Mythology Symposium: The Story of Pentheus (and Dionysus)
What's included
1 live meeting
55 mins in-class hoursClass Experience
US Grade 3 - 6
The symposium (or συμπoσιον) was for centuries an important part of ancient Greek culture (and ancient Roman culture, too; the Romans admired Greek culture and literature very much, and so they "borrowed" quite a bit from the Greeks, including their own version of the symposium, called a convivium). Symposia were essentially intimate dinner parties at a private home; after the main meal, the attendants would gather to drink wine, nibble on snacks, and indulge in all manner of literary and artistic entertainment: reciting poetry, discussing literature and philosophy, debating history and politics, singing, listening to live music, and more. We still use the term "symposium" today to describe conferences or meetings that revolve around a specific subject. This course is the sixth in a series of symposium-style courses (the first being the Story of the Trojan Horse, the second being the Story of Eros and Psyche, the third being the Story of Achilles, the fourth being the Story of Circe, and the fifth being the Story of Medea). Please note that these classes can be taken in any order, and there is no prior knowledge required for this course. Take one mythology symposium course, or take them all--each class is a standalone course, and can be taken alone or in conjunction with other courses in the symposium series. In this course, we'll have our own symposium, and the topic will be mythology--specifically, the myths and stories surrounding Pentheus, whose denial of Dionysus's divinity and whose subsequent actions (and their consequences) are the subject of one of ancient Greece's most spectacular tragedies: The Bacchae. This play, written by Euripides, who was one of ancient Greece's most famous tragedians, is filled with darkness, danger, madness, and chaos. It derives its name from the followers of Dionysus (the Greek god of wine and theatre, among other things), who were also known as Bacchants or Maenads. These female followers of the gods were known to lose themselves in rituals in celebration of Dionysus, and when Pentheus decides to meddle, the consequences of his actions lead to one of the most brutal punishments in Greek mythology. Pentheus himself was the grandson of Cadmus, who was one of Greek mythology's first heroes, and who himself appears in Euripides's play. In this course, we'll explore the story of Pentheus as told in Euripides's The Bacchae and Ovid's Metamorphoses, and we'll learn also some of the stories surrounding Pentheus's famous grandfather, Cadmus. A short introduction to Dionysus will also be part of the class. Though the story of Pentheus as communicated in Greek tragedy is a complex one, layered with symbolism and featuring some dark and more adult content, this class is designed to make some of the key plot points of this story more accessible to younger learners. This course is designed to feature some of the hallmarks of a true classical symposium. In keeping with the tradition of poetry recitation, I will read, an excerpt of either Euripides's The Bacchae (in ancient Greek) or Ovid's Metamorphoses (in Latin). (Please note: Greek and Latin readings are part of the class so that students can hear the languages; this is not a language course, so language learning is not part of the class). Together as a class, we'll also read some short passages in English. From there, via around-the-campfire style storytelling, I will weave the stories surrounding Pentheus. This course will make use of slides to introduce new material and to provide visual representations of art and literature. Ongoing dialogue and conversation, questions directed to students from the teacher (and from students to the teacher!), and reading aloud are all part of this course (please note that although I will be reading aloud, students are free to listen OR to join in the reading; it is their choice, and there is no pressure to participate in this way); discussion and questions are not just welcomed, but encouraged! As food and drink were an important part of a symposium, we'll seek to recreate that with traditional symposium snacks (please see the supply list for more details!), and while the traditional wine isn't age appropriate, a more appropriate drink like water or juice is a suitable replacement. (Please note that students should not feel obligated to eat or drink if they do not wish to; the food is meant to enhance the experience, but it's far from necessary.) A symposium was an occasion for people to gather together for entertainment and learning. This course is one of many symposium-style courses, with each course designed to feature a different topic. This course has no prerequisites, and it is ideal for learners who love mythology, who have a curiosity about the classical world, or who enjoy good stories. Let's sit down to a symposium together!
Other Details
Parental Guidance
I believe it is important to show learners how Greek and Roman myths were developed throughout the ages, and I particularly like to emphasize the depictions of mythological stories and figures in art, architecture, and sculpture. Please note that some artwork may involve some modest nudity. This is never gratuitous, and it always reflects the artistic style of the day. I make an effort to keep such images to a minimum, but it is a fact that ancient and Renaissance art often made the stylistic choice to depict its subjects as partially clothed or nude. Any such images would of course be restricted to paintings, sculpture, or pottery, and are images that are housed in museums around the world. If you have any questions, please do not hesitate to contact me.
Greek and Roman myths and stories often have dark and violent themes, and the story of Pentheus is no exception. There are a number of disturbing elements to his story, but no particularly graphic details will be offered; if you think this might be too disturbing for your learner, please reach out to me.
Supply List
As we're seeking to recreate a symposium, drinks and snacks are encouraged! Between the meal and the after-dinner snacks, traditional food served at a symposium would include bread, cheese, olives (and olive oil!), dried fruit, nuts, grapes, and honey. If a student wishes to participate in the food/drink element of the course, they should have one, several, or all of these items on hand at the start of the hour. For drinks, water or juice works just fine.
External Resources
Learners will not need to use any apps or websites beyond the standard Outschool tools.
Teacher expertise and credentials
2 Degrees
Master's Degree in Foreign Language from University of Virginia
Bachelor's Degree in Foreign Language from Oberlin College
I fell in love with classics as an undergraduate. During high school, I had taken a few Latin courses, and I had a genuine interest in the language (as a child, I had even attempted to teach myself Latin from a book, which didn't go so well, but clearly I had an attraction to Latin from an early age!), but it wasn't something I imagined myself pursuing in any serious way in higher education. In the first semester of my freshman year at college, however, due to a mix up with my schedule, I ended up in a Roman history course, and it transformed my world. I was entranced by both the subject matter and the teacher, and when the second semester came around, I made sure to sign up for as many classics courses as I could take. By sophomore year, I was learning ancient Greek and declaring my major in classics. I received my BA in Latin Language and Literature (with an undeclared minor in ancient Greek language and literature) from Oberlin College.
During my senior year of college, I made the decision to apply to graduate school. By that time, I had decided that I wanted to share my excitement for the classical world by becoming a teacher, and given my passion for classics, I preferred to deepen my knowledge of the subject rather than to attend a master's of education program. I received a merit-based classics fellowship from the University of Virginia, from which I received my MA in Classics. I wrote my master's thesis on the treatment of women in three exempla of Ovid's Ars Amatoria.
My classics education exposed me not only to ancient languages and literature, but to the very world of the ancient Greeks and Romans, and learning more about Greek and Roman mythology, in which I have had a strong interest since I was a child, was an integral part of the experience. Any program of study in classics demands a strong knowledge of many aspects of the ancient world outside of its languages, and no reading of classical literature can be complete without a solid understanding of mythology. I love classics, and I believe my love for it shines through in every class I teach and in every interaction I have with a student.
I have been a Latin language tutor for my entire adult life, I have taught Latin language and literature courses on the college level, and as a teacher at a private school in Virginia, I taught Latin language courses (intro Latin all the way through AP Latin) for middle schoolers and upper schoolers; because the school gave teachers control over course curriculum, I structured my classes so that mythology, ancient history, and classical civilization played an integral role.
Reviews
Live One-Time Class
$16
per classMeets once
55 min
Completed by 16 learners
Live video meetings
Ages: 8-13
1-9 learners per class