Qué está incluido
1 reunión en vivo
40 minutos horas de clase por semanaExperiencia de clase
In this ongoing class, learners will meet once a week to sing, play games, practice hearing, and identifying and reading rhythms. Below are the skills that we work on: GENERALLY: - Singing with proper vocal technique - The difference between beat and rhythm - Sing tonal patterns using three solfege syllables and their hand signs - Hearing, identifying, and physicalizing new musical concepts such as rests and relative pitches - Moving meaningfully to music - Entrainment to beat - Dancing! SPECIFICALLY: - Identifying, decoding, reading, and creating using so, mi, and la pitch sets - Identifying, decoding, reading, and creating using quarter notes, eighth notes, and quarter note rests in 2/4 and 4/4 time - Clapping beat while singing/chanting rhythm - Performing simple ostinatos - Useing rehearsal letters to map out song form - Identifying and reading repeat signs - Conducting in 2/4 and 4/4 time We will focus on different styles of music every month, related to the style of music our Musician of the Month is involved in. In each class I have a picture schedule that I share with the students so they can see what we're doing for the class in that day. We will start by performing some kind of vocal or physical warmup, followed by singing. Then we will learn the musical vocabulary of the month's theme and practice them through singing, chanting, dancing, simple percussion exercises, and playing games. We end with the Musician of the Month. Genres of focus are listed below. September: Latin American October: Folk/Americana November: Spiritual/Protest December: Musical Theater January: Chinese Traditional February: Western Classical March: Afro-Caribbean April: Jazz/Blues May: Pop/Rock June: Student Choice Week of Sept. 6-9: Keeping a steady beat Week of Sept. 12-16: Learning a Spanish rhyme Week of Sept. 19-23: Latin American dance Week of Sept. 26-30: Singing and moving with Spanish verbs The Musician of the Month aims to break down euro-centrism in education by incorporating musicians and styles from diverse backgrounds and abilities. I have successfully used this model in my classroom for 5 years. Often, we are moving, tapping, and dancing along to the music. Sometimes it takes the form of simply watching and listening to a short clip at the end of class. I look forward to learning with you!
Otros detalles
Recursos externos
Los estudiantes no necesitarán utilizar ninguna aplicación o sitio web más allá de las herramientas estándar de Outschool.
Experiencia y certificaciones del docente
2 Certificadosde Enseñanza
Maine Certificado de Docencia en Música/Teatro/Artes
Massachusetts Certificado de Docencia en Música/Teatro/Artes
2 Grado
Licenciatura en Música o Teatro o Artes desde Berklee College of Music
Grado asociado en Educación desde Bridgewater State University
As a public educator, I have much experience presenting sensitive topics to students that do not reflect a specific religion or personal perspective. I have carefully guided students from ages 4-12 through difficult topics such as the enslavement of African Americans, Apartheid, and more. I briefly and superficially touch on the lyrical/historical content to give an objective context into where the music came from, which is my area of expertise. My focus is and always will be chiefly on the music. It is not my intention or part of my curriculum to teach history beyond the music we're singing or learning about in class. The reason we learn African American spirituals and protest music is for pedagogical purposes and to show that music can be, and indeed has been, a powerful tool for appealing to the deepest needs of human beings.
Reseñas
Clase grupal
12 US$
semanalmente1x por semana
40 min
Completado por 267 alumnos
Videoconferencias en vivo
Edades: 6-7
1-18 alumnos por clase
Asistencia financiera
Tutoría
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