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An Immersive Guide to "Romeo and Juliet"

Shakespeare was not meant to be read. It was meant to be experienced. This 7-part class will bring Shakespeare’s most popular play into your home in a fun and interactive way.
Paul H. The Shakespearean Student
Average rating:
4.8
Number of reviews:
(52)
Class

What's included

7 live meetings
6 hrs 25 mins in-class hours
Homework
Although there is no official homework, there will be a handout that lists the characters of the play, vocabulary words, and historical details that the students can fill in as they follow along with the lecture. This is designed to keep them engaged, and to be a resource for later journeys with Shakespeare. While it is not essential, I encourage students to read passages from the play aloud, the connect with and enjoy the language. If they do not wish to do so, I will read a few passages myself to get the idea of the play across, but I would prefer if the students read as well.
Assessment
I will test the students' understanding with the worksheets, the digital escape room, and occasional online quizzes. For each class, the students take, they will receive a digital badge to download!

Class Experience

US Grade 8 - 11
Instead of just reading the play "Romeo and Juliet," this class will actively delve into the world of the play through a combination of lectures, dramatic readings, virtual field trips, online quizzes and activities, and finally, a digital escape room to test the student's knowledge of the play and its ideas. Each class is ala carte, meaning that once you take one class, you choose whether to stop at one class or continue onwards. Each class will delve into a different theme, literary device, and historical concept in the play:

Course Structure: 
Class 1: Why Read Romeo and Juliet?
- The teacher will decode the Prologue of Romeo and Juliet and tell the basic story of the play
- We will explain dramatic irony through looking at the prologue,
- The teacher will explain why Shakespeare used poetry in the play, instead of just writing in common prose
- We will discuss why we still read Shakespeare and Romeo and Juliet in particular.

Class 2: Foils and Fights 
- The learner will learn about the culture of dueling and sword fighting that was rampant in the 17th century.
- The teacher will explain and the learner will learn to recognize character foils in the play like Romeo and Friar Laurence
- We will cover the topic of antithesis- how opposite imagery permeates the play.
- We will discuss figurative language through insults and the students will have a contest to see who can craft the best Elizabethan insults!

Class 3: Acts 1& 2- The Language of Love and Hate
- We will recap how insults work- hyperbole and metaphor used to make someone seem the worst, the smallest, the ugliest, the dumbest, etc.
- We'll examine passages from Act II that show how these techniques apply to wooing and expressing love through metaphor, hyperbole, and allusions.
- The teacher will explain what a sonnet is and how Shakespeare uses them repeatedly in "Romeo and Juliet"
- We will discuss staging the famous Balcony Scene of Romeo and Juliet and ask if it's possible to do so in a virtual environment.

Class 3:  Act 3 fighting 💪 swordplay and plague imagery 
The teacher will explain the plot structure of Elizabethan tragedies and explain that Act III is the climax of the play. 
We will recap  the events that led to the deaths of Mercutio and Tybalt
The teacher will unpack Mercutio’s famous curse "A plague on both your houses," which is a foreshadowing, and the climax of the action.
The class will end with a short, safe demonstration of stage fighting where the students may choose to enact Mercutio's fight with Tybalt and/ or Romeo's fight with Tybalt.

Class 4: Act 4 antithesis and dramatic irony 
We will talk about the imagery in Act IV, scene 1, which foreshadows the end of the play. I will also do a dramatic re-enactment of Juliet's soliloquy in Act IV, 
We'll go on a virtual field trip to an Elizabethan wedding.
The teacher will historical context of the black death and its relevance to the play and Shakespeare's life.

Class 5: The final curtain
We will discuss Act V of the play and how so many forces seemed to be out of Romeo and Juliet's control, pushing them apart. We will also discuss whether or not Friar Laurence should be punished for encouraging Romeo and Juliet to disobey their parents.

Class 6: Performance then and Now
The teacher will perform in character as William Shakespeare, and teach the students how to act like real Elizabethan actors. This will include a virtual tour of the Globe Theater, a virtual costume fitting, stage fighting lessons, and DIY Elizabethan crafts. The teacher will then engage the class by discussing different adaptations, sequels, and spin-offs of Romeo and Juliet, in order to illustrate how popular and long-lasting this story is. The students will watch and discuss clips from various movies, plays, and ballets based on Romeo and Juliet. The instructor will conclude by sharing his own experience acting in Romeo and Juliet three times as The Prince, Friar Laurence, and Peter.

Class 7: 
Final project- CSI ROMEO AND JULIET STYLE
The class will play the role of a detective trying to solve the mystery of Juliet's death in Act IV, (when she actually takes the sleeping potion). (S)he doesn't know what happened but must piece together clues hidden in a digital escape room, such as handwritten notes, blog posts, receipts from "The Apothecary," etc. The clues will not only test the student's knowledge of the play, but their understanding of metaphor, verse, Elizabethan history, and more! In the end, the Detective will be the one who tells Lord and Lady Capulet the true story of what happened to Juliet. To unlock the digital escape room, the students will decode messages hidden in the clues and enter them into a Google Form.
Learning Goals
Topics covered:
-Students will learn the plot of Romeo and Juliet and the structure of Elizabethan tragedies
- Students will learn and be able to recognize Figurative language in both poetry and insults including metaphor, personification, Character foils, Dramatic and Situational Irony.
- Students will be able to understand the historical context of Shakespeare’s England and 16th century Italy including the Plague, the Protestant reformation, and the reign of the Tudors, which all contributed to his writing of "Romeo and Juliet."
learning goal

Other Details

Parental Guidance
While I will not directly address the topic of teenage suicide, it is part of the plot of "Romeo and Juliet" so I will have to mention that they kill themselves. In the final class, I will re-cap moments from the story in the format of a CSI-style digital escape room. There will be no gore or realistic bodies in the presentation, but suicide will be mentioned as it is part of the story.
Supply List
To make a DIY Elizabethan ruff, supply the following:
-20 to 30 coffee filters
- string or twine (enough to wrap around your neck)
- Glue, scissors
- hole punch (3 ring or single)
To make an Elizabethan roll, you simply need two pencils (preferably unsharpened) or two dowl rods, tape, and a blank piece of paper.
To do some stage combat, supply a pool noodle or some kind of sword or sticklike toy (real swords are not required)
External Resources
Learners will not need to use any apps or websites beyond the standard Outschool tools.
Joined April, 2021
4.8
52reviews
Profile
Teacher expertise and credentials
Master's Degree in Music or Theatre or Arts from Mary Baldwin College
Bachelor's Degree in Music or Theatre or Arts from Ashland University
Again, I will not directly reference teen suicide and will not show any pictures or suicide notes, but I will refer to suicide only in the context the plot of the play. I have received trauma-informed practices training, and if the students become distressed or upset, I will be happy to talk to them in a breakout room and try to help them return to the classroom.

Reviews

Live Group Class
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$50

for 7 classes
1x per week, 7 weeks
55 min

Completed by 3 learners
Live video meetings
Ages: 13-18
3-10 learners per class

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