๐ป๐๐ ๐ช๐๐๐๐๐๐๐ | ๋๋ณธ ์ฝ๊ธฐ ๋ฐ ํ ๋ก ์ ์ํ ์ฌ๋ฆ ์บ ํ
์ด ์บ ํ์์ ์ฐ๋ฆฌ๋ ์์ ๋ฐ๋ฌ์ 4๋ง์ง๋ฆฌ 1953๋
ํฌ๊ณก ,๋ง๋
์ ์ฌํฌ๋ฆฌ,๋ฅผ ์ฝ๊ณ ํ ๋ก ํ๋ฉด์ ์ฒญ๊ต๋, ๋ง๋
์ฌํ, ๋งค์นด์์ฆ์ ๋ํด ๋ ์์๋ณด๊ณ , ๋ฐ์ธ์ข
์ฃผ์์ ํ๋ฏธ๋์ฆ ๊ด์ ์์ ์ํ์ ๋ถ์ํฉ๋๋ค.
๋ฌด์์ด ํฌํจ๋์ด ์๋์?
5๊ฐ์ ๋ผ์ด๋ธ ๋ฏธํ
์์ 6 ์๊ฐ 15 ๋ถ ์๊ฐ๋ณด๊ณ ๊ณ์ ์ง๋ฌธ์ ์๋ ๋ฒ์ญ ๋์์ต๋๋ค
์์ ์๊ฐ
์์ด ์์ค - ์ ์ ์์
๋ฏธ๊ตญ 9ํ๋ - 12ํ๋ ํ๋
In this camp we will read and discuss Arthur Miller's four-act play ๐ป๐๐ ๐ช๐๐๐๐๐๐๐ while learning more about the Puritans, the Salem Witch Trials, and McCarthyism. We will analyze Miller's depiction of women and the sole character of color, Tituba, through feminist and anti-racist lenses. ๐ป๐๐ ๐ช๐๐๐๐๐๐๐ is a fictionalized dramatization of the historical Massachusetts witch trials of 1692-1693. Written in 1953, the play is an allegory for what was happening in the early 1950s in the United States. Led by Joseph McCarthy, the U.S. Senate held hearings to out and blacklist known communists living and working in the United States -- a metaphorical "witch hunt." We will discuss both the historical witch trials, McCarthyism, and then think about how fear is still used as a tool to drive people to turn on neighbors and friends and to scapegoat marginalized and vulnerable communities. Learners will be encouraged to consider current events that might echo the events of 1692 and the 1950s. Day 1: The first day will be lecture and discussion with an introduction of the play, Puritans and Puritan culture, the Salem Witch Trials, and McCarthyism, as well as examining the play through anti-racist and feminist lenses. We will also do casting with learners choosing the roles they will read. If more than one learner wants the same role, we will guess numbers to determine who gets the role. Learners will be encouraged to create a costume representing the character they are reading and to bring props their character will use as we read the script over the following four days. Ideally we will be reading on the following schedule, though this may be adapted depending on how quickly a group moves through the text and discussion of each act of the play. Day 1: Begin Act 1 Day 2: Reading and Discussion of Act 1-2 Day 3: Reading and Discussion of Act 2-3 Day 4: Reading and Discussion of Act 3-4 Day 5: Finish the script and wrap up discussion (Depending upon the students in a section, Day 5 may not last the entire one hour and 15 minutes. For other groups of students, we may go a little longer than the listed time on Day 5. Day 5 really depends upon how much students want to discuss the script and history.)
ํ์ต ๋ชฉํ
There are multiple learning goals in this class. The first is to read and understand Arthur Miller's play ๐ป๐๐ ๐ช๐๐๐๐๐๐๐, while also examining it through anti-racist and feminist lenses. Students will learn the history that shapes the play, including more about the Puritans, the Salem Witch Trials, and McCarthyism. Students will work with literary concepts such as allegory and metaphor, as well as learning and using common theater concepts and tools such as casting, scripts, and stage directions. There will be ample opportunities for critical thinking as we analyze and discuss the play and history and current events in relation to the play.
๊ทธ ์ธ ์ธ๋ถ ์ฌํญ
ํ๋ถ๋ชจ ๊ฐ์ด๋
๐ป๐๐ ๐ช๐๐๐๐๐๐๐ includes mature themes. Among these are a teenage girl who has an affair with a married man. The story is often intense and there are depictions of violence, abuse, slavery, and death. Arthur Miller presents the play's sole character of color, Tituba, using racist stereotypes and caricatures. We will discuss racism, patriarchy, colonization, religion, and current events as part of analyzing the play. Students will be encouraged to make connections with current events and this will lead to conversations about current political debates. My objective when this happens is to facilitate a civil, thoughtful, learner-led conversation in which students arrive at connections through their own analysis.
์์ ์๋ฃ
Arthur Miller's "The Crucible"
Outschool ์ธ ํ์ ์ฑ/์น์ฌ์ดํธ
์์์ค์ฟจ ์ฌ์ดํธ์ ๊ธฐ๋ฅ ์ธ ๋ณ๋์ ์ฑ์ด๋ ์น ์ฌ์ดํธ๋ฅผ ์ฌ์ฉํ ํ์๊ฐ ์์ต๋๋ค.
์ถ์ฒ
Below are some of the sources consulted for the lecture portion of the course:
Arthur Miller's "The Crucible"
"Why I Wrote 'The Crucible'" - Arthur Miller in "The New Yorker"
"Again They Drink From the Cup of Suspicion"- Arthur Miller in "The New York Times"
"Massachusetts Clears 5 From Salem Witch Trials" - "The New York Times"
"Stirring Up Trouble with โThe Crucibleโ | Challenging the Classics" - "School Library Journal"
"CHAT: Disrupting 'The Crucible" - "Disrupt Texts"
"Tituba, Reluctant Witch of Salem: Devilish Indians and Puritan Fantasies" - Elaine G. Breslaw
"The Devil in the Shape of a Woman: Witchcraft in Colonial New England" - Carol F. Karlsen
"Double Portrayed: Tituba, Racism and Politics" - รnder รakฤฑrtaล in "International Journal of Language Academy"
"Re(dis)covering the Witches in Arthur Miller's The Crucible: A Feminist Reading," - "Wendy Schissel" in "Modern Drama"
"Studio Theatreโs โJohn Proctor Is the Villainโ rethinks โThe Crucibleโ" - "The Washington Post"
"The historical truth about women burned at the stake in America? Most were Black." - Kali Nicole Gross in "The Washington Post"
"Unraveling the Many Mysteries of Tituba, the Star Witness of the Salem Witch Trials" - Stacy Schiff in "Smithsonian Magazine"
"From Salem to McCarthy" - Chicago Public Library
"Have You No Sense of Decency?" - United States Senate
"McCarthyism and the Red Scare: A Reference Guide" - William T. Walker
๊ต์ฌ ์ ๋ฌธ์ฑ ๋ฐ ์๊ฒฉ์ฆ
2 ์ ๋
์์ฌ ํ์ ์ญ์ฌ Gettysburg College์์
ํ์ฌ ํ์ ์์ด Campbellsville University์์
I have a master of arts degree in American history, and bachelor of arts degrees in political science, English, and communications with a journalism emphasis. I am lead teacher at The Foster Woods Folk School, which focuses on humanities education within an ecosocial justice framework aimed at celebrating and improving our connections as a global community of humans and non-humans living on Planet Earth. In this role, I work with learners of all ages with a primary focus of working with learners in grades three through 12. I was the director of a social justice center for three years during which time I routinely taught about and facilitated conversations about historical and current political events for both teen and adults participants. Before that, I was a newspaper editor and reporter for 15 years. I have been teaching history, social studies, and English Language Arts classes for several years.
๋ฆฌ๋ทฐ
์ค์๊ฐ ๊ทธ๋ฃน ์์
5 ํ ์์
์
US$100
1์ฃผ ๋์ ์ฃผ๋น 5ํ
75๋ถ
4 ๋ช
์ ํ์์ด ์์
์ ์๋ฃํจ
์ค์๊ฐ ํ์ ์์
์ฐ๋ น: 13-18
์์
๋น ํ์ต์ 6-18 ๋ช
์์์ค์ฟจ ์๊ฐโ
์ฌ์ ์ง์โ
์์์ค์ฟจ ํํ์ด์งโ
์ผ๋์ผ ๊ณผ์ธโ
๋ ๋ง์ ์์ ๋ณด๊ธฐโ
์์
์ฝ์นญ๋๋ผ ์ฐ์ฃผ ๋ฐฐ์ฐ๊ธฐ์ผ๊ฐ์์์ค ์ค๋ธ ํ์ด์ด ๋๋ก์ฐ์ฝ์ค ์ถ์ฒจ H2tyd๋ถ๋ฌธ ์๊ฐ๋ง์คํฐ์ค ๋จผ์น๋ฌธ๋ฒ 2์ผ์์ดํ์ด๋ณด์๋ฅผ ์ํ ์์๊ทธ๋ฆผ ๊ทธ๋ฆฌ๊ธฐ ๋ฐ ์ฐ๊ธฐ ๊ฒ์ ๋ต๋ณ ๋จ์ Writedraw ์คํ ๋ฆฌ 1-3 ํ์์คํ ์์
ํฌ๋์ค์ ์ธ๊ณ ์์ด๋ผํด์ด ๋ฟ๋ฆฌ๋์ ํธ