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Chess: Paul Morphy's Most Excellent Opera House Game

Six progressive video lessons paired with interactive studies helping you master the strategic and tactical ideas in one of the most famous chess games of all time.
CarreiraChess
Average rating:
5.0
Number of reviews:
(2,644)
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What's included

6 pre-recorded lessons
1 week
of teacher support
1 year access
to the content
Assignments
1-2 hours per week. Each lesson comes with an interactive assignment that reinforces the material covered in the video.
Grading
3-6 throughout the class

Class Experience

Paul Morphy's famous Opera House Game is one of the most useful historical games for chess players to study. All 17 moves are logical, energetic, and filled with strategic & tactical ideas. In this class we study five possible variations and the original game, exploring the purpose of every move. Each lesson slowly builds in complexity preparing students for a deep understanding of the complete and original game.

All six lesson feature a short (3-5 min) video paired with a detailed interactive study where students can actually move the pieces on the board, getting feedback and hints for every correct and incorrect move. 

This class focuses only on the strategy and tactics of the moves and does not include historical details about the game, Paul Morphy, or chess in general. 

I am always available to answer questions and provide feedback.
Learning Goals
Deep knowledge of every tactical and strategic idea in this incredibly usefully and famous game.
learning goal

Syllabus

6 Lessons
over 1 Week
Lesson 1:
Opera Variation, Part 1: Scholar’s Mate
 We study the first six moves of the Opera House Game then checkmate quickly after they make a big mistake. 
Lesson 2:
Opera Variation, Part 2: Surrender the Defender
 We study the first six moves of the Opera House Game then checkmate quickly after they make a slightly smaller mistake. 
Lesson 3:
Opera Variation, Part 3: Queen Trade Variation
 We consider what could happen if they trade pawns on the fourth move. 
Lesson 4:
Opera Variation, Part 4: Qb3!
 We introduce Paul Morphy's creative seventh move. 

Other Details

Pre-Requisites
Students must know all of the rules of chess and have a basic understanding of chess strategy. Knowledge of the names of the squares on the board is very helpful.
External Resources
In addition to the Outschool classroom, this class uses:
Joined July, 2021
5.0
2644reviews
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Teacher expertise and credentials
Bachelor's Degree in Music or Theatre or Arts from Boston University
When school went remote in March of 2020 my chess club (where I taught full time) thrived. This led to curriculum development, program development, and coaching work at the Johns Hopkins Center for Talented Youth, SciGenius, BudBe, Zinkers, and the Chicago Chess Foundation. Before that I taught for three years at the Berkeley Chess School.

Chess is on the cutting edge of a shift toward globally connected, self directed, and play oriented education. I am thrilled to be part of it. As a self taught player currently rated over 2000 I have become an expert in using the most advanced learning tools available to bring lessons to life. I love helping young people discover and excel at this beautiful game.

***Age range and level guide for all of my classes***
If you are not sure it is best start with an easier class so your student has a positive, confidence building first experience. 

Chess for Sparrows | Beginner Crash Course 
For absolute beginners and students needing a quick review of the basics. Ages 5-8

Chess for (Younger) Tigers 
For students who know the names of the pieces, how they move and capture. Ages 5-9

Chess for Tigers | Club 
For students who know all the rules, the names of the squares, and are comfortable playing chess online. Ages 7-12

Chess Club 1000 
For more advanced students who are rated at least 1000 on lichess.org or ChessKid. Ages 8-13 

Chess for Sharks | Private Lessons 
All levels. Ages 5-13

.

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6 pre-recorded lessons
1 week of teacher support
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1 year of access to the content

Completed by 17 learners
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Ages: 6-13

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