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The Play's the Thing: Shakespeare's Hamlet

This 6-week course will go deep as we read and discuss Hamlet together.
Maureen Tobin (BS, MFA)
Average rating:
5.0
Number of reviews:
(182)
Class

What's included

12 live meetings
15 in-class hours
Homework
1 hour per week. Students will not be required to read the play outside of class, but are encouraged to share their journal responses to class discussions and to the scenes they have read in class. Students will create a final project from a supplied list of possible projects or, alternatively, they can propose projects of their own.

Class Experience

US Grade 9 - 12
Scheduling Note:
This class can be requested as a once OR twice a week class. 

William Shakespeare's Hamlet has so permeated every corner of our culture that in some ways, it’s become nearly invisible. Many people are aware that it’s the source of The Lion King and is repeatedly referenced (and argued about) in the Star Trek universe. Maybe fewer people are aware of the Hamlet references in SpongeBob SquarePants, The Empire Strikes Back, Coraline, and Witcher 3 (the game). But that’s just the tip of an endlessly growing iceberg. Once exposed to Hamlet, students will never stop catching the references. 
So what’s it all about? How has this 400-year-old play taken such hold?
  
Among other topics, we will explore these questions:

What does this play have to teach us about family, love, loyalty, grief, and even mental health?
What does the ghost reveal about politics, relationships, and religion in Renaissance England? 
What are some of the possible historical and literary sources the playwright may have utilized?
Why has Shakespeare been translated into over 100 languages?
How did Shakespeare contribute to the English language?
What is O.P. and why have I never heard of it?
And what's the big deal about Shakespeare, anyway?

While I feel it's important to create an academic experience for my students, I believe it's equally important to have fun while doing it. Students will gain confidence in their knowledge of Shakespeare as we read the play together, and it is my hope that they enjoy this highly interactive class as much as I do.

Class time will be spent reading and discussing the play, as well as reading and viewing supplementary materials. This is the sort of class where everyone will be expected to read aloud, but fear not! My classroom is a safe and easy-going place.  

Homework might include watching clips online and writing responses to (not summaries of) the work we've done in class. A final project will be chosen by each student (in consultation with the teacher) and might include writing, performance, artwork, parody, music, etc.

No background in Shakespeare is required, though several of my other Shakespeare offerings would provide a shorter and easier introduction. Please message me if you have any questions about this.

The entire play will be read aloud in class. I never require students to read alone, unguided and in silence, but they are encouraged to read ahead if they wish to be better prepared for the live reading. 

About Shakespeare’s Hamlet
By Barbara Mowat and Paul Werstine
Editors of the Folger Shakespeare Library Editions

Hamlet is the most popular of Shakespeare’s plays for readers and theater audiences, and it is also one of the most puzzling. Many questions about the play continue to fascinate readers and playgoers, making Hamlet not only a revenge tragedy but also very much a mystery. What is this Ghost that appears to Hamlet? Is it Hamlet’s murdered father returned from the everlasting fire to demand justice upon his murderer? Is it a “goblin damned”—that is, a demon bent on claiming Hamlet’s soul by tempting him to assassinate his king? Or is the Ghost “a spirit of health,” an angelic messenger revealing to Hamlet that the young man’s mission in life is to cleanse the kingdom of Denmark of its corrupt king?

And what happens to Hamlet after the Ghost commands that the throne of Denmark be cleansed? Does Hamlet actually go mad, becoming unhinged by the accusation that his uncle murdered his father or by the ugly picture the Ghost paints of Hamlet’s lustful mother? Or does Hamlet merely pretend to be mad, pretend so well that he makes us wonder if we can tell the difference between sanity and madness? Why is he so hostile to women, both to his mother and to the woman whom he once courted and whom he claims to have loved dearly? Why does he wait so long to confirm the guilt of the king after the Ghost has accused the king of murder? And once he is convinced that the king is a murderer, why does Hamlet not act immediately?

And what about Gertrude? Was she unfaithful to her husband during his lifetime? Was she complicit in his murder? What does she come to believe about Hamlet’s madness? And about her new husband?

Beyond such questions about the play and its characters lie deeper issues about the rightness of revenge, about how to achieve an ethical life, and about how to live in a world where tears of sorrow, loving smiles, and friendly words are all suspect because all are “actions that a man might play.” Hamlet’s world is bleak and cold because almost no one and nothing can be trusted. But his world, and Hamlet himself, continue to draw us to them, speaking to every generation of its own problems and its own yearnings. It is a play that seems particularly pertinent today—just as it has seemed particularly pertinent to any number of generations before us.

https://shakespeare.folger.edu/shakespeares-works/hamlet/about-shakespeares-hamlet/


Photo credit:Reference ID : 51065
Learning Goals
Students will grow their knowledge and understanding of Shakespeare's Hamlet, gaining skills that will carry over to all of Shakespeare's plays.
Students will be able to explain the difference between a soliloquy and a monologue.
Students will gain confidence in reading aloud. While this is not an acting class, students will be encouraged to convey character as they become more comfortable with the language.
Students will demonstrate learning through classroom participation (reading and discussion) and in the completion of a final project.
learning goal

Syllabus

12 Lessons
over 12 Weeks
Lesson 1:
Lesson 1
 Discuss: Intro to Hamlet--Strategies for reading, sentence structure, Elizabethan contractions, the royal "we," soliloquy, monologue, and aside
Read: Act 1, scene 1 through act 1, scene 2, line 164
Henceforth written as
1.1-1.2.164
Watch: Time permitting, we will watch scenes from one of several movie versions of the play. 
75 mins online live lesson
Lesson 2:
Lesson 2
 Discuss: Death in Shakespeare's day and in Shakespeare's plays
Read: 1.2.165-1.4
Watch: Time permitting, select scenes 
75 mins online live lesson
Lesson 3:
Lesson 3
 Discuss: Reformation attitudes towards purgatory and ghosts
Read: 1.5-2.1
Watch: Time permitting, select scenes 
75 mins online live lesson
Lesson 4:
Lesson 4
 Discuss: Discussion: Original pronunciation--what do we know, and how do we know it?
Watch: Open University
Listen: Scene sample in original pronunciation
Read: 2.2-2.2.403
Watch: Time permitting, select scenes 
75 mins online live lesson

Other Details

Parental Guidance
Hamlet contains some sensitive material related to suicide, misogyny, and murder. These will be openly discussed as they arise.
Supply List
We will be using the Folger Shakespeare Library text.  There are many formats available for free download, but please be sure to select a version, like the PDF, that has line numbers. 

Free Download here: 
https://shakespeare.folger.edu/shakespeares-works/hamlet/download/

If you would like a solid book with great footnotes, you can buy the Folger paperback edition here:
or, if your town still has an independent brick and mortar store, do give them your business.

Students should also have a notebook dedicated to this class. Done well, this notebook can be a resource for future Shakespeare courses.
External Resources
Learners will not need to use any apps or websites beyond the standard Outschool tools.
Joined August, 2017
5.0
182reviews
Profile
Teacher expertise and credentials
Nebraska Teaching Certificate in English/Language Arts
Master's Degree in Music or Theatre or Arts from University of Nebraska
A retired English teacher, I hold an MFA in Creative Writing and a bachelor's degree in Language Arts Education from the University of Nebraska at Omaha.  I currently work as a reading and writing coach for students of all ages. (Continued below the class list.)

Teaching allows me to share my passion for the written word. For example, inspiring a love of Shakespeare in formerly fearful young readers is one of my proudest accomplishments. I also believe writing is an essential tool for communication with the world and with the self.  Art is for everyone! 

For what it's worth, whenever I get a chance to travel to see a Shakespeare play, I do it. I've been fortunate to go to England a few times recently and have seen wonderful plays at both the Globe Theatre (The Tempest, As You Like It) and the Royal Shakespeare Theatre (Macbeth, Richard III). Sometimes when I think about that "then I scorn to change my state with kings." (Sonnet 29.)

SCHEDULING NOTE: I understand sometimes it is necessary to miss a class. Just let me know and I can send a link to the video of the class missed.

A little bit about my teaching methods:

For all classes, students are encouraged to interrupt with questions, comments, etc. whenever they arise.

--My one-hour concept courses ("Irony" and "Connotation/Denotation") are more lecture-heavy, though questions and discussion are encouraged. I do pretty frequent checks for understanding because we are covering a lot of information in a short amount of time. These are the only courses where students are not expected to produce a final project.

--For the literature courses, I try to keep the lecturing to a minimum. I begin class by presenting background information and use guiding questions for discussion. The amount of reading done in class varies depending on the material and the students.

For the Shakespeare courses, there is no outside reading beyond what the student chooses for their final project. We use the Reader's Theatre method, with all willing students reading a part and fairly frequent checks for understanding. The reading is usually followed by video clips from different film versions of the scenes we have read.

For novels such as The Great Gatsby, The Haunting of Hill House, and The Hobbit, most of the reading is done outside of class, though I do like to read together occasionally when there's something particularly challenging in the material.

High-interest short stories like "The Cask of Amontillado", the 19th-century horror survey, and the novel Ready Player One are especially good for students who might be a little fearful or uninterested in reading, although in any given class only a third or a half of the students fit that description. Every now and then I'll have a group where every student is passionate about reading. 

For these high-interest courses, we read a higher percentage of the work in class. I spend a good amount of that time modeling good reading skills; for example,  "interrogating the text" by asking questions, replicating aloud what goes on in the mind of a good reader. This is especially good for students who need to work on reading comprehension.

Reviews

Live Group Course
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$25

weekly or $300 for 12 classes
1x per week, 12 weeks
75 min

Completed by 11 learners
Live video meetings
Ages: 13-18
2-9 learners per class

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