to six hours will be needed each week to complete the reading and writing assignments.
評估
Journals and essays will be reviewed throughout the semester. For students who need a final grade/letter of completion, this is how the final grade will be calculated: Class Participation (Attendance and Discussion): 25 Percent Journal: 25 Percent Essays: 50 Percent Students receiving a final grade of C (70 percent) or greater will be issued a letter of completion reflecting the final grade.
等級
Students who complete the course with a C (70 percent or greater) will receive a letter of completion with their letter grade within a month of the course's last meeting.
完成證書
Students who complete the course with a C (70 percent or greater) will receive a certificate of completion within a month of the course's last meeting.
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課堂經歷

英語程度 - 未知
美國 9 - 12 年級
𝗜𝗺𝗽𝗼𝗿𝘁𝗮𝗻𝘁 𝗡𝗼𝘁𝗲𝘀: 

❶ 𝗙𝗶𝗻𝗮𝗻𝗰𝗶𝗮𝗹 𝗔𝘀𝘀𝗶𝘀𝘁𝗮𝗻𝗰𝗲 If the class fee is a barrier to your learner's enrollment, message me for more information about payment plan options and scholarship opportunities. 

❷ 𝗘𝗻𝗿𝗼𝗹𝗹𝗺𝗲𝗻𝘁 𝗶𝗻 𝘁𝘄𝗼 𝗰𝗼𝘂𝗿𝘀𝗲𝘀/𝗲𝗻𝗿𝗼𝗹𝗹𝗺𝗲𝗻𝘁 𝗶𝗻 𝗰𝗼𝗻𝘀𝗲𝗰𝘂𝘁𝗶𝘃𝗲 𝘆𝗲𝗮𝗿𝘀 Learners registering for both the America Uncensored: High School U.S. History Part 1 and America Uncensored: High School American Literature Part 1 course in the same school year, or enrolling in one of the courses in the immediate consecutive school year following completion of the other course (for example, taking history in 2024-25 and literature in 2025-26), will be refunded $100 of their course fees ($50 for Part 1 and $50 for Part 2). The refund will be made in the week before class meetings begin, at the time Google Drive links are being distributed to students. For learners on the payment plan, the $50 refund will be applied to the second payment. 

❸ 𝗦𝗰𝗵𝗲𝗱𝘂𝗹𝗲 The course will meet twice per week, 45 minutes per meeting, on Tuesdays and Thursdays. The fall semester begins on August 12 and ends on December 18. There are no classes the week of September 1 because of the Labor Day holiday, the week of October 27 because of fall break, and the week of November 24 because of the Thanksgiving holiday. The spring semester begins on January 28, 2026, and ends on May 22, 2026, with a one-week spring break the week of March 9. 

❹ 𝗚𝗼𝗼𝗴𝗹𝗲 𝗗𝗿𝗶𝘃𝗲 Students will receive a Google Drive link before the course begins. The Google Drive will include the student's journal, essay templates, MLA style guide, and grading/feedback document. 

❺ 𝗥𝗲𝗳𝘂𝗻𝗱𝘀 No refunds of course fees are given after the Google Drive links are distributed. 

❻ 𝗦𝘁𝘂𝗱𝘆 𝗛𝗮𝗹𝗹 Learners enrolled in any of my semester courses are invited to attend study hall, held on Tuesday and Thursday afternoons during the semester, at no additional cost. This is a time when students can get extra help with assignments, ask questions, work with classmates on group projects, or just log in and work on homework with other learners. 

❼ 𝗛𝗼𝗺𝗲𝘄𝗼𝗿𝗸 Homework is assigned following each class meeting. Students are welcome to attend the course and complete as much or as little homework as they and their adult wish. In order to receive a letter of completion, however, students must complete homework in order to earn at least a 70 percent of better on their final grade. 

➑  𝗦𝗰𝗵𝗼𝗼𝗹 𝗡𝗲𝘄𝘀𝗹𝗲𝘁𝘁𝗲𝗿: 𝗢𝘄𝗹𝗳𝗶𝗰𝗶𝗮𝗹 𝗨𝗽𝗱𝗮𝘁𝗲 The Foster Woods Folk School publishes a school newsletter during the school year (with the exception of break weeks). Learners enrolled in any Foster Woods Folk School course are invited to contribute writing and artwork for the newsletter with a completed permission form from the learner's adult. 

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In "America Uncensored: High School U.S. Literature," students will read oral literature, diary entries, essays, poetry, letters, song lyrics, autobiography, novels, and more while analyzing works through decolonial, anti-racist, feminist, queer, and historical lenses. We'll read some from within the traditional American literary canon and question why these works are included and if they should be included. We'll also reach outside the canon to bring in the diverse experiences of Americans of other races, genders, sexual orientations, religions, classes, and national origins. We'll interrogate the reading selections of the course and ask which Americans are over-represented and which Americans are underrepresented. We'll look for ways as a cohort of learners to bring those underrepresented Americans' voices into our course. 

Part 1 of "American Uncensored: High School U.S. Literature" covers the Indigenous nations through Reconstruction and is offered in the fall semester (August through December). Part 2 begins with Reconstruction and continues to the present and is offered in the spring semester (January through May). Each part is 16 weeks with 45-minute twice weekly meetings. The course includes lecture, discussion, slides, video clips, audio clips, escape rooms, creative writing, and small group activities. Learners should complete assigned reading and journal entries before class to be prepared for the discussion. 

Homework includes reading assignments, twice-weekly journal entries, and twelve essays throughout the semester. 

The following is a schedule of texts assigned and works covered during Part 2. Lectures, discussion, writing assignments, and activities for the week will center on the assigned texts. 

Week 1: Jourdon Anderson's "Letter from a Freedman to His Old Master," Frances E.W. Harper's "We Are All Bound Up Together," and Frederick Douglass' "Reconstruction." 

Week 2: Mark Twain's 𝑨𝒅𝒗𝒆𝒏𝒕𝒖𝒓𝒆𝒔 𝒐𝒇 𝑯𝒖𝒄𝒌𝒍𝒆𝒃𝒆𝒓𝒓𝒚 𝑭𝒊𝒏𝒏. 

Week 3: Stephen Crane's 𝑻𝒉𝒆 𝑹𝒆𝒅 𝑩𝒂𝒅𝒈𝒆 𝒐𝒇 𝑪𝒐𝒖𝒓𝒂𝒈𝒆 and W.E.B. Du Bois' 𝑻𝒉𝒆 𝑺𝒐𝒖𝒍𝒔 𝒐𝒇 𝑩𝒍𝒂𝒄𝒌 𝑭𝒐𝒍𝒌𝒔.

Week 4: Ida B. Wells-Barnett's 𝑴𝒐𝒃 𝑹𝒖𝒍𝒆 𝒊𝒏 𝑵𝒆𝒘 𝑶𝒓𝒍𝒆𝒂𝒏𝒔, Upton Sinclair's 𝑻𝒉𝒆 𝑱𝒖𝒏𝒈𝒍𝒆, 𝑩𝒍𝒂𝒄𝒌 𝑬𝒍𝒌 𝑺𝒑𝒆𝒂𝒌𝒔, Charles Alexander Eastman's "Deep Woods Civilization," John M. Oskison's "The Problem of Old Harjo," and Zitkala-Ša's "Impressions of an Indian Childhood," "The School days of Indian Girl," and "Why I Am a Pagan." 

Week 5: Kate Chopin's "The Story of an Hour," Charlotte Perkins Gilman's "The Yellow Wallpaper," Pauline Elizabeth Hopkins' "Talma Gordon," Edith Wharton's "The Other Two," and poetry of James Weldon Johnson, Paul Laurence Dunbar, Edgar Lee Masters, Robert Frost, Carl Sandburg, Ezra Pound, T.S. Eliot, and E.E. Cummings.

Week 6: Zora Neale Hurston's 𝑻𝒉𝒆𝒊𝒓 𝑬𝒚𝒆𝒔 𝑾𝒆𝒓𝒆 𝑾𝒂𝒕𝒄𝒉𝒊𝒏𝒈 𝑮𝒐𝒅, Langston Hughes' "The Negro Artist and the Racial Mountain," and the poetry of Hughes, Claude McKay, and Jean Toomer.

𝗦𝗣𝗥𝗜𝗡𝗚 𝗕𝗥𝗘𝗔𝗞

Week 7: John Steinbeck's 𝑻𝒉𝒆 𝑮𝒓𝒂𝒑𝒆𝒔 𝒐𝒇 𝑾𝒓𝒂𝒕𝒉.

Week 8: Arthur Miller's 𝑫𝒆𝒂𝒕𝒉 𝒐𝒇 𝒂 𝑺𝒂𝒍𝒆𝒔𝒎𝒂𝒏.

Week 9: Arthur Miller's 𝑫𝒆𝒂𝒕𝒉 𝒐𝒇 𝒂 𝑺𝒂𝒍𝒆𝒔𝒎𝒂𝒏.

Week 10: J.D. Salinger's 𝑻𝒉𝒆 𝑪𝒂𝒕𝒄𝒉𝒆𝒓 𝒊𝒏 𝒕𝒉𝒆 𝑹𝒚𝒆 and Ernest Hemingway's 𝑻𝒉𝒆 𝑶𝒍𝒅 𝑴𝒂𝒏 𝒂𝒏𝒅 𝒕𝒉𝒆 𝑺𝒆𝒂.

Week 11: Ralph Ellison's 𝑰𝒏𝒗𝒊𝒔𝒊𝒃𝒍𝒆 𝑴𝒂𝒏, Richard Wright's 𝘽𝙡𝙖𝙘𝙠 𝘽𝙤𝙮, and Lorraine Hansberry's 𝑨 𝑹𝒂𝒊𝒔𝒊𝒏 𝒊𝒏 𝒕𝒉𝒆 𝑺𝒖𝒏,  James Baldwin's "Sonny's Blues," Dr. Martin Luther King Jr.'s "Letter from a Birmingham Jail," and The Combahee River Collective Statement.

Week 12: Selections from Gwendolyn Brooks, Allen Ginsberg, Anne Sexton, Adrienne Rich, Sherman Alexie, Mary Oliver, Maya Angelou, Nikki Giovanni, William Berry, Louise Erdrich, Pete Seeger, Joan Baez, Billie Holiday, Woody Guthrie, The Temptations, Credence Clearwater Revival, Bob Dylan, Bruce Springsteen, Tracy Chapman, and Public Enemy. 

Week 13: S.E. Hinton's 𝑻𝒉𝒆 𝑶𝒖𝒕𝒔𝒊𝒅𝒆𝒓𝒔.

Week 14: Toni Morrison's 𝑻𝒉𝒆 𝑩𝒍𝒖𝒆𝒔𝒕 𝑬𝒚𝒆.

Week 15: Maxine Hong Kingston's 𝑻𝒉𝒆 𝑾𝒐𝒎𝒂𝒏 𝑾𝒂𝒓𝒓𝒊𝒐𝒓: 𝑴𝒆𝒎𝒐𝒊𝒓𝒔 𝒐𝒇 𝑨 𝑮𝒊𝒓𝒍𝒉𝒐𝒐𝒅 𝑨𝒎𝒐𝒏𝒈 𝑮𝒉𝒐𝒔𝒕𝒔

學習目標

The primary goal is that students gain a broader knowledge of American literature, how literature is an ongoing conversation that tells and shapes the country's story, and how to find and amplify the voices of marginalized people in that conversation.
A further goal is that students learn more about analyzing literature, particularly through anti-racist, feminist, decolonial, queer, and historical lenses.
學習目標

教學大綱

課程
遵循 Teacher-Created 課程
標準
與 Common Core State Standards (CCSS)對齊
32 課程
超過 16 週
課 1:
America Sings
 Welcome Back, Introduction to Part 2

Reconstruction Literature: Selections include Jourdon Anderson's "Letter from a Freedman to His Old Master," Frances E.W. Harper's "We Are All Bound Up Together," and Frederick Douglass' "Reconstruction." 
45 分鐘線上直播課
課 2:
Author Study: Mark Twain
 Reading selections include "Adventures of Huckleberry Finn," Julius Lester's "Morality and Adventures of Huckleberry Finn." 
45 分鐘線上直播課
課 3:
Novel Study: "Adventures of Huckleberry Finn"
 Reading selections include "Adventures of Huckleberry Finn," Toni Morrison from "Introduction to the Adventures of Huckleberry Finn," and David L. Smith's "From Huck, Jim, and American Racial Discourse." 
45 分鐘線上直播課
課 4:
Novel Study: "Adventures of Huckleberry Finn"
 Reading selections include "Adventures of Huckleberry Finn," Alan Gribben from "Introduction to the Adventures of Huckleberry Finn" and Michiko Kakutani's "Lights Out, Huck, They Still Want to Sivilize You." 
45 分鐘線上直播課

其他詳情

父母的引導和規範
The content covered in this class will include colonization, slavery, genocide, war, disease, violence, death, and oppression. Some literature may include racist and sexist language and attitudes and will be discussed and analyzed through anti-racist, feminist, queer, decolonial, and historical lenses. Some literature may include alcohol, tobacco, and drug use, as well as sex, sexual assault, and sexual exploitation. The historical realities of U.S. history are disturbing to almost all students, but may be especially difficult for some learners. Please consider whether your learner is ready to grapple with this content before enrolling. In addition, this class will address the diversity of the experiences of being an American and how those experiences are reflected in the country's literature. Students will learn about the experiences of people of different religions, races, genders, sexes, and sexual orientations. We will explore the experiences of LGBTQIA+ people. Exploring history and literature always leads to connections with current events. Students will be encouraged to make these connections and this will lead to conversations about current political debates. My objective when this happens is to facilitate a civil, thoughtful, learner-led conversation in which students arrive at connections through their own analysis.
先決條件
It is strongly recommended that learners complete America Uncensored: High School U.S. Literature Part 1 of 2 before taking this course. Part 1 is offered in the fall semester (August-December).
供應清單
𝑻𝒉𝒆 𝑵𝒐𝒓𝒕𝒐𝒏 𝑨𝒏𝒕𝒉𝒐𝒍𝒐𝒈𝒚 𝒐𝒇 𝑨𝒎𝒆𝒓𝒊𝒄𝒂𝒏 𝑳𝒊𝒕𝒆𝒓𝒂𝒕𝒖𝒓𝒆, Tenth Edition

I recommend the digital package, "Both Pre-1865 and Post 1865 Ebooks for 𝑻𝒉𝒆 𝑵𝒐𝒓𝒕𝒐𝒏 𝑨𝒏𝒕𝒉𝒐𝒍𝒐𝒈𝒚 𝒐𝒇 𝑨𝒎𝒆𝒓𝒊𝒄𝒂𝒏 𝑳𝒊𝒕𝒆𝒓𝒂𝒕𝒖𝒓𝒆, Tenth Edition, Full Edition" at this link: https://digital.wwnorton.com/americanlit10 ($63.95 as of March 2024)

We will be using 𝑻𝒉𝒆 𝑵𝒐𝒓𝒕𝒐𝒏 𝑨𝒏𝒕𝒉𝒐𝒍𝒐𝒈𝒚 in both Part 1 and Part 2, though it will be necessary to purchase some additional novels for Part 2. In addition to the Pre-1865 and Post-1865 anthologies, students will receive an MLA Citation Booklet, 𝑾𝒓𝒊𝒕𝒊𝒏𝒈 𝑨𝒃𝒐𝒖𝒕 𝑨𝒎𝒆𝒓𝒊𝒄𝒂𝒏 𝑳𝒊𝒕𝒆𝒓𝒂𝒕𝒖𝒓𝒆, and more helpful resources in the digital package. However, these resources are not required for the course and if your have a paper edition of 𝑻𝒉𝒆 𝑵𝒐𝒓𝒕𝒐𝒏 𝑨𝒏𝒕𝒉𝒐𝒍𝒐𝒈𝒚 𝒐𝒇 𝑨𝒎𝒆𝒓𝒊𝒄𝒂𝒏 𝑳𝒊𝒕𝒆𝒓𝒂𝒕𝒖𝒓𝒆, Tenth Edition that will work. 

********

In addition to 𝑻𝒉𝒆 𝑵𝒐𝒓𝒕𝒐𝒏 𝑨𝒏𝒕𝒉𝒐𝒍𝒐𝒈𝒚, learners will need the following novels (paper, electronic, or audio). These novels are generally available through public libraries and online lending services. 

• Stephen Crane's 𝑻𝒉𝒆 𝑹𝒆𝒅 𝑩𝒂𝒅𝒈𝒆 𝒐𝒇 𝑪𝒐𝒖𝒓𝒂𝒈𝒆

• Zora Neale Hurston's 𝑻𝒉𝒆𝒊𝒓 𝑬𝒚𝒆𝒔 𝑾𝒆𝒓𝒆 𝑾𝒂𝒕𝒄𝒉𝒊𝒏𝒈 𝑮𝒐𝒅

• John Steinbeck's 𝑻𝒉𝒆 𝑮𝒓𝒂𝒑𝒆𝒔 𝒐𝒇 𝑾𝒓𝒂𝒕𝒉

• J.D. Salinger's 𝑻𝒉𝒆 𝑪𝒂𝒕𝒄𝒉𝒆𝒓 𝒊𝒏 𝒕𝒉𝒆 𝑹𝒚𝒆

• Ernest Hemingway's 𝑻𝒉𝒆 𝑶𝒍𝒅 𝑴𝒂𝒏 𝒂𝒏𝒅 𝒕𝒉𝒆 𝑺𝒆𝒂

• S.E. Hinton's 𝑻𝒉𝒆 𝑶𝒖𝒕𝒔𝒊𝒅𝒆𝒓𝒔

• Toni Morrison's 𝑻𝒉𝒆 𝑩𝒍𝒖𝒆𝒔𝒕 𝑬𝒚𝒆

• Maxine Hong Kingston's 𝑻𝒉𝒆 𝑾𝒐𝒎𝒂𝒏 𝑾𝒂𝒓𝒓𝒊𝒐𝒓: 𝑴𝒆𝒎𝒐𝒊𝒓𝒔 𝒐𝒇 𝑨 𝑮𝒊𝒓𝒍𝒉𝒐𝒐𝒅 𝑨𝒎𝒐𝒏𝒈 𝑮𝒉𝒐𝒔𝒕𝒔
 1 註冊後即可取得文件
外部資源
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𝑻𝒉𝒆 𝑵𝒐𝒓𝒕𝒐𝒏 𝑨𝒏𝒕𝒉𝒐𝒍𝒐𝒈𝒚 𝒐𝒇 𝑨𝒎𝒆𝒓𝒊𝒄𝒂𝒏 𝑳𝒊𝒕𝒆𝒓𝒂𝒕𝒖𝒓𝒆, Tenth Edition Joan Anim-Addo, Deirdre Osborne, and Kadija Sesay's 𝑻𝒉𝒊𝒔 𝒊𝒔 𝒕𝒉𝒆 𝑪𝒂𝒏𝒐𝒏: 𝑫𝒆𝒄𝒐𝒍𝒐𝒏𝒊𝒛𝒆 𝒀𝒐𝒖𝒓 𝑩𝒐𝒐𝒌𝒔𝒉𝒆𝒍𝒇 𝒊𝒏 𝟱𝟬 𝑩𝒐𝒐𝒌𝒔 𝑨 𝑪𝒐𝒎𝒑𝒂𝒏𝒊𝒐𝒏 𝒕𝒐 𝑨𝒎𝒆𝒓𝒊𝒄𝒂𝒏 𝑳𝒊𝒕𝒆𝒓𝒂𝒕𝒖𝒓𝒆: 𝑶𝒓𝒊𝒈𝒊𝒏𝒔 𝒕𝒐 𝒕𝒉𝒆 𝑷𝒓𝒆𝒔𝒆𝒏𝒕, general editor Susan Belasco Robert McRuer's 𝑻𝒉𝒆 𝑸𝒖𝒆𝒆𝒓 𝑹𝒆𝒏𝒂𝒊𝒔𝒔𝒂𝒏𝒄𝒆: 𝑪𝒐𝒏𝒕𝒆𝒎𝒑𝒐𝒓𝒂𝒓𝒚 𝑨𝒎𝒆𝒓𝒊𝒄𝒂𝒏 𝑳𝒊𝒕𝒆𝒓𝒂𝒕𝒖𝒓𝒆 𝒂𝒏𝒅 𝒕𝒉𝒆 𝑹𝒆𝒊𝒏𝒗𝒆𝒏𝒕𝒊𝒐𝒏 𝒐𝒇 𝑳𝒆𝒔𝒃𝒊𝒂𝒏 𝒂𝒏𝒅 𝑮𝒂𝒚 𝑰𝒅𝒆𝒏𝒕𝒊𝒕𝒊𝒆𝒔 Mary Jo Bona and Irma Maini's 𝑴𝒖𝒍𝒕𝒊𝒆𝒕𝒉𝒏𝒊𝒄 𝑳𝒊𝒕𝒆𝒓𝒂𝒕𝒖𝒓𝒆 𝒂𝒏𝒅 𝑪𝒂𝒏𝒐𝒏 𝑫𝒆𝒃𝒂𝒕𝒆𝒔 John Guillory's 𝑪𝒖𝒍𝒕𝒖𝒓𝒂𝒍 𝑪𝒂𝒑𝒊𝒕𝒂𝒍: 𝑻𝒉𝒆 𝑷𝒓𝒐𝒃𝒍𝒆𝒎 𝒐𝒇 𝑳𝒊𝒕𝒆𝒓𝒂𝒓𝒚 𝑪𝒂𝒏𝒐𝒏 𝑭𝒐𝒓𝒎𝒂𝒕𝒊𝒐𝒏 Zachary McLeod Hutchins and Cassander L. Smith's 𝑻𝒉𝒆 𝑬𝒂𝒓𝒍𝒊𝒆𝒔𝒕 𝑨𝒇𝒓𝒊𝒄𝒂𝒏 𝑨𝒎𝒆𝒓𝒊𝒄𝒂𝒏 𝑳𝒊𝒕𝒆𝒓𝒂𝒕𝒖𝒓𝒆𝒔: 𝑨 𝑪𝒓𝒊𝒕𝒊𝒄𝒂𝒍 𝑹𝒆𝒂𝒅𝒆𝒓 Gene Andrew Jarrett's 𝑫𝒆𝒂𝒏𝒔 𝒂𝒏𝒅 𝑻𝒓𝒖𝒂𝒏𝒕𝒔: 𝑹𝒂𝒄𝒆 𝒂𝒏𝒅 𝑹𝒆𝒂𝒍𝒊𝒔𝒎 𝒊𝒏 𝑨𝒇𝒓𝒊𝒄𝒂𝒏 𝑨𝒎𝒆𝒓𝒊𝒄𝒂𝒏 𝑳𝒊𝒕𝒆𝒓𝒂𝒕𝒖𝒓𝒆 Rachel Farebrother and Miriam Thaggert's 𝑨 𝑯𝒊𝒔𝒕𝒐𝒓𝒚 𝒐𝒇 𝒕𝒉𝒆 𝑯𝒂𝒓𝒍𝒆𝒎 𝑹𝒆𝒏𝒂𝒊𝒔𝒔𝒂𝒏𝒄𝒆 Alain Locke's 𝑻𝒉𝒆 𝑵𝒆𝒘 𝑵𝒆𝒈𝒓𝒐: 𝑽𝒐𝒊𝒄𝒆𝒔 𝒐𝒇 𝒕𝒉𝒆 𝑯𝒂𝒓𝒍𝒆𝒎 𝑹𝒆𝒏𝒂𝒊𝒔𝒔𝒂𝒏𝒄𝒆 James Howard Cox and Daniel Heath Justice's 𝑻𝒉𝒆 𝑶𝒙𝒇𝒐𝒓𝒅 𝑯𝒂𝒏𝒅𝒃𝒐𝒐𝒌 𝒐𝒇 𝑰𝒏𝒅𝒊𝒈𝒆𝒏𝒐𝒖𝒔 𝑨𝒎𝒆𝒓𝒊𝒄𝒂𝒏 𝑳𝒊𝒕𝒆𝒓𝒂𝒕𝒖𝒓𝒆 Cynthia Peters' 𝑫𝒆𝒂𝒇 𝑨𝒎𝒆𝒓𝒊𝒄𝒂𝒏 𝑳𝒊𝒕𝒆𝒓𝒂𝒕𝒖𝒓𝒆: 𝑭𝒓𝒐𝒎 𝑪𝒂𝒓𝒏𝒊𝒗𝒂𝒍 𝒕𝒐 𝑪𝒂𝒏𝒐𝒏 Annettee Kolodony's 𝑻𝒉𝒆 𝑳𝒂𝒏𝒅 𝑩𝒆𝒇𝒐𝒓𝒆 𝑯𝒆𝒓: 𝑭𝒂𝒏𝒕𝒂𝒔𝒚 𝒂𝒏𝒅 𝑬𝒙𝒑𝒆𝒓𝒊𝒆𝒏𝒄𝒆 𝒇𝒓𝒐𝒎 𝒕𝒉𝒆 𝑨𝒎𝒆𝒓𝒊𝒄𝒂𝒏 𝑭𝒓𝒐𝒏𝒕𝒊𝒆𝒓𝒔, 𝟭𝟲𝟯𝟬-𝟭𝟴𝟲𝟬 Lisa Brooks' 𝑶𝒖𝒓 𝑩𝒆𝒍𝒐𝒗𝒆𝒅 𝑲𝒊𝒏: 𝑨 𝑵𝒆𝒘 𝑯𝒊𝒔𝒕𝒐𝒓𝒚 𝒐𝒇 𝑲𝒊𝒏𝒈 𝑷𝒉𝒊𝒍𝒊𝒑'𝒔 𝑾𝒂𝒓 Thomas Paine's 𝑪𝒐𝒎𝒎𝒐𝒏 𝑺𝒆𝒏𝒔𝒆 𝑻𝒉𝒆 𝑰𝒏𝒕𝒆𝒓𝒆𝒔𝒕𝒊𝒏𝒈 𝑵𝒂𝒓𝒓𝒂𝒕𝒊𝒗𝒆 𝒐𝒇 𝒕𝒉𝒆 𝑳𝒊𝒇𝒆 𝒐𝒇 𝑶𝒍𝒂𝒖𝒅𝒂𝒉 𝑬𝒒𝒖𝒊𝒂𝒏𝒐, 𝑶𝒓 𝑮𝒖𝒔𝒕𝒂𝒗𝒖𝒔 𝑽𝒂𝒔𝒔𝒂, 𝑻𝒉𝒆 𝑨𝒇𝒓𝒊𝒄𝒂𝒏 Nathaniel Hawthorne's 𝑻𝒉𝒆 𝑺𝒄𝒂𝒓𝒍𝒆𝒕 𝑳𝒆𝒕𝒕𝒆𝒓 𝑵𝒂𝒓𝒓𝒂𝒕𝒊𝒗𝒆 𝒐𝒇 𝒕𝒉𝒆 𝑳𝒊𝒇𝒆 𝒐𝒇 𝑭𝒓𝒆𝒅𝒆𝒓𝒊𝒄𝒌 𝑫𝒐𝒖𝒈𝒍𝒂𝒔𝒔 Harriet Jacobs' 𝑰𝒏𝒄𝒊𝒅𝒆𝒏𝒕𝒔 𝒊𝒏 𝒕𝒉𝒆 𝑳𝒊𝒇𝒆 𝒐𝒇 𝑺𝒍𝒂𝒗𝒆 𝑮𝒊𝒓𝒍 Walk Whitman's 𝑳𝒆𝒂𝒗𝒆𝒔 𝒐𝒇 𝑮𝒓𝒂𝒔𝒔 𝑨 𝑷𝒆𝒐𝒑𝒍𝒆'𝒔 𝑯𝒊𝒔𝒕𝒐𝒓𝒚 𝒐𝒇 𝒕𝒉𝒆 𝑼𝒏𝒊𝒕𝒆𝒅 𝑺𝒕𝒂𝒕𝒆𝒔 by Howard Zinn 𝑨𝒏 𝑰𝒏𝒅𝒊𝒈𝒆𝒏𝒐𝒖𝒔 𝑷𝒆𝒐𝒑𝒍𝒆’𝒔 𝑯𝒊𝒔𝒕𝒐𝒓𝒚 𝒐𝒇 𝒕𝒉𝒆 𝑼𝒏𝒊𝒕𝒆𝒅 𝑺𝒕𝒂𝒕𝒆𝒔 by Roxanne Dunbar-Ortiz 𝑨 𝑸𝒖𝒆𝒆𝒓 𝑯𝒊𝒔𝒕𝒐𝒓𝒚 𝒐𝒇 𝒕𝒉𝒆 𝑼𝒏𝒊𝒕𝒆𝒅 𝑺𝒕𝒂𝒕𝒆𝒔 by Michael Bronski
已加入 July, 2020
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碩士 在 歷史 從 Gettysburg College
學士學位 在 英語 從 Campbellsville University
I have a master of arts degree in American history, and bachelor of arts degrees in political science, English, and communications with a journalism emphasis. I am lead teacher at The Foster Woods Folk School, which focuses on humanities education within an ecosocial justice framework aimed at celebrating and improving our connections as a global community of humans and non-humans living on Planet Earth. In this role, I work with learners of all ages with a primary focus of working with learners in grades three through 12. I was the director of a social justice center for three years during which time I routinely taught about and facilitated conversations about historical and current political events for both teen and adults participants. Before that, I was a newspaper editor and reporter for 15 years. I have been teaching history, social studies, and English Language Arts classes for several years. 

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