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Año completo de inglés en la escuela secundaria: raza, clase, género y el sueño americano, sem. 1
Experiencia de clase
Nivel de inglés: desconocido
Grado de EE. UU. 9 - 12
Sigue en plan de estudios Teacher-Created
Alineado con Common Core State Standards (CCSS)
Looking for an American Literature class that will get your student thinking critically, reading great literature, and developing essential skills? Focusing on the theme of the American Dream through a lens of the intersectionality of race, class, and gender, this innovative class will explore both canonical and diverse text. Students will build skills in literary analysis and writing and will have lots of opportunities for individualization. This is a full-year curriculum for high school,...
19 lessons//19 Weeks
Week 1Lesson 1What do We Mean When We Say “America"?Text: “Let American be America” by Langston Hughes. Skill Focus: reading responses and poetry writing.Week 2Lesson 2Is the “Golden Door” Open to All?Texts: “The New Colossus” by Emma Lazarus and “Prospective Immigrants Please Note” by Adrienne Rich. Skill Focus: elements of poetry and poetry writing.Week 3Lesson 3Who is Invited to Sit at Our Table?Texts: “I, Too” by Langston Hughes and “I Hear America Singing” by Walt Whitman. Skill Focus: reading responses and elements of poetry.Week 4Lesson 4Homesickness, Isolation, and Power Dynamics“Postcard from Kashmir” by Agha Shahid Ali; “My Uncle’s Favorite Coffee Shop” by Naomi Shihab Nye; “The Island Within” by Richard Blanco; “La Mira” by Pat Mora; “Elena” by Pat Mora. Skill Focus: poetry paper and poetry writing.Week 5Lesson 5Poetry Writing and/or Poetry Paper.Students will write a literary analysis essay on a poem or poems and/or an original poem, depending on their chosen track for the class. We’ll have a focused mini lesson based on the issues in students’ drafts, workshop the papers in class, and work on refining and revising students’ work.Week 6Lesson 6Like a Broken Accordion: Poverty, Memory, and RageTexts: “Marigolds” by Eugenia W. Collier, supplementary video. Skill Focus: elements of a short story and short story writing.Week 7Lesson 7You Could be Anything You Wanted to be in America Writing and Poetry PaperTexts: “Two Kinds” by Amy Tan and “Geraldo No Last Name” by Sandra Cisneros. Skill Focus: elements of a short story.Week 8Lesson 8Even as My Dreams Fade, I Have Others: Nature, Love, and DreamsText: “John Redding Goes to Sea” by Zora Neale Hurston. Skill Focus: close reading of a literary passage, elements of a short story, short story writingWeek 9Lesson 9Ah Wantah Cross Jurden in Uh Calm Time: Music, Language, and ReligionTexts: “Sweat” by Zora Neale Hurston, music, and African American Spirituals. Skill Focus: elements of a short story with a focus on allusions, short story writing.Week 10Lesson 10Characterization Analysis Assignment and/or Short Story WritingStudents will write a literary analysis of a story and/or an original story, depending on their chosen track for the class. We’ll have a focused mini lesson based on the issues in students’ drafts, workshop their writing in class, and work on refining and revising students’ work.Week 11Lesson 11A Brown Bag of Miscellany: Identity and BelongingTexts: “How It Feels to be Colored Me” by Zora Neale Hurston and “Two Ways to Belong in America” by Bharati Mukherjee. Skill focus: elements of literary nonfiction with a focus on figurative language.Week 12Lesson 12Just Remember the StoriesText: Leslie Marmon Silko’s “Language and Literature from a Pueblo Indian Perspective.” Skill focus: storytelling, elements of literary nonfiction, nonfiction writing.Week 13Lesson 13Creation Stories, Personal Fictions, and Native WorldviewText: ’You’ll Never Believe What Happened’ is a Always a Great Way to Start” by Thomas King. Skill focus: elements of nonfiction writing, how to write about nonfiction, essay writing.Week 14Lesson 14Original Literary Essay WritingStudents will write an original essay inspired by the essays we read in class. We’ll have a focused mini lesson based on the issues in students’ drafts, workshop the papers in class, and work on refining and revising students’ work.Week 15Lesson 15One Woman’s Search for Her DreamText: Their Eyes Were Watching God by Zora Neale Hurston. Skill Focus: Mini lessons on skills based on student work thus far in the classWeek 16Lesson 16One Woman’s Search for Her DreamText: Their Eyes Were Watching God by Zora Neale Hurston. Skill Focus: Mini lessons on skills based on student work thus far in the classWeek 17Lesson 17One Woman’s Search for Her DreamText: Their Eyes Were Watching God by Zora Neale Hurston. Skill Focus: Mini lessons on skills based on student work thus far in the classWeek 18Lesson 18Literary Essay and/or Creative WritingStudents will write a literary analysis essay on Their Eyes Were Watching God and/or a creative writing assignment inspired by the book, depending on their chosen track for the class. We’ll have a focused mini lesson based on the issues in students’ drafts, workshop the papers in class, and work on refining and revising students’ workWeek 19Lesson 19Wrap Up and Final ProjectsStudents will complete an individualized creative project, a writing assignment on Their Eyes, and/or other summative project TBD
- Students will improve their critical thinking, literary analysis, and writing skills.
I have a BA in literature and a Master's in literature; while I didn't have a specific focus on American Lit., both of my senior thesis papers as well as many of my graduate papers focused on American Literature. I taught high school English for 16 years, during which I taught American Lit every year. Since then, I have been developing curriculum for high school English for the past 8 years while I have been homeschooling my own kids. In my work developing curriculum, I have done extensive research into finding lesser-known and more diverse American texts. In particular, I have spent many hours reading texts from the Harlem Renaissance, contemporary Native American writers, and writers on the contemporary immigrant experience in a search for poetry, short stories, and essays that are accessible for teens yet also challenging.
2 - 4 horas semanales fuera de clase
Tarea
Frecuencia: incluidoComentario: incluidoDetalles: Reading assignment, close reading questions, and informal writing assignment (usually a reaction to the reading) will be posted in the classroom one week before class. Homework will start off light and build as the class continues, but students should expect to spend 1-3 hours on homework depending on their reading speed. Besides the primary texts listed below, students will explore engaging contemporary nonfiction articles, videos, and TED Talks when applicable. Homework will be due the day before class so that I can check it for understanding and to see if there are any issues to address in class. Homework is required for the class as we will spend the bulk of class time discussing and building on the work done outside of class.Evaluación
Frecuencia: incluidoDetalles: Assessments are optional for all students. Expectations for the honors track and the standard track will be offered before the class begins for students who would like to receive a grade for the course. The honors track will require students to complete at least two literary analysis essays as well as at least one creative writing assignment (for a total of four assignments) while a standard track will have the option to write a literary analysis essay or a creative project for each of the four main assignments. Students will also complete a final project based on their own interest and inspiration. All grading will be done with rubrics which will also be shared with students ahead of time so that they are clear on the expectations of the course.Calificación
Frecuencia: incluidoDetalles: All grading will be done with rubrics which will also be shared with students ahead of time so that they are clear on the expectations of the course. Grades will be offered on request.
Students will need to obtain a copy of Their Eyes Were Watching God. All other resources will be linked in the class.
This class is intended for high school students. Some of the literature might be better for mature students, especially when we look at injustices and violent episodes in American history through the literature. Also, just as a note, one of the poems in the course uses the term "Indian" which is a controversial term; we'll discuss this choice on the class and why an author might make that choice.
“Let American be America” by Langston Hughes; “The New Colossus” by Emma Lazarus; “Prospective Immigrants Please Note” by Adrienne Rich; “I, Too” by Langston Hughes; “I Hear America Singing” by Walt Whitman;“Postcard from Kashmir” by Agha Shahid Ali; “My Uncle’s Favorite Coffee Shop” by Naomi Shihab Nye; “The Island Within” by Richard Blanco; “La Mira” by Pat Mora; “Elena” by Pat Mora; “Marigolds” by Eugenia W. Collier; “Two Kinds” by Amy Tan; “Geraldo No Last Name” by Sandra Cisneros; “John Redding Goes to Sea” by Zora Neale Hurston; “Sweat” by Zora Neale Hurston; “How It Feels to be Colored Me” by Zora Neale Hurston; “Two Ways to Belong in America” by Bharati Mukherjee; “Language and Literature from a Pueblo Indian Perspective by Leslie Marmon Silko; ’"You’ll Never Believe What Happened’ is a Always a Great Way to Start” by Thomas King; Their Eyes Were Watching God by Zora Neale Hurston.
Experiencia y certificaciones del docente
Hi there! My name is Christina, and I have been helping teens to improve their writing, think critically, and find a love for literature for over two decades. I teach college application essay classes, and I also love poetry, Shakespeare, the...
Reseñas
Clase grupal
760 US$
por 19 clases1 x por semana, 19 semanas
75 min
Videoconferencias en vivo
Edades: 14-18
5-15 alumnos por clase
Asistencia financiera
Tutoría
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