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Advanced Ancient Greek Mythology and Archaeology: The Underworld and After-Life

Class
Spyridon (Spiros) Loumakis
Average rating:4.9Number of reviews:(743)
In this 18-week advanced class students will learn all about the mythical universe of the underworld gods and demons, the realm of the dead souls and the ghosts, as imagined by the ancient Greeks in their stories, art, architecture and cult

Class experience

US Grade 7 - 9
Advanced Level
In this class students will understand that the magic of myths lies not only in the stories themselves, fascinating as they are, but in the logic behind them and in their deeper meaning. Myths will be appreciated as a system of beliefs and a way of thinking about the world, as it was created by the ancient Greeks.

The goal for the students is to learn at an introductory level how the ancient Greeks were structuring their myths about after-life, about coming back to life and about the nature of the soul, and some of the narrative patterns that they were employing to tell meaningful stories about how the world of the dead and after-life were according to their imagination. 

We will discuss together how were these stories played out in ancient art, and especially in relation to their idea that there was a world that is inhabited by the dead (rested souls) and the ghosts (restless souls), together with underworld gods and demons. 

We will finally delve into an ancient religion with respect, so as to learn from theses examples two very important lessons: that there is no absolute truth, and that nothing unchangeable in time, when it comes to religious traditions, old and new. 
I have a B.A. and M.A. in ancient Greek and Roman history and archaeology, as well as an M.A. in history and phiosophy of religions (especially ancient religions). I have excavated in ancient Greek sites, I speak ancient and modern Greek, as well as archaic and classical Latin and I am currently finishing my PhD. 
Homework Offered
Homework, designed to take no more than 30 minutes per day, will be assigned before each of the fifteen meetings students will be asked to study a short hand-out which will be distributed in advance as part of their class preparation (each hand out will be uploaded 24 hours in advance).
0 - 1 hours per week outside of class
Assessments Offered
at the end of the course students will be assigned an (optional) multiple-choice quiz, in order to test their memory, attention and observation. This test may also include one or two questions requiring a very short answer, in order to assess the learners' comprehension.
Grades Offered
I do not believe that a letter grade is meaningful for a mythology class. However, as I often do with my one-time classes, which are always small classes, I communication with the parents and the children directly, providing my personal comments, private feedback and an informal assessment, especially if they complete the (optional) quiz assigned at the end of the camp.
Learners will not need to use any apps or websites beyond the standard Outschool tools.
(a) I use only and exclusively ancient art, original artworks created by the ancient people whose stories I teach in my classes, and this is the reason why I spend hours finding images that are from museums and collections of art from all over the world; 
(b) this course is based on what some of the ancient civilizations believed, which means that their ideas may have been based on their observations, their imagination or their fears and hopes, but not on facts; 
(c) the class is about the ancient world and not modern religions, which means that I approach the ancient world, based on the work of scholars (like me) who study it historically from a secular perspective.  
(d) specifically the topics of the Dead Souls and Afterlife, or Stories about people coming back from the dead are approached from the perspective of the ancient Greek imaginaton, artistic creativity and mythical universe, and have nothing to do with the individual beliefs of modern people and contemporary cultures. Parents and learners should feel safe that this class is not about death and afterlife as we approach them today (scientifically, theologically or metaphysically). This is a class strictly about ancient Greek mythology and often about ancient Greek art (inspired by mythology) 
(e) parents' and learners' level of comfort with the concept of death is irrelevant to this class, since we are going to discuss only "death" as a demon, called Thanatos, in Greek mythology. 
  
I have a special note to make for Greek art:
in the ancient Greek arts gods are depicted often (but not always) naked. The Greek word for a naked man is "gymnos" and that is why in English today we say "gymnastics" or "gym" although our children and athletes wear uniforms. This being said, any artistic reproduction in ancient art should be expected to show nude gods. I try to use as less as possible, but it is not always within my hands since this is the nature of the ancient Greek art itself. Since, it is an art that comes from an era where there were no photographs, or videos, the art is found only on painted vases, wall paintings and sculpture. Nudity was never meant to provoke, but to tell to the ancient viewer that gods are not mortal humans and, thus, they do not need clothes. As you may very well understand, I cannot change the history of art, nor my preference as teacher of mythology to show students the original art from ancient times.
Some of the source I use for this class, which come from some of the best scholars in the field, are: 

Instructions for the Netherworld: The Orphic Gold Tablets (Religions in the Graeco-Roman World), by Alberto Bernabé and Ana Isabel Jiménez San Cristóbal (Leiden: Brill, 2008).
Restless Dead: Encounters between the Living and the Dead in Ancient Greece by Sarah Iles Johnston (University of California Press, 2013)
Myths of the Underworld Journey: Plato, Aristophanes, and the 'Orphic' Gold Tablets by Radcliffe G. Edmonds III (Cambridge University Press, 2012)
"Reading" Greek Death: To the End of the Classical Period Paperback by Christiane Sourvinou-Inwood (Clarendon Press, 1996)
Greek and Roman Necromancy by Daniel Ogden (Princeton University Press, 2004)
Magic, Witchcraft and Ghosts in the Greek and Roman Worlds: A Sourcebook by Daniel Ogden (Oxford University Press, 2009)
Round Trip to Hades in the Eastern Mediterranean Tradition (Cultural Interactions in the Mediterranean) by Gunnel Ekroth and Ingela Nilsson (Leiden: Brill 2018)
The Early Greek Concept of the Soul (Mythos: The Princeton/Bollingen Series in World Mythology, 139) by Jan Bremmer (Princeton University Press, 1987)

In addition, archaeology, art, architecture, epigraphy and numismatics will be used, whenever relevant, to enlighten aspects of ancient Greek mythology that are not so apparent in the mythical accounts. 
My background in all these fields will guide the student through these peculiar sub-fields of history, in order to be abe to "read" them and complete their knowledge. 
Average rating:4.9Number of reviews:(743)
Profile
As a father of two young kids, I put a lot of effort so as to entertain them in a productive, and educational way, making sure I feed their natural curiosity and encourage them to keep asking questions. Undoubtedly, television and video games are... 
Group Class

$19

weekly or $342 for 18 classes
1x per week, 18 weeks
60 min

Completed by 5 learners
Live video meetings
Ages: 12-15
3-8 learners per class

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