To Be or Not to Be: Advanced Monologue Coaching for Experienced Drama Students
What's included
4 live meetings
4 in-class hoursClass Experience
This class will work with no more than 4 experienced high school theater students on their audition monologues. Each student will prepare and perform two memorized monologues, no longer than 2-minutes each: one classical (such as Shakespeare), one contemporary. Topics covered include: • Monologue selection • Appropriate attire • Introducing yourself • Acting • Transition between pieces • Conclusion The class will be structured as a 60-minute, interactive experience for 4 consecutive weeks. I will teach by lecture, feedback, observing your monologues and responding with suggestions. My teaching style is enthusiastically interactive. Learners will get to interact and respond to their classmates but will not be providing feedback to one another. This is not an introductory level course. All participants must be serious high school theater students who have performed in at least one high school or community theater production. Please note: After the lecture component of each class, the balance of each class will be divided equally among learners to provide optimal individualized feedback on your monologues. Class by class breakdown: Week 1: "The Introduction" • Dress for success: Students should be wearing attire they think would be appropriate for a professional or university audition. We will review appropriate attire and provide concrete guidelines for best practices. • Monologue selection: Each student should have a list of 2-3 classical and 2-3 contemporary monologues they wish to work on. Instructor will provide guidance and suggestions for selecting contrasting pieces that highlight students' strengths, evaluating the pros and cons of each piece. • The Introduction: each student will practice entering the space, greeting the audition facilitators, clearly and concisely introducing themselves and their pieces; feedback will be provided for each step of this deceptively simple process. • Assignment for next class: memorize your classical monologue and message the instructor a copy of your selected piece at least 48 hours in advance of class. Week 2: "Your Classical Piece" • Each learner will perform their classical monologue. Each monologue is to be no more than 2 minutes each. • Each learner will have a minimum of ten (10) full minutes of work and feedback on their specific acting presentation. • Learners will often learn the most by observing feedback and direction given to their peers. The balance of each class will afford this mode of learning. • Assignment for next class: apply all of the acting notes given on your classical monologue and incorporate them into next class's performance; memorize your contemporary monologue and message the instructor a copy of your selected piece at least 48 hours in advance of class. Week 3: "Your Contemporary Piece" • Each learner will perform their classical monologue incorporating the acting notes given the previous class. • Transition: students will rehearse their transition between their classical and contemporary monologues, and begin their presentation of contemporary monologues. • Acting notes will be given on the contemporary monologues. • Assignment for next class: apply all of the acting notes given on your contemporary monologue and incorporate them into next class's performance; review your classical monologues, introduction, and transition. Be prepared with a backup piece in the even time allows additional work. Week 4: "Putting it All Together" • Learners will deliver their complete audition with introduction, classical piece, transition, contemporary piece, and conclusion. • Learners will be dressed for success, in the attire they would wear to a professional or university audition. • Final acting notes and feedback will be provided for all components of each learner's audition. • Conclusion: final thoughts for the real world.
Learning Goals
Students will learn how to prepare and deliver a two-monologue audition for college or professional purposes.
Other Details
Parental Guidance
Students will be discouraged from performing monologues with extraneous profanity.
Supply List
"The Complete Works of William Shakespeare" may prove helpful. The Arden versions of individual Shakespeare plays are industry standards.
External Resources
Learners will not need to use any apps or websites beyond the standard Outschool tools.
Sources
We will refer to the text of the full-length plays from which the students' monologues are drawn. Monologues from monologue books will not be considered viable.
Teacher expertise and credentials
I teach advanced acting and audition classes for experienced high school theater students who are serious about performance.
No audition required, but this is not an introductory level course. Students must have performed in at least one high school or community theater production to enroll. We will be preparing monologues for college and professional auditions.
I am as the Vice President of Education at Playhouse Square in Cleveland, Ohio.
This is monologue work only, not musical theater.
Before joining Playhouse Square, I held the position of Director of Education for Great Lakes Theater, Cleveland's classic theater company, where I hired and trained actors for 12 years. I spent a great deal of time behind the audition table putting actors' resumes into "yes," "no," or "maybe" piles. I will coach you through every moment of your audition, from the second you walk into the room (or in front of the camera), through your intro and every beat of your piece, including your exit from the space. We'll get your resume into the "yes" pile by the end of this course, and you'll learn what it takes to keep it there.
The best acting instructors I have ever had were honest, which is the foundation of my philosophy. We will explore how to make clear, tangible improvements to your acting and presentation skills. My training is grounded in the techniques of Stella Adler. This is practical, down-to-earth instruction. I've taken classes where we've rolled around on the floor and spent hours imagining we were painting the ceiling blue with our voices - this is not that class.
My sense of humor keeps me going. My classes are filled with laughter and much joy - there is profound joy in creating great art and realizing your potential.
I trained at The National Shakespeare Conservatory (NY) with many of the instructors who today are Master Teachers at the Stella Adler Acting Studio, including Head of Acting Jimmy Tripp and Head of Movement Joan Evans. I am also a graduate of the American Music and Dramatic Academy (NYC), where I studied with the brilliant Betsy Shevey (who served as Tennessee Williams' assistant director) and the glorious Rosey Hay (Trevor Nunn's assistant director at the RSC). I'm a Summa Cum Laude graduate with Theater degrees from both Baldwin Wallace University (undergrad) and the University of Akron (master's degree). I taught at Baldwin Wallace for 12 years. My specialty is classical acting (let's get that Shakespeare going). Awards include the Broadway League's National Award for Outstanding Achievement in Education (2019) and Great Lakes Theater's President's Award (2002).
I teach only one 55-minute class per week, and cap attendance at 4 students.
Most importantly, I'm the father of four wonderful children and have been happily married for 25 years to an incredible wife. My family is my foundation.
Please note, due to potential conflict of interest I do *not* teach students attending high schools that compete in Playhouse Square's regional high school musical theater competition "The Dazzle Awards." All others welcome.
Reviews
Live Group Class
$15
weekly1x per week, 4 weeks
60 min
Completed by 4 learners
Live video meetings
Ages: 15-18
3-4 learners per class