包含什麼
1 現場會議
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課堂經歷
In this ongoing class, learners will meet once a week to sing, play games, practice hearing, and identifying and reading rhythms. Below are the skills that we work on: GENERALLY: - Singing with proper vocal technique - The difference between beat and rhythm - Sing tonal patterns using three solfege syllables and their hand signs - Hearing, identifying, and physicalizing new musical concepts such as rests and relative pitches - Moving meaningfully to music - Entrainment to beat - Dancing! SPECIFICALLY: - Identifying, decoding, reading, and creating using so, mi, and la pitch sets - Identifying, decoding, reading, and creating using quarter notes, eighth notes, and quarter note rests in 2/4 and 4/4 time - Clapping beat while singing/chanting rhythm - Performing simple ostinatos - Useing rehearsal letters to map out song form - Identifying and reading repeat signs - Conducting in 2/4 and 4/4 time We will focus on different styles of music every month, related to the style of music our Musician of the Month is involved in. In each class I have a picture schedule that I share with the students so they can see what we're doing for the class in that day. We will start by performing some kind of vocal or physical warmup, followed by singing. Then we will learn the musical vocabulary of the month's theme and practice them through singing, chanting, dancing, simple percussion exercises, and playing games. We end with the Musician of the Month. Genres of focus are listed below. September: Latin American October: Folk/Americana November: Spiritual/Protest December: Musical Theater January: Chinese Traditional February: Western Classical March: Afro-Caribbean April: Jazz/Blues May: Pop/Rock June: Student Choice Week of Sept. 6-9: Keeping a steady beat Week of Sept. 12-16: Learning a Spanish rhyme Week of Sept. 19-23: Latin American dance Week of Sept. 26-30: Singing and moving with Spanish verbs The Musician of the Month aims to break down euro-centrism in education by incorporating musicians and styles from diverse backgrounds and abilities. I have successfully used this model in my classroom for 5 years. Often, we are moving, tapping, and dancing along to the music. Sometimes it takes the form of simply watching and listening to a short clip at the end of class. I look forward to learning with you!
其他詳情
外部資源
學習者無需使用標準 Outschool 工具以外的任何應用程式或網站。
教師專業知識和證書
2 教學證書
麻薩諸塞州 教學證書 在 音樂/戲劇/藝術
緬因州 教學證書 在 音樂/戲劇/藝術
2 個學位
學士學位 在 音樂或戲劇或藝術 從 Berklee College of Music
副學士學位 在 教育 從 Bridgewater State University
As a public educator, I have much experience presenting sensitive topics to students that do not reflect a specific religion or personal perspective. I have carefully guided students from ages 4-12 through difficult topics such as the enslavement of African Americans, Apartheid, and more. I briefly and superficially touch on the lyrical/historical content to give an objective context into where the music came from, which is my area of expertise. My focus is and always will be chiefly on the music. It is not my intention or part of my curriculum to teach history beyond the music we're singing or learning about in class. The reason we learn African American spirituals and protest music is for pedagogical purposes and to show that music can be, and indeed has been, a powerful tool for appealing to the deepest needs of human beings.
評論
現場團體小班課程
US$12
每週每週 1 次
40 分鐘
有295 位學習者完成此課程
即時視訊會議
年齡: 6-7
1-18 每班學員人數