Outschool
Open currency, time zone, and language settings
Log In

Genres #3: A Dash of Magic - Academic Fantasy Literature & ELA Semester Course

Join my series of intensive middle-to-high school courses with various styles of essay writing, creative writing, and literary analysis with Terry Pratchett's We Free Men, independent novels, poetry & reader's theatre!
Alaina Bell Gao
Average rating:
4.9
Number of reviews:
(427)
Star Educator
Class

What's included

45 live meetings
37 hrs 30 mins in-class hours
Homework
4+ hours per week. VISIT IT! (DAY 1) NOTE: The warm-up and feedback activities should be completed PRIOR TO each class, except for the first week. Meanwhile, essay writing should be completed by the FINAL class of the week. Extensions and accommodations are available upon request. These classes set the stage for the literature to be covered and for our weekly writing focus (as we develop our fantasy short stories). This will be done by reading nonfiction articles, researching, introducing key concepts, discussing documentaries, or planning, crafting, revising, and editing essays. Definition Paragraph/Essay - Week 1 Expository Paragraph/Essay - Week 2 Comparative Paragraph/Essay - Weeks 3, 9, and 10 Analytical Paragraph/Essay - Weeks 4, 8, 11, 12, and 13 Expository Paragraph/Essay - Week 5 Personal Narrative Paragraph/Essay - Week 6 Persuasive Paragraph/Essay - Week 7 Research Paragraph/Essay - Week 14 EXPLORE IT! (DAY 2) NOTE: Homework should be completed PRIOR TO each class. This will include completing a summarizing activity and posting it in our classroom. These classes will begin with storytelling and exploring the literature! The students will take turns retelling the story with a summarizing activity in the classroom (their homework). At the beginning of class, we will briefly respond to the contributions. These classes will be the time to focus on comprehension via exploration of the vocabulary, syntax, structure, figurative language, point of view, and themes in the selected reading for the week (fiction). There will be opportunities to listen to and read the literature aloud. Summarizing Options: Pick an Activity! Choose one summarizing activity per week. Just say the magic words, “I’m going to . . .” Find It - Complete the scavenger hunt by scanning for the vocabulary in the novel and writing summary sentences. Journal It – Imagine that you are the character writing in your diary about what you have experienced and how you feel about it. Appreciate It - Find examples of figurative language, like imagery, simile, metaphor, onomatopoeia, personification, and hyperbole, and arrange the quotations into a poem. Draw It - Create a comic illustrating the main events. Map It – Map out the plot on the story mountain, while thinking about whether it is the beginning of the story, the rising action with increasing conflict, the climax where the character must address the conflict, the falling action with the results of the character's choice, or the ending. Graph It – Draw a graph or a series of thermometers reflecting the rising/falling conflicts. Order It – Put the story in chronological order on a time line (or, another way like a chart) to show when things happened. Voice It - Have another character tell the story with their thoughts and opinions. Witness It – Imagine that you are an inanimate object that came alive and witnessed the story. Describe what you saw or heard! Quote It - Choose the most important three sentences of the passage. Then, record yourself reading them aloud together with voice and sound effects. You may choose to add props. Add the chapter and page numbers with your work. Re-set It: You are the set and stage manager, so change the setting of the story and reimagine it in another country or time period. Rewrite the story to reflect these changes! Then, present your story using sound effects, suitable backgrounds, etc. or create a model of the new setting. Live It: Imagine that you are transported into the story. Describe your experience in writing. Then, present your story using sound effects, suitable backgrounds, etc. Script It: Create a play script of a scene from the story and perform it. Consider adding music, sound effects, and props. Think It: Develop a scene where the character is alone but is talking out loud (so we can know their thoughts). Write out their monologue and then record it. Transport It: Transport a character into our world and describe their experiences living in your community. Transform It: Convert a poem to prose or the other way around without losing the core elements of the setting, characters, and plot. Freeze It: Write and role play a scene where the character must make a choice. Have everything freeze while they talk through their options and thoughts. Have everything unfreeze as they make their decision. Advertise It: Create a poster advertising a new version of the story and pitch your idea. Orchestrate It: Choose music for a production of the story with a focus on the audience's mood, the author's tone, and the story's themes. Then, describe your choices in writing. IMAGINE IT! (DAY 3) This is a day for creative writing! This is when you will work on crafting your own fantasy short story!
Grading
included

Class Experience

US Grade 6 - 8
This course is part three of a series of intensive semester courses that are Common Core aligned to the grade 6 to 10 American English Language Arts standards. It begins our exploration of overlapping themes and topics across various forms (short stories, novels, poems, audio readings, and films), styles (narrative, sonnet, free verse, etc.), and genres (fantasy, realistic fiction, Gothic, mystery, allegory, historical fiction, adventure, dystopian, etc.), with attention to historical accounts, points of view, figurative language, diction, syntax, structure, allusions, and the interaction of setting, character, and plot.

NOTE: The courses may be taken in any order.

⭐This course is rich in content and is a good fit for advanced and gifted learners but is also encouraging and supportive for all learners! I maintain an encouraging, creative, low-stress environment for all learners to thrive, with much support, so that everyone can make growth and stimulate each other. There is a full course load, but I am accommodating of various needs, levels, and schedules. I feel that learners do what they can when treated with respect and encouraged to grow. Therefore, there will be no grading in this course (A, B, C, etc., or percentages). Instead, I record feedback (video) with specific praise and suggestions for the future, believing that essay writing and English skills develop over time (for a lifetime) and at varying rates for all individuals. Individual growth and sustained/renewed interest are the most important. Thus, this course will be a wonderful fit for any learner who has time for a full English course load, can read, write, and participate independently, and is ready for a thrilling deep dive into the genre!

⭐Do reach out to me for accommodations and support! I do my best to connect with and support every learner.

We will have a rotating schedule to build up the various reading (literature and informational text), writing, speaking, listening, and language skills. Therefore, each weekday will have a particular focus, as follows:

VISIT IT! (DAY 1)
NOTE: The warm-up and feedback activities should be completed PRIOR TO each class, except for the first week. Meanwhile, essay writing should be completed by the FINAL class of the week. Extensions and accommodations are available upon request.

These classes set the stage for the literature to be covered and for our weekly writing focus (as we develop our fantasy short stories). This will be done by reading nonfiction articles, researching, introducing key concepts, discussing documentaries, or planning, crafting, revising, and editing essays.

EXPLORE IT! (DAY 2)
NOTE: Homework should be completed PRIOR TO each class. This will include completing a summarizing activity and posting it in our classroom.

These classes will begin with storytelling and exploring the literature! The students will take turns retelling the story with a summarizing activity in the classroom (their homework). At the beginning of class, we will briefly respond to the contributions. These classes will be the time to focus on comprehension via exploration of the vocabulary, syntax, structure, figurative language, point of view, and themes in the selected reading for the week (fiction). There will be opportunities to listen to and read the literature aloud. 

Summarizing Options: Pick an Activity!
Choose one summarizing activity per week. Just say the magic words, “I’m going to . . .” 

✔️Find It - Complete the scavenger hunt by scanning for the vocabulary in the novel and writing summary sentences.

✔️Journal It – Imagine that you are the character writing in your diary about what you have experienced and how you feel about it.

✔️Appreciate It - Find examples of figurative language, like imagery, simile, metaphor, onomatopoeia, personification, and hyperbole, and arrange the quotations into a poem.

✔️Draw It - Create a comic illustrating the main events.

✔️Map It – Map out the plot on the story mountain, while thinking about whether it is the beginning of the story, the rising action with increasing conflict, the climax where the character must address the conflict, the falling action with the results of the character's choice, or the ending.

✔️Graph It – Draw a graph or a series of thermometers reflecting the rising/falling conflicts.

✔️Order It – Put the story in chronological order on a time line (or, another way like a chart) to show when things happened.

✔️Voice It - Have another character tell the story with their thoughts and opinions.

✔️Witness It – Imagine that you are an inanimate object that came alive and witnessed the story. Describe what you saw or heard!

✔️Quote It - Choose the most important three sentences of the passage. Then, record yourself reading them aloud together with voice and sound effects. You may choose to add props. Add the chapter and page numbers with your work.

✔️Re-set It: You are the set and stage manager, so change the setting of the story and reimagine it in another country or time period. Rewrite the story to reflect these changes! Then, present your story using sound effects, suitable backgrounds, etc. or create a model of the new setting.

✔️Live It: Imagine that you are transported into the story. Describe your experience in writing. Then, present your story using sound effects, suitable backgrounds, etc.

✔️Script It: Create a play script of a scene from the story and perform it. Consider adding music, sound effects, and props.

✔️Think It: Develop a scene where the character is alone but is talking out loud (so we can know their thoughts). Write out their monologue and then record it.

✔️Transport It: Transport a character into our world and describe their experiences living in your community.

✔️Transform It: Convert a poem to prose or the other way around without losing the core elements of the setting, characters, and plot.

✔️Freeze It: Write and role play a scene where the character must make a choice. Have everything freeze while they talk through their options and thoughts. Have everything unfreeze as they make their decision.

✔️Advertise It: Create a poster advertising a new version of the story and pitch your idea.

✔️Orchestrate It: Choose music for a production of the story with a focus on the audience's mood, the author's tone, and the story's themes. Then, describe your choices in writing.

IMAGINE IT! (DAY 3)

This is a day for creative writing! This is when you will work on crafting your own fantasy short story!

SCHEDULE

▶️Week 1 - The Fantasy Genre
Required: "The Little Mermaid" by Jerry Pinkney
Nonfiction/Essay Writing (Definition Essay) - Write a definition essay together to define the fantasy genre using several nonfiction and fiction sources (supplied). Complete the essay for homework.
*Choose your independent novel.

Fiction - Identify the fantasy elements of the poems and begin using poetry terminology like stanza, line, rhyme scheme, speaker, lyric poem, narrative poem, free verse poem, quatrain, sestain, and octave. "Fantasy" by Gwendolyn Bennett (lyric poem); "The Nixie's Pool" by Leah Bodine Drake (sestain stanzas with an AABBBA rhyme scheme); "The Last Faun" by Leah Bodine Drake (narrative ballad quatrain); "The Centaurs" by Leah Bodine Drake (free verse poem with a limited rhyme scheme); "The Old World of Green" by Leah Bodine Drake (alternate rhyme ABAB quatrain poem); “Over The Misty Mountains Cold” by J.R.R. Tolkien (ten quatrain stanzas with an AABB rhyme scheme); “One Ring” by J.R.R. Tolkien (octave with an ABABACCA rhyme scheme)

Short Story - Introduction to short stories with "The Little Mermaid" by Jerry Pinkney. Then, determine which type of fantasy short story you would like to write.

▶️Week 2 - Story Elements: Setting
Required: The Wee Free Men by Terry Pratchett
Nonfiction/Essay Writing (Expository Essay) - Find support for expository paragraphs about chalk hills, downlands, lowlands, wolds, feudal system, and/or barons using the provided nonfiction sources and quotations from the novel. Then, write an expository essay teaching about the the setting of the novel.

Fiction - The Wee Free Men by Terry Pratchett (Chapter 1)

Short Story - Describe the setting.

▶️Week 3 - Story Elements: Characters (STEAL characterization - Speech)
Required: The Wee Free Men by Terry Pratchett
Nonfiction/Essay Writing (Compare & Contrast Essay) - Write PEEL paragraphs comparing Tiffany's storybook witches with the witches she knows, Miss Tick and Granny Aching. Complete the paragraphs for homework.

Fiction - The Wee Free Men (or "For Fear of Little Men") by Terry Pratchett (Chapters 2 & 3)

Short Story - Plan your main character.

▶️Week 4 - Drama & Story Elements: Characters (STEAL characterization - Speech, Effect on Others & Actions)
Required: The Wee Free Men by Terry Pratchett & Independent Novel
Nonfiction/Essay Writing (Analytical Essay) - Select suitable quotations to develop PEEL paragraphs analyzing Tiffany's characterization with your own inferences.

Fiction - Independent Reading
"Jack and the Bean Stalk: A Radio Play: by Ruth Landowne-Giordano (Play Script)
"Jack and the Bean Stalk" by Andy Pavey (Play Script)
"Mad Tea Party" by Ruth Landowne-Giordano (Play Script)

Short Story - Add your main character to your story, as you think about their unique STEAL characterization.

▶️Week 5 - Story Elements: Plot
Required: Onward Movie
Nonfiction/Essay Writing (Expository Essay) - Read an essay about the Hero's Journey to determine the author's purpose and analyze the essay structure, and insert the missing sentences in the correct places.

Fiction - Onward (Movie on Disney+ and may be available at your local library) & Independent Reading

Short Story - Plan the plot of your story using the story mountain and character development graphic organizers.

▶️Week 6 - Story Elements: Characters (STEAL characterization - Thoughts: Opinions, interests, struggles, emotions, and plans)
Required: The Wee Free Men by Terry Pratchett
Nonfiction/Essay Writing (Personal Narrative Essay) - Read an essay about siblings to determine the author's purpose, analyze the essay structure, and insert the missing sentences in the correct places. Then, write your own personal narrative essay about your relationship with someone, a time when you did something without permission, or an account of a dream/nightmare.

Fiction - The Wee Free Men by Terry Pratchett (Chapters 4-6)

Short Story - Continue writing your short story.

▶️Week 7 - Story Elements: Conflicts
Required: The Wee Free Men by Terry Pratchett
Nonfiction/Essay Writing (Persuasive Essay) - Read science and health advisories to gather support for your essay, and share your opinion/advice with the Nac Mac Feegles, trying to persuade them to make some life adjustments.

Fiction - The Wee Free Men by Terry Pratchett (Chapters 7-9)

Short Story - Continue writing your short story.

▶️Week 8 - Story Elements: Characters (STEAL characterization - Looks)
Required: The Wee Free Men by Terry Pratchett & Independent Novel
Nonfiction/Essay Writing (Analytical Paragraphs) - Read examples of classic fictional and historical nonfiction representations of foreigners and write PEEL paragraphs about their representation. Then, write PEEL paragraphs about the appearance and diversity of the characters in The Wee Free Men.

Fiction - Independent Reading

Short Story - Add intriguing and respectful diverse representation in your short story.

▶️Week 9 - Story Elements: Characters (STEAL characterization - Effect on Others/Relationships)
Required: Maleficent 1 Movie (2014) & The Wee Free Men by Terry Pratchett
Nonfiction/Essay Writing (Comparative Essay) - "'Them as can do, has to do for them as can’t. And someone has to speak up for them as has no voices'" (Pratchett 227). Consider how this quotation applies to both The Wee Free Men and Maleficent, and compare the characters' interactions.

Fiction - Maleficent 1 (2014 movie on Disney+ and may be available through your local library) & Independent Novel

Short Story - Develop the relationship between two characters in your short story.

▶️Week 10 - Story Elements: Characters (STEAL characterization - Actions)
Required: Independent Novel & Poems/Monologues in Classroom
Nonfiction/Essay Writing (Comparative Essay) - Share your comparative essay. Revise and edit it based on the peer and teacher feedback.

Fiction - Reader's Theatre
"Curious Story" by Leah Bodine Drake (cinquain poem with an ABCCB rhyme scheme)
"The Stranger (To Lord Dunsany)" by Leah Bodine Drake (ballad quatrain)
"Witches on the Heath" by Leah Bodine Drake (octave poem with an ABBCCCDDA rhyme scheme)
"Unhappy Ending" by Leah Bodine Drake (tercet poem with an ABB rhyme scheme)
Song of the Witches: “Double, double toil and trouble” by William Shakespeare (rhyming couplets and a refrain)
"Wulf and Eadwacer" by (elegy and ballad poem with refrain; modern translation)
"The Beanstalk" by Tara Meddaugh (dramatic monologue)
"Scientist's Address" by Drama Notebook (comedic monologue; give it a fantasy twist)
"Blue River" by Drama Notebook (comedic scene; give it a fantasy twist)
"The Viper" by Drama Notebook (comedic scene; give it a fantasy twist)
"Sonnet 1" by Gwendolyn Bennett (Italian sonnet)

Short Story - Continue to develop your short story.

▶️Week 11 - Story Elements: Theme
Required: The Wee Free Men by Terry Pratchett
Nonfiction/Essay Writing (Analytical Essay) - Form a conclusion about a theme (belonging, courage, power, responsibility, family, identity, good vs evil, life, free will vs fate, hope, childhood, home, decisions, etc.) in the novel and choose suitable quotations as you plan your essay.

Fiction - The Wee Free Men by Terry Pratchett (Chapters 10 & 11)

Short Story - Consider the messages that are developing in your story as you approach the climax.

▶️Week 12 - Story Elements: Theme
Required: The Wee Free Men by Terry Pratchett
Nonfiction/Essay Writing (Analytical Essay) - Write your essay about a theme (belonging, courage, power, responsibility, family, identity, good vs evil, life, free will vs fate, hope, childhood, home, decisions, etc.) in the novel.

Fiction - The Wee Free Men by Terry Pratchett (Chapters 12 & 13)

Short Story - Consider the messages that are developing in your story as you craft the falling action.

▶️Week 13 - Author's Choices: Craft (Figurative Language, Diction, and Syntax)
Required: The Wee Free Men by Terry Pratchett
Nonfiction/Essay Writing (Analytical Essay) - Revise and edit your essay about a theme (belonging, courage, power, responsibility, family, identity, good vs evil, life, free will vs fate, hope, childhood, home, decisions, etc.) in the novel.

Fiction - The Wee Free Men by Terry Pratchett (Chapter 14)

Short Story - Consider the messages that are developing in your story as you craft the conclusion.

▶️Week 14 - Author's Choices: Inspiration, Influences & Allusions
Required: The Wee Free Men by Terry Pratchett & Independent Novel
Nonfiction/Essay Writing (Research Essay) - Organize the sources about English Wiltshire, chalk hill figures, Stonehenge and the Avebury circle, trilithon, bronze age burial mounds, sheepherding, sheepdogs, Yan Tan Tethera, sheep and cattle rustling, kilts, bagpipes, bogle ghosts, devil dogs, "scunner", "kelda", "cailey/ceilidh", "crivens", "jobbies", the Big Yin/Yan, William McGonagall, "Fairy Fellers' Master-Stroke", and Richard Dadd, as well as the references to Wizard of Oz, "To a Mouse", The Legend of Sleepy Hollow, The Lord of the Rings, Moby Dick, Tam Lin, and the author's note into categories. Then, write several PEEL paragraphs about some of the cultural and historical influences on the novel.

Fiction - Research about something that is important in your independent novel and teach your classmates about it with a slideshow presentation or an activity using headings, key points, illustrations, and a list of your sources. Share why it is important in the novel.

Short Story - Create a second version of your short story by adding illustrations, changing the presentation style (book, slideshow, etc.), or changing the format entirely (comic, audio recording, video, etc.)

▶️Week 15 - Share Your Work!
Required (time permitting): Nanny McPhee Movie
Nonfiction/Essay Writing (Any Essay) - Choose the essay that you feel the proudest of and share it in the classroom with a brief explanation of why you chose it and why you are proud of yourself.

Fiction - Present your short story with a brief description of your process and why you are proud of yourself.

Finale (Only if there is time left after the presentations on the last day) - Nanny McPhee (Movie on Amazon Prime)

CORE LITERATURE

Required:
Short Story - "The Little Mermaid" by Jerry Pinkney 
Novel - The Wee Free Men by Terry Pratchett
Films - Onward, Maleficent, and Nanny McPhee
Independent Novel

Optional:
Audiobook - The Wee Free Men by Terry Pratchett

Learner's Choice (Choose One of the Following for Individual Novel Study):
Before the Sword by Grace Lin (Ancient Chinese Adventure-Fantasy; Chinese Mythology)
Amari and the Night Brothers by B.B. Alston (African-American Mysterious Adventure-Fantasy; Popular Mythology; Award)
The Ruins of Gorlan (Ranger's Apprentice) by John Flanagan (Earthsea Archipelago Medieval Adventure-Fantasy; Native American Legends & Norse Mythology; Multiple Awards)
A Wizard Of Earthsea by Ursula K. Le Guin (Adventure-Fantasy; Celtic-Norse Mythology; Multiple Awards)
Over Sea, Under Stone by Susan Cooper (British Arthurian-Fantasy; King Arthur Tales and Celtic, Norse, and English Mythology; Award)
The Dark is Rising by Susan Cooper (British Arthurian-Fantasy; King Arthur Tales and Celtic, Norse, and English Mythology; Multiple Awards)
The Hobbit by J.R.R. Tolkien (Dwarfish Middle-earth Adventure-Fantasy; Germanic and Scandinavian Mythology; Multiple Awards)
Howl's Moving Castle by Diana Wynne Jones (Romantic-Fantasy; Fairy Tale Parody; Award)
The Islands of Chaldea by Diana Wynne Jones and Ursula Jones (Adventure-Fantasy; Inspired by Mesopotamia, Scotland, Ireland, Wales, and England; Award)
The Lion, the Witch, and the Wardrobe by C.S. Lewis (World War 2 Adventure-Fantasy; Greek Mythology; Biblical Allusions; Award)
Flora & Ulysses by Kate DiCamillo (Animal Adventure-Fantasy; Awards)
Redwall (Redwall Series) by Brian Jaques (Descriptive Animal Adventure-Fantasy; Multiple Awards)
Alice's Adventure's in Wonderland by Lewis Caroll (Victorian Adventure-Fantasy; Literary Nonsense; Award)
Harry Potter and the Sorcerer's Stone by J.K. Rowling (Adventure-Fantasy; Greek Mythology; Award) 
The Alchemyst (The Secrets of the Immortal Nicholas Flamel Series) by Michael Scott (Action-Packed Adventure-Fantasy; Mixed Mythology; Alternate History)
Watership Down by Richard Adams (British Adventure-Fantasy; Hero Archetype; Multiple Awards)

Poetry (Supplied):
"Fantasy" by Gwendolyn Bennett (lyric poem)
"The Nixie's Pool" by Leah Bodine Drake (sestain stanzas with an AABBBA rhyme scheme)
"The Last Faun" by Leah Bodine Drake (narrative ballad quatrain)
"The Centaurs" by Leah Bodine Drake (free verse poem with a limited rhyme scheme)
"The Old World of Green" by Leah Bodine Drake (alternate rhyme ABAB quatrain poem)
“Over The Misty Mountains Cold” by J.R.R. Tolkien (ten quatrain stanzas with an AABB rhyme scheme)
“One Ring” by J.R.R. Tolkien (octave with an ABABACCA rhyme scheme)
"Curious Story" by Leah Bodine Drake (cinquain poem with an ABCCB rhyme scheme)
"The Stranger (To Lord Dunsany)" by Leah Bodine Drake (ballad quatrain)
"Witches on the Heath" by Leah Bodine Drake (octave poem with an ABBCCCDDA rhyme scheme)
"Unhappy Ending" by Leah Bodine Drake (tercet poem with an ABB rhyme scheme)
Song of the Witches: “Double, double toil and trouble” by William Shakespeare (rhyming couplets and a refrain)
"Wulf and Eadwacer" by (elegy and ballad poem with refrain; modern translation)
"The Beanstalk" by Tara Meddaugh (dramatic monologue)
"Scientist's Address" by Drama Notebook (comedic monologue; give it a fantasy twist)
"Blue River" by Drama Notebook (comedic scene; give it a fantasy twist)
"The Viper" by Drama Notebook (comedic scene; give it a fantasy twist)
"Sonnet 1" by Gwendolyn Bennett (Italian sonnet)

Play Scripts (Supplied):
"Jack and the Bean Stalk: A Radio Play: by Ruth Landowne-Giordano
"Jack and the Bean Stalk" by Andy Pavey
"Mad Tea Party" by Ruth Landowne-Giordano

* * * * *

SPECIAL!
Get $200 off my class with coupon code BELLGFALL200 until Aug 14, 2023.

▶️Due to rising costs and lower enrollment, I have had to increase my prices. However, I am dedicated to finding a solution for all families! Do reach out to me if your learner would like to take my class and you need a discount. In fact, I am offering at least one pay-what-you-can spot for each confirmed section (with other learners). Reach out to me for details!

▶️If you are able to pay the current fee, I thank you for your support since I work hard to provide creative, inspiring content while balancing the challenges of living with disability and chronic illness. Thank you!
Learning Goals
Literature & Informational Texts: Key Ideas & Details

CCSS.ELA-LITERACY.RL.6.1
CCSS.ELA-LITERACY.RI.6.1
CCSS.ELA-LITERACY.RL.7.1
CCSS.ELA-LITERACY.RI.7.1
CCSS.ELA-LITERACY.RL.8.1
CCSS.ELA-LITERACY.RI.8.1
Cite textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text.

CCSS.ELA-LITERACY.RL.6.2
CCSS.ELA-LITERACY.RI.6.2
CCSS.ELA-LITERACY.RL.7.2
CCSS.ELA-LITERACY.RI.7.2
CCSS.ELA-LITERACY.RL.8.2 
CCSS.ELA-LITERACY.RI.8.2
Determine a theme or central idea of a text and how it is conveyed through particular details including its relationship to the characters, setting, plot, and supporting details; provide a summary of the text distinct from personal opinions or judgments.

CCSS.ELA-LITERACY.RI.6.3 *Informational Texts
CCSS.ELA-LITERACY.RI.7.3
Analyze in detail how a key individual, event, or idea is introduced, illustrated, and elaborated in a text (e.g., through examples or anecdotes). Analyze the interactions between individuals, events, and ideas in a text (e.g., how ideas influence individuals or events, or how individuals influence ideas or events).

CCSS.ELA-LITERACY.RI.8.3 *Informational Texts
Analyze how a text makes connections among and distinctions between individuals, ideas, or events (e.g., through comparisons, analogies, or categories).

CCSS.ELA-LITERACY.RL.6.3
Describe how a particular story's or drama's plot unfolds in a series of episodes as well as how the characters respond or change as the plot moves toward a resolution.

CCSS.ELA-LITERACY.RL.7.3
Analyze how particular elements of a story or drama interact (e.g., how setting shapes the characters or plot).

CCSS.ELA-LITERACY.RL.8.3
Analyze how particular lines of dialogue or incidents in a story or drama propel the action, reveal aspects of a character, or provoke a decision.

Literature & Informational Texts: Craft & Structure

CCSS.ELA-LITERACY.RL.6.4
CCSS.ELA-LITERACY.RI.6.4
CCSS.ELA-LITERACY.RL.7.4
CCSS.ELA-LITERACY.RI.7.4
CCSS.ELA-LITERACY.RL.8.4
CCSS.ELA-LITERACY.RI.8.4
Determine the meaning of words and phrases as they are used in a text, including figurative, connotative, and technical meanings; analyze the impact of a specific word choice on meaning and tone including analogies or allusions to other texts; analyze the impact of rhymes and other repetitions of sounds (e.g., alliteration) on a specific verse or stanza of a poem or section of a story or drama.

CCSS.ELA-LITERACY.RL.6.5
CCSS.ELA-LITERACY.RI.6.5
Analyze how a particular sentence, chapter, scene, or stanza fits into the overall structure of a text and contributes to the development of the theme, setting, plot, or ideas.

CCSS.ELA-LITERACY.RI.7.5 *Informational Texts
Analyze the structure an author uses to organize a text, including how the major sections contribute to the whole and to the development of the ideas.

CCSS.ELA-LITERACY.RI.8.5 *Informational Texts
Analyze in detail the structure of a specific paragraph in a text, including the role of particular sentences in developing and refining a key concept.

CCSS.ELA-LITERACY.RL.8.5
Compare and contrast the structure of two or more texts and analyze how the differing structure of each text contributes to its meaning and style.

CCSS.ELA-LITERACY.RL.7.5 *This course will form the introduction to poetry and a few basic forms/structures.
Analyze how a drama's or poem's form or structure (e.g., soliloquy, sonnet) contributes to its meaning

CCSS.ELA-LITERACY.RI.6.6 *Informational Texts
CCSS.ELA-LITERACY.RI.7.6
CCSS.ELA-LITERACY.RI.8.6
Determine an author's point of view or purpose in a text and explain how it is conveyed in the text. Analyze how the author distinguishes his or her position from that of others. Analyze how the author acknowledges and responds to conflicting evidence or viewpoints.

CCSS.ELA-LITERACY.RL.6.6
CCSS.ELA-LITERACY.RL.7.6
Analyze how an author develops and contrasts the points of view of different characters or narrators in a text.

CCSS.ELA-LITERACY.RL.8.6
Analyze how differences in the points of view of the characters and the audience or reader (e.g., created through the use of dramatic irony) create such effects as suspense or humor.

Literature: Integration of Knowledge and Ideas

CCSS.ELA-LITERACY.RL.6.7
CCSS.ELA-LITERACY.RL.7.7
CCSS.ELA-LITERACY.RI.7.7
CCSS.ELA-LITERACY.RL.8.7
Compare and contrast the experience of reading a story, drama, or poem to listening to or viewing an audio, video, or live version of the text, including contrasting what they "see" and "hear" when reading the text to what they perceive when they listen or watch. Analyze the extent to which a filmed or live production of a story or drama stays faithful to or departs from the text or script, evaluating the choices made by the director or actors, including the techniques unique to each medium (e.g., lighting, sound, color, or camera focus and angles in a film). Analyze each medium's portrayal of the subject (e.g., how the delivery of a speech affects the impact of the words).

CCSS.ELA-LITERACY.RI.8.7
Evaluate the advantages and disadvantages of using different mediums (e.g., print or digital text, video, multimedia) to present a particular topic or idea.

CCSS.ELA-LITERACY.RI.6.7
Integrate information presented in different media or formats (e.g., visually, quantitatively) as well as in words to develop a coherent understanding of a topic or issue.

CCSS.ELA-LITERACY.RI.6.8 * Informational Texts
Trace and evaluate the argument and specific claims in a text, distinguishing claims that are supported by reasons and evidence from claims that are not.

CCSS.ELA-LITERACY.RI.7.8 *Informational Texts
Trace and evaluate the argument and specific claims in a text, assessing whether the reasoning is sound and the evidence is relevant and sufficient to support the claims.

CCSS.ELA-LITERACY.RI.8.8 *Informational Texts
Delineate and evaluate the argument and specific claims in a text, assessing whether the reasoning is sound and the evidence is relevant and sufficient; recognize when irrelevant evidence is introduced.

CCSS.ELA-LITERACY.RI.7.9 *Informational Texts
Analyze how two or more authors writing about the same topic shape their presentations of key information by emphasizing different evidence or advancing different interpretations of facts.

CCSS.ELA-LITERACY.RL.6.9 *This is part one of a series of courses to compare several main genres.
Compare and contrast texts in different forms or genres (e.g., stories and poems; historical novels and fantasy stories) in terms of their approaches to similar themes and topics.

CCSS.ELA-LITERACY.RI.6.9 *Informational Texts
Compare and contrast one author's presentation of events with that of another (e.g., a memoir written by and a biography on the same person).

CCSS.ELA-LITERACY.RL.7.9
Compare and contrast a fictional portrayal of a time, place, or character and a historical account of the same period as a means of understanding how authors of fiction use or alter history.

CCSS.ELA-LITERACY.RL.8.9
Analyze how a modern work of fiction draws on themes, patterns of events, or character types from myths, traditional stories, or religious works such as the Bible, including describing how the material is rendered new.

CCSS.ELA-LITERACY.RI.8.9 *Informational Texts
Analyze a case in which two or more texts provide conflicting information on the same topic and identify where the texts disagree on matters of fact or interpretation.

Essay Writing
http://www.corestandards.org/ELA-Literacy/W/6/
http://www.corestandards.org/ELA-Literacy/L/6/
http://www.corestandards.org/ELA-Literacy/W/7/
http://www.corestandards.org/ELA-Literacy/L/7/
http://www.corestandards.org/ELA-Literacy/W/8/
http://www.corestandards.org/ELA-Literacy/L/8/

Creative Writing
http://www.corestandards.org/ELA-Literacy/W/6/
http://www.corestandards.org/ELA-Literacy/L/6/
http://www.corestandards.org/ELA-Literacy/W/7/
http://www.corestandards.org/ELA-Literacy/L/7/
http://www.corestandards.org/ELA-Literacy/W/8/
http://www.corestandards.org/ELA-Literacy/L/8/

Speaking & Listening
http://www.corestandards.org/ELA-Literacy/SL/6/
http://www.corestandards.org/ELA-Literacy/SL/7/
http://www.corestandards.org/ELA-Literacy/SL/8/
learning goal

Other Details

Parental Guidance
The Wee Free Men (novel) is a highly amusing fantasy novel with some great characterization and themes, but it includes a few elements that may be uncomfortable for some learners. Firstly, the "wee men" have a distinctive dialect and use some vocabulary and syntax that may be overwhelming at first. Of course, I will guide the learners through this. There is also reference to some characters cussing (mostly without the curse words), although there are the words dang, darned, drat, heck, hell, and fart in the story. Additionally, there is some violence in the novel against some attacking magical creatures. This allows Tiffany to show her wits and creativity in using, for example, a frying pan to defend herself. It also gives insight into her thoughts about the realities of the world and how the little men live. However, some sensitive readers may struggle with the fighting scenes. As for family relationships, she has some annoyance and resentment against her younger brother at times, but, ultimately, she sets out on an adventure to rescue him. Granny Aching has also passed away two years prior to when the story begins, which may be a trigger for some learners. Her granddaughter thinks of her often and learns more of her grandmother throughout her journey. Another point of possible concern is that Granny often smoked a pipe and now the Nac Mac Feegle (Pictsies/Wee Free Men/Little Men) use the tobacco that is left for her in memorial. They also drink and steal (and delight in it), although they are fascinating characters and are generally likable and comical. Next, there is a passing comment about how her uncle thought he could see the shape of a woman without clothes on the tobacco box, although Tiffany (the main protagonist) could not see it at all, which is one small example of how perspective (and different points of view) are important in this novel. Most passing references to sexuality are in regards to sheep farming. Tiffany does associate this mating with cuddling with her future mate, but this is to show how Tiffany's mind ponders everything deeply and in a unique way. It is likely to go over many of the learners' heads, but for her, it is chalked up to her experiences and observations on the farm. The sexual references are brief, imprecise, and in passing, so it is not really a "thing" in this novel. Tiffany is a also witch, as was her grandmother. She discovers that fantasy is often true, and that there is an endless range of realities. Additionally, there is some reference to religious theories like Earth being Heaven for those from other places/planets/dimensions. While this class will not delve into individual religious beliefs, there will be limited discussion of the characters' beliefs and how that influences their choices. Besides the literature, some Youtube videos will be posted in the classroom for research purposes, although they will only be accessible in our Outschool classroom. I will also use Google in class and bring up nonfiction texts in class for research purposes. The learners will also need to do some research independently, but they can use books, websites, or other sources. I will also provide Google Docs/Slides for the learners for their writing. No accounts or sign-ups are required.
Supply List
Each learner will need to have their own copy of (or access to):

1. "The Little Mermaid" by Jerry Pinkney 
2. The Wee Free Men by Terry Pratchett
2. A reading journal/notebook/binder for taking notes
3. A pencil, highlighters, or sticky notes for annotation
4. Onward, Maleficent, and Nanny McPhee (movies)
5. One independent novel from the following list (learner's choice)

The poems will be provided in the classroom, as will the play scripts, essay sources, and multimedia links (Youtube, which will only be playable in our Outschool classroom).

Individual Novel Study - Learner's Choice (Choose One of the Following):
Before the Sword by Grace Lin (Ancient Chinese Adventure-Fantasy; Chinese Mythology)
Amari and the Night Brothers by B.B. Alston (African-American Mysterious Adventure-Fantasy; Popular Mythology; Award)
The Ruins of Gorlan (Ranger's Apprentice) by John Flanagan (Earthsea Archipelago Medieval Adventure-Fantasy; Native American Legends & Norse Mythology; Multiple Awards)
A Wizard Of Earthsea by Ursula K. Le Guin (Adventure-Fantasy; Celtic-Norse Mythology; Multiple Awards)
Over Sea, Under Stone by Susan Cooper (British Arthurian-Fantasy; King Arthur Tales and Celtic, Norse, and English Mythology; Award)
The Dark is Rising by Susan Cooper (British Arthurian-Fantasy; King Arthur Tales and Celtic, Norse, and English Mythology; Multiple Awards)
The Hobbit by J.R.R. Tolkien (Dwarfish Middle-earth Adventure-Fantasy; Germanic and Scandinavian Mythology; Multiple Awards)
Howl's Moving Castle by Diana Wynne Jones (Romantic-Fantasy; Fairy Tale Parody; Award)
The Islands of Chaldea by Diana Wynne Jones and Ursula Jones (Adventure-Fantasy; Inspired by Mesopotamia, Scotland, Ireland, Wales, and England; Award)
The Lion, the Witch, and the Wardrobe by C.S. Lewis (World War 2 Adventure-Fantasy; Greek Mythology; Biblical Allusions; Award)
Flora & Ulysses by Kate DiCamillo (Animal Adventure-Fantasy; Awards)
Redwall (Redwall Series) by Brian Jaques (Descriptive Animal Adventure-Fantasy; Multiple Awards)
Alice's Adventure's in Wonderland by Lewis Caroll (Victorian Adventure-Fantasy; Literary Nonsense; Award)
Harry Potter and the Sorcerer's Stone by J.K. Rowling (Adventure-Fantasy; Greek Mythology; Award) 
The Alchemyst (The Secrets of the Immortal Nicholas Flamel Series) by Michael Scott (Action-Packed Adventure-Fantasy; Mixed Mythology; Alternate History)
Watership Down by Richard Adams (British Adventure-Fantasy; Allegory; Hero Archetype; Multiple Awards)
*Children of Blood and Bone by Tomi Adeyemi (Nigerian Mythology-Fantasy; Multiple Awards; Mature Readers Only!)

Optional:
Audiobook - The Wee Free Men by Terry Pratchett

Optional Continued Reading (More Books about Tiffany Aching):
A Hat Full of Sky
Wintersmith
I Shall Wear Midnight
The Shepherd's Crown
 5 files available upon enrollment
External Resources
In addition to the Outschool classroom, this class uses:
Joined January, 2020
4.9
427reviews
Star Educator
Profile
Teacher expertise and credentials
Bachelor's Degree in English from University of Windsor
Associate's Degree in English from Canadian College of Educators
Hi! My name is Alaina Bell Gao, and I am an experienced Canadian English teacher with 15+ years of professional teaching experience. As a dedicated, creative, gentle, and patient neurodivergent teacher, many neurodiverse learners thrive in my classes, including those with ADHD, OCD, Autism, anxiety, and dyslexia. Additionally, I have experience working with gifted and 2E learners, many of whom have thrived in my classes. Finally, I am trained and experienced in teaching English as a second and foreign language and welcome international learners!

Teaching Style:
● Share the joy of learning
● Learn with my learners
● Welcoming class culture
● Patient and cheerful nurturer/encourager
● Passionate, fun, creative, and imaginative
● Interactive and engaging (with flexible requirements and accommodations)
● Inquiry and experiential teaching
● Creative projects and enrichment activities
● Academic deep dives with critical thinking
● Multidisciplinary real-world and culture-centred lessons
● Social-emotional connections
● Literature and writing specialty
● Unique content (self-designed)
● Passionate discussion, storytelling, games, projects, and activities

In the words of Antoine de Saint-Exupery, I teach students “to long for the endless immensity of the sea" to stimulate a desire for learning in an encouraging and fun environment. To this end, I consciously model a lifestyle of endless learning.

Professional Highlights:
● Teaching English literature and history at a top-ranking national exemplary Sino-American high school in China 
● Tutoring gifted students in critical thinking, close reading, literary analysis, and essay writing
● Teaching college English and launching their social and cultural anthropology course
● Teaching English language learners (English as a second/foreign language; TESL/TEFL certified)
● Guiding AP English Language and Literature, IELTS, and TOEFL learners to success
● Teaching Chinese history and culture for a Chinese cultural association and in schools
● Developing specialized programs for student needs so struggling learners could thrive
● Developing curriculum for private use and for organizations
● Writing children's historical and cultural books
● Authoring a textbook on project-based learning (Teacher's Discovery)
● Authoring a high school English textbook (Foreign Language Teaching and Research Press)
● Performing as a Department of Tourism Management voice actor and for the exam board
● Teaching beginner readers with games and activities
● Transforming reluctant readers and writers into confident ones
● Leading book clubs and literature circles
● Transforming learner perceptions of poetry and close reading
● Facilitating the yearbook and drama clubs
● Connecting with learners from around the world

As you can see, I work with learners of all ages and abilities. I have much experience supporting learners in achieving academic and personal success, whether that is entering an Ivy League university, a gifted education program, passing an IB or AP English course/exam, reading branches and early chapter books with excitement, reading a novel with comprehension, learning to love reading for the first time, gaining the confidence to express themselves, overcoming personal barriers to success, picking up a pencil to write and to write with passion, voicing their emotions and experiences powerfully, or completing a large project for the first time. I celebrate every success! 

My classes are very creative and interactive, with an encouraging, caring, stimulating, and inspiring environment, which is full of thought-provoking questions, deep discussions, meaningful connections, social-emotional reflections, interdisciplinary learning, and an international worldview. For most of my classes, we take time to savour the literature and I host plenty of engaging literature circles and book clubs, with an increasing range of multicultural novel options, in addition to the classics and Newberry award winners.

My classes are an enthusiastic deep dive into literary appreciation, close reading, and literary analysis without overwhelming the learners with heavy terminology. (I still incorporate references to figurative language, as well as the reader's response, formalist, historical, socio-cultural, and archetypal lens into my lessons, but this is done in a way that the learners can grasp, even without prior training.) Annotation and research skills are a focus in many classes, too. Additionally, I often talk about the power of a learner's choices and the impact those choices will have on their audience. This is to encourage an awareness of the creative process and of themselves as writers, poets, artists, and creators.

As for social studies, I am fascinated by people and cultures, as I am by stories and histories. Although I am Canadian, I lived in China for ten years, integrated into the culture, studied the history extensively, learned Mandarin, and started an educational not-for-profit organization with my Chinese husband. I am an experienced educator and am trusted by Chinese parents, the Chinese Association of Mississauga, and local teachers to teach Chinese history and culture. I also have friends and connections within many other cultures, so building up global awareness, cultural competence, and empathy is important to me!

Additionally, I care about each learner's well-being, so learners are welcome to bring a snack, drink, or fidget spinner to class if that will help and won't be a distraction to others. Learners are also welcome to take stretching breaks. Please reach out to me for any concerns or accommodations. Also, I have recently raised my prices at Outschool's recommendation (smaller class sizes and inflation), but I want to make this work for you! Do reach out to me if you are interested in one of my classes and are in need of a coupon.

Finally, I am an experienced and passionate educator, but I also live with chronic illness and a disability, which means that I greatly appreciate your support. This is my main job and I can only do it thanks to fabulous parents like you! Thank you! So, what are you looking for? Let me know! I would be happy to accommodate you, if possible! I look forward to hearing from you soon!

Reviews

Live Group Class
Share

$60

weekly or $900 for 45 classes
3x per week, 15 weeks
50 min

Completed by 3 learners
Live video meetings
Ages: 11-15
1-4 learners per class

About
Support
SafetyPrivacyCA PrivacyLearner PrivacyManage Data PreferencesTerms
Financial Assistance
Get The App
Download on the App StoreGet it on Google Play
© 2024 Outschool